Releases

Release 20.05.2022
Pieter Kock - Facial Recognition (RIO08)

R.I.O. welcomes Pieter Kock aka DJ Peacock, one of the guiding souls behind the Berlin based bar/micro club O Tannenbaum. Musically active since 1986 as singer, guitarist, drummer and noisemaker, Peter already released a string of albums under different aliases like Billie and Ballie, The Hitmachine and Taladu.  Since the early 1990s he narrates haunting sonic stories as a DJ, playing a vast palette of styles - from cosmic and leftfield techno to tape experiments, sound-art, wave, world, jazz, punk, industrial, and all that weird pop music. Last year saw him liberating his first solo recordings under his civil name as a cassette tape named “Flocks & Murders of Entitled Spirits”, dropped by the Berlin/Vilnius based label Musikii. It unreels twelve sensitive tunes, made with the help of online synths and drum computers, Youtube travel- and talk show-videos or samples from Youtube synths- and rhythm box-demonstration videos. Now he refined his idiosyncratic style of music crafting a bit deeper and shares “Facial Recognition” – a gently twisted album that unites hypnagogic pop, library dances, cosmic funk, leftfield grooves and experimental sonic zones under one roof. His seven found sound tunes are layering a rhizomatic veil of unidentifiable web sounds, all transmuted into hazy looped ambiances, that trigger unconscious brain activities with future samples from the past, woven rhythm structures and a simultaneity of moments, derived from myriad world wide web informations. When it’s true, that nothing can have value without being an object of utility, then Pieter Kock managed to give the internet a new rate while using its manyfold informations as a tool to create art. Art, whose originality isn’t defined by the creator’s playful virtuosity. Instead, his sensibility of deciphering unheard rhythms, harmonies, and melodies in an avalanche of prefabricated ideas is his mastery. Pieter Kock transformed them into unfamiliar compositions with a familiar touch, that can evoke the feeling of being synchronous in a world of the many. A data rain without drops, a stream of consciousness without cognizance. Come in, drop out.

Bandcamp

RIO08 Pieter Kock - Facial Recognition

SETR008 V.Ö. 14.10.

A) TIFFY L’AMOUR - FOLLOW ME (FREY & MENQUI Glockenspiel) 
B) DIE GESUNDEN - Filmmusik (FREY & OTTER Dive)

Serious Trouble label presents a mind bending record that brings together forward thinking jams from the early 80’s into present time with reworks of Tiffy L’Amours’ „Follow Me“ and „Film Musik“ from Die Gesunden. Both received an editorial treatment by Benedikt Frey, Menqui & Philipp Otterbach. With kind allowance by the original composers this 12“ marks the editorial spirit of Serious Trouble and waves tribute to moist cellar jams.
The A-Side „Follow Me“ Rework by Frey & Menqui is a wild extension of the original which gently adds a weird drummy cowbell intro before it introduces the chanting eccentric original. That got enhanced with an extra electronic bass recording and relooped cut & phrases emphasing you to hit the bell just one more time.
On the flip side „Film Musik“ Frey & Otterbach dived into the artists main motive and layerd it with a lyra, sh101 and external drums in an 8 hour session. It respectfully keeps the spirit of the playful original. In comparison to that though they managed to built a seamless endless „escheresque" staircase to mad mountain. An Immortal Acid exploration.

Die Gesunden & Tiffy L'Amour Reworks (Benedikt Frey, Menqui, Philipp Otterbach)

