Greg Fenton has DJ’ed, produced and written about music for the last 35 years.

He began life as a DJ in 1985 playing Belfast club The Orpheus, as well as notorious after-hours venue The Plaza. June 1989 saw Greg move to Manchester and it was there he held residencies with the likes of Mike Pickering (Circus), Jon Da Silva (Spacefunk), and Justin Robertson (Spice/ Konspiracy/ Most Excellent at Venus) by the early nineties. He was also cited by the Chemical Brothers as an influence in their Channel 4 documentary, Block Rockin’ Beats. From there he went on to DJ extensively across the UK at clubs like Golden, Back to Basics, Venus, Sub Club and  Shindig, along with European dates including Paradiso (Amsterdam) for i-D magazine.

Greg’s choice of music has also supplied the soundtrack for many of Manchester’s late-night bars including Prague V, One Central Street and Barca. Prior to this Greg was resident for 2 years at Factory Records’ flagship bar Dry 201, which resulted in a Saturday night residency at the world renowned Hacienda.

Greg began reviewing records back in 1991 for Mix Mag Update and has since written for i-DJ, M8, Our House Mag, and Keep On among others. He currently runs his own site MagazineSixty.com where he reviews and interviews artists.

As a producer he has released five singles as Soularis for Chicago’s Guidance Recordings as well as releases for the likes of Hed Kandi, Refunkt and Seamless Recordings. Plus, as Silver City ‘Love Infinity’ which Pete Tong made Record Of The Week playing it several weeks in a row, and has provided remixes for Ten City and Angel Moraes among others. He is now releasing under his own name with latest release Hot Mess EP out on Digital Devil Recordings.

Greg also now presents a radio show on Data Transmission on the first Thursday every month from 4-5pm GMT.

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

I am only loading mixes now to my Mixcloud and Hearthis profiles, so please go to my main profiles at 
https://hearthis.at/geemoore 
and 
https://www.mixcloud.com/gee_moore
Thank you

Mensagem pros meus seguidores! A partir de agora vou usar apenas o Mixcloud e hearthis para postar sets e mixes, por favor me adicionem por lá https://www.mixcloud.com/gee_moore 
e 
https://hearthis.at/geemoore 
Obrigado

Clubs + Events: Warung + D-Edge (Br), Amnesia (Ibz), The End + Rainbow (UK), U60 (Ger)…
Labels: Media, React, Perfecto, Eukatech, SLR, Revolucion, Endemic, Superfreqs, Bora Bora Music (owner)
Productions: Dolphin, Gimme More, Take U Inside, Hell no, My best friend is in my head, Electronism…
Columnist and Interviews: Ministry Mag, M8, DJ Mag, House Mag, DMC, Mix Mag…
Radio: BBC Radio 1 essential mix, MGR, Pulse, Dance digital, Ministry Radio, Thump Radio, Pushfm, JP…
TV – Interview + Presenter: MTV, Rapture TV, Multi Show, E…

Gee has had a musical upbringing in England and turned professional singer and guitarist from the age of fifteen. He is a DJ, music producer and creator of the Bora Bora beach club and music concept that he started in 1997. In 2005 he moved his music brand and the most famous cosmopolitan beach club concept in the world away from Ibiza to its new official home now in Brazil and Tunisia.

Essem Petee are a new Tech house project coming out of Scotland. They have been producing acid/tech club tracks for around 6 years and are finally ready to unleash some twisted grooves to the world...so watch this space!!!

BOOKINGS/INFORMATION: Claudia@brainsurgeryhq.com

+++ I DO NOT CHECK MESSAGES HERE
+++ I DO NOT FEEDBACK YOUR TRACKS OR MIXES
+++ PLEASE DON'T SEND UNSOLICITED PROMOS
THANKS!

latest chart Dec 24 https://www.juno.co.uk/charts/dj/3488-Jane_Fitz/13060926-Chart//?ref=janefitz

Planes. Sky high rhythms & low flying bass.

i music // i animate

Arthr was born from a love of live performance, electronic & experimental music and animation that comes to life through an animated character - Arthr.
 
The ‘Arthr sound’ has been developed through an exploration of powerful film scores as well as dreamy, gritty electronic & experimental music. It’s a varied mix in terms of genre, brought together by similar themes such as melody, keys and live percussion that run throughout. 
​
'Arthr Live’ is driven by all original music and video content, reconstructed and remixed live, to create a unique narrative to the performance. Re-creating these elements in a live format, where visual performance is as important as the music itself, means Arthr as a character/collection of ideas translates into the club, festival & live environment.

Independent record label from Moscow founded in early 2007 by Electric & One.

Our mission is to promote elite musical culture, avoiding bringing it to the mainstream. Our path in music is in perceiving, extracting and conservation of the deep and natural sound of music. Not being framed by style definitions we create in space from deep to electro, from disco to techno.

Deepology these days is more than 70 musicians, many of whom were literally conceived in close collaboration with the label; more than 500 tracks on digital & physical medium released; three sister-labels - Aquamarine, Body Parts and Fragmented Beats, more than 150 radioshow episodes  in more than 15 countries worldwide on FM & Internet.

For the second decade we search, play & distribute music in Russia & far off its borders. We’re neither event nor booking agency. We don’t follow temporary trends, but stick to classic studio/label approach - we make & release music, help artists to gather & develop their audience.

Essem Petee is following