@freybenedikt RIO09 // 11.18.2022 // Distr. One Eye Witness

When British Airways got privatized and listed on the London Stock Exchange, somewhere in Canada the first Starbucks outside of the US opened, and the Walt Disney Company signed an agreement with the French Prime Minister to construct Disneyland Paris. In the sky above southern Argentina, Equatorial Guinea, Cameroon, Sudan, Ethiopia, Djibouti, northern Somalia, and the Atlantic Ocean a hybrid solar eclipse materialized for 7.57 seconds, whilst Margaret Thatcher performed for 45-minutes on Soviet television. Some days later, The Simpsons cartoon first appears as a series of shorts on The Tracey Ullman Show, Diego Maradona wins his first Italian soccer championship with Napoli, and Eighteen-year-old West German pilot Mathias Rust lands a private plane on Red Square in Moscow. In the mists of the world's first conference on artificial life at the Los Alamos National Laboratory, the first Kentucky Fried Chicken restaurant in Mainland China opens in Beijing, and Prozac gets approved for use as an antidepressant in the United States. Much give way for the future, down there in 1987, the year that marks the title of Benedikt Frey’s freshest mini album, out into the world on R.i.O., the label he runs with some pals in the North of Berlin. It’s a dubby melancholic conqueror, wistfully, repetitive, drilling, absorbing, spooking. It makes you dream. Not particular of the year 1987. But it’s all there: The Red Square, the untouched land of the Val d'Europe, Diego on fuego. Six dark-ish tracks in trance, melancholic dub, downbeat heaven, journey music depths, all full of light and yet so dark. Futuristic dramas linked to a speculative past. In our dreams all might look different. The eclipse may last 27-minutes. You meet Neuromancer cyberpunks and blade running Ghost dogs, all taught to hack by Phrack. Cristal clear melodies, sampled voices, and veiled basslines, analogue scopes, and digital ropes, longing for a past that storm into the future. A time where deep listening widens the acoustics into infinity, while neon glows charm the light smog. Benedikt Frey been down there. Or maybe not. His latest music tells stories from the bygone, vested with the forthcoming. Come in and look out. There is nothing to see, yet so much to hear. ML

A1) Phrack 5:55
A2) Trencher 6:15
A3) ORI 3:38
B1) Attitude 5:45
B2) Dummy 5:43
B3) Steam 5:30

Supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media.

1987

RIO09 Benedikt Frey - 1987

MASS HYSTERIA  w. Dolorosa guest DJGUS [24.11.2022]

Puma & The Dolphin make a welcome return to Invisible Inc and once again deliver the goods.

This EP has all come together rather quickly. It actually only just got inserted into the release schedule just over a week ago. It was mastered just 5 nights ago and the artwork started 3 days ago...so it's happening fast. This also means no DJ feedback yet....but since sending out some promo yesterday I'm told the opening track "Golden Coast" will be appearing on Optimo's NTS show next week! So it's off to a good start :)

INVINC DD12 Puma & The Dolphin - Phantom Impulses EP [samples] OUT 2 FEB 2023

For a heterogen mix of slow breaks and shamanic distortions, brussels based Kafim brings you an hour from the awakening to the climax.

Kafim [23.01.2023]

DTP#16 - towLie

And on we go with the next podcast made by towLie.
Hailing from Stockholm she runs the record label käften and is making productions as towLie, skitungen, sugaR or empfänger on Labels such as Lux, Born free, rubber denHaag CAF? and on her own imprint.

Her versatile taste of music retrieves itself in this eclectic mix full of twists and turns but always with the special towLie feeling. 
trevlig resa.
https://soundcloud.com/towlie

DTP#16 - towLie

Put on headphones, close your eyes and merge into Benedikt Frey’s 'Fastlane'. Imagine you’re sitting in the driver’s seat of a an automobile, one with exceptional horsepower and torque, and as you stare out the windshield you see the red light, warping in fata-morgana, about a mile down the road. It’s a straight road, black top, two lanes, and against your better judgment you’ve decided to floor the gas. There’s no hesitation in your muscle, your ankle or the ball of your foot, which you’ve realized is some kind of universal pivot, a first point of contact that merges your body with the will of machine. In this moment you’re in awe of the reality that you, a human being, an animal, could have grown out of pond scum into something so advanced as to engineer this thing, a mechanical beast capable of such overwhelming power and exhilaration, but you also feel a seductive dread, an outside force diverting you from caution toward a dangling carrot of curiosity, asking yourself, How far can I take this thing? The dread, now constant, is numbed, equalized by an adverse and intoxicating gratification. You feel both of these sensations in real time, however, instead of taking responsibility for yourself, friends, family and innocent bystanders, you cement your foot to the floor and lean your head back. The noise around you fades to mute, you smell the benzene-scented air, feel the wind on your face, the menacing vibration of the vessel you control beneath you and every grain of asphalt under its tires. This mile has now lasted an eternity and you’ve left your body for some outside view, as if you’re watching the high climax scene in a film. You’re past the point of no return so you embrace this sense of abandon and lean into fate. The film has become slow motion, crawling at a pace so mesmerizing you convince yourself there is an option to eject yourself from this madness, but as you finally let go of your last morsel of fear, you run the red light and become the nucleus of a fantastic glistening sculpture of torn metal, glass, oil, broken dreams and heartache. 'Fastlane' may be just drum machines and synthesizers if you’re timid, but listen harder and hear a catastrophic reality of existence, a wreckage so gruesome we dare not rubberneck, but it is our nature to stare.

Buy from ESP

D3 - 1337 - SNIPPET

D1 - Silverblade (ft O-Wells) - SNIPPET

D2 - Lost (Again) - SNIPPET

https://soundcloud.com/freybenedikt
https://soundcloud.com/esp-institute
🛒 https://freybenedikt.bandcamp.com/album/fastlane
🔊 https://youtu.be/nVzU6dgMxek

Close your eyes and merge into Benedikt Frey’s 'Fastlane'. Imagine sitting in the driver’s seat of a an automobile, one with exceptional horsepower and torque, as you stare out the windshield at the red light, warping in fata-morgana a mile down the road. It’s a straight-away, a black top with two lanes, and against your better judgment you decide to floor the gas. No hesitation in your muscle, your ankle or the ball of your foot, which you now realize is some kind of universal pivot, the first point of contact fusing your body with the will of machine. In this moment you’re in awe that you, a human, an animal, grew from pond scum into something so advanced as to engineer this thing, a mechanical beast capable of overwhelming power and exhilaration. But you also feel a seductive dread, an outside force diverting you from caution toward a dangling carrot of curiosity, asking yourself, ‘How far can I take this thing?’ The dread, now a constant, is numbed, equalized by an adverse intoxicating gratification. You feel both sensations in real time, however, rather than take responsibility for yourself, friends, family and innocent bystanders, you cement your foot to the floor and lean your head back. Noise around you fades to mute. Smell the benzene-scented air, feel the wind on your face, the menacing vibration of the vessel you control beneath you and every grain of asphalt under its tires. This mile has now lasted an eternity and you’ve left your body for some objective view, as if watching climax of a film. Past the point of no return, you embrace abandon and lean into fate. The film becomes slow motion, a crawling pace so mesmerizing you convince yourself of an option to eject yourself from this madness, but as you finally let go of your last morsel of fear, you run the red light head-on into the nucleus of a fantastic glistening sculpture of torn metal, glass, oil, broken dreams and heartache. 'Fastlane' may be just drum machines and synthesizers if you’re timid, but listen harder and know the catastrophic reality of existence, a wreckage so gruesome we dare not rubberneck, but afterall it is our nature to stare.

PREMIERE: Benedikt Frey - Crank [ESP Institute]

Invisible Inc is proud to present another unique and remarkable release, this time diving even further into ambient, spiritual and folk-infused psychedelia. 

“Mondo Organico”, as the name suggests, is a concept compilation that captures the “organic” side of the label. The use of non-electronic instrumentation is a familiar theme explored previously with the likes of Komodo Kolektif, Immaculate Rivombo and Peter Power...but this time the instruments and voices, tranquil and meditatively hypnotic in places, display an even deeper spirituality. 

Featuring the talents of Andi Otto and his fello (electronic cello), Anna vs June's ethereal vocals, Tyler Ov Gaia's zoned-out mantra rhythms, Pieter Kock's 8-minute bass and guitar psych odyssey, as well as label favourites Sordid Sound System and Puma & The Dolphin, the record is enthralling and mesmerizing from start to finish. You will want to flip it over when you reach the end...and start all over again. 

______________ 

It seemed appropriate to press this album on eco vinyl. Everything from the sleeve and vinyl to the inks themselves are recycled, in an attempt to address some of the environmental issues we face today, albeit fractionally. 

Packaging is 100% carbon neutral and their factory is 99% circular in terms of wastage, recycling and energy usage. 

You can read more about the Deepgrooves pressing plant in the Netherlands here: 
deepgrooves.eu/about/ 

“Mondo Organico” is the future. 
credits

A1 written by Sordid Sound System 
A2 written by Anna vs June 
A3 written by Tyler ov Gaia 
B1 written by Andi Otto 
B2 written by Nikko Names 
B3 written by Pieter Kock.

Mondo Organico

INVINC 34 Mondo Organico vinyl LP [clips] OUT 15 Sept 2023

atish lets ambient ambitions shine on latest Vivrant release.

Read more: https://whenwedip.com/2024/05/premiere-atish-molo-vivrant/

Follow: @atish / @itsmemolo / @vivrantmusic

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT: youtube.com/user/whenwedip
FB: facebook.com/wwdofficial
IG: instagram.com/whenwedip/
TW: twitter.com/WhenWeDip

Premiere: atish, MOLØ - Idyll [Vivrant]

Two years on since his BR debut in Berlin, our attention is drawn once again to Benedikt Frey and his Lopasura (Love, Pain, Sunshine & Rain) imprint. Since its 2012 formation, Lopasura has housed Benedikt's own releases. Following on from the Connect Four compilation by Drvg Cvltvre, Mark Forshaw, The Acid Mercenaries and Benedikt himself, he now returns with the label's fourth release. Out of the Fog showcases a trio of analogue-laden techno mastery. The title track opens proceedings fittingly. Acid low-tessitura chords hiss continuously underneath while siren synths whir in and out in their grandeur, peaking to symphonic effect before fading back into the dark. A sense of drama that encompasses Love, Pain, Sunshine & Rain comprehensively.

Catch Out of the Fog creeping out of the shadows on 21st April via Lopasura.

Pre-Order

Benedikt Frey "Out of the Fog" - Boiler Room Debuts

Full stream of Benedikt Frey's haunting "Private Crimes," a cut from his new album on ESP Institute. 

More info: https://www.xlr8r.com/news/2017/09/premiere-hear-a-haunting-cut-from-benedikt-freys-debut-album/

@freybenedikt
@esp-institute

[ESP048] Artificial

More info

Premiere: Benedikt Frey - Private Crimes

Radio show created by Oscar der Winzige for Noods Radio.

"Noodheads" is show 02 of 03, forming part of the Sameheads 3 month residency on Noods Radio of Bristol, UK.

The final show is hosted by Zozo.

Links:
www.sameheads.com
noodsradio.com/
@marlenestark

Noods Radio

Noodheads # 2 by Oscar der Winzige for Noods Radio - March 11th

+ swimming zone
+ @riolabel @initinit
+ @spunoutagency 

05.07. Kappa Futur Festival, Turin
14.06. Masters, Zagreb
07.06. KuH Festival, Bad Wildbad
31.05. TBA, Düsseldorf
18.05. Outracena, Lisbon
27.04. Arkaoda, Berlin
24.02. Macadam, Nantes
09.02. LAF, Pforzhyme
26.01. Sameheads, Berlin

---- BYE23

29.12. Karmakoma, Belgrade
16.12. Sables Mouvants, Madrid
18.11. The Love Inn, Bristol
17.11. The Carpet Shop, London
11.11. Epicentar, Skopje
08.09. Arkaoda, Berlin
28.08. Dolphins @ Warning, Berlin
23.08. Dolphins @ Tanzhaus West, Frankfurt 
13.08. DT Camp, Lithuania
14.07. K&H Festival, Bad Wildbad
03.06. Renate, Berlin
14.05. Doka, Amsterdam
01.05. X, Berlin
21.04. Control Club, Bukarest
10.03. Sameheads, Berlin
02.18. Barcelona, Colectivo Secreto
02.17. Latvian Art Academy Carnival, Riga
01.13. OHM, Berlin

played at venues like: Rex Club, Fabric, Tresor, Berghain, Panorama Bar, Boiler Room Stadtbad Robert Johnson, Circuli de Bellas Artes, De Marktkantine, Pacha Ibiza, Signal, Peacock Festival, Nuits Sonores Festival, Opium, About Blank, Nitsa, Elysia

Welcome to the ESP Institute. Please remove your shoes at the door. Thank you.

D2 - Lost (Again) - SNIPPET

ESP Institute

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