Corporate overlord
Emma, Oscar, Emil and Fer.

https://www.facebook.com/welladjustedband
https://www.instagram.com/well.adjusted.inc/
https://twitter.com/WellAdjustedInc
https://welladjustedinc.bandcamp.com/

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Possible music via Stockholm/Manchester.

MAVO-001: DUDS "Wet Reduction" EP (7") 2016
MAVO-c1: MÅLGRUPP "Musik Från Gallerian" (Cass) 2017
MAVO-c3: PORTABLE DOGS "Tape 1" (Cass) 2018
MAVO-L1: MARAUDEUR "Maraudeur + Maraudeur" (LP) 2018
MAVO-c4: KLOAK "Connectivity" (Cass) 2018

Autorhythmic cells function automatically without the need of instructions from the brain.

Joakim Forsgren (b. 1981 in Skutskär) moves freely between music and visual arts. After being diagnosed with Parkinson’s disease at age 33 he started making electronic music as AUTORHYTHM. The compositions drew from current research how sound can affect the human body down to the cellular level asking the curious question: what would the synthesisers play themselves if the artist would no longer be able to control them. Songs for the Nervous System was first presented at the exhibition Swedish Ecstasy at Bozar in Brussels, 2023.

Swedens biggest newspaper, Dagens Nyheter, gave it 4/5: ”This is electronic instrumental music filled with warmth and, well, hopefulness. The limitation that a lifelong illness can entail has been transformed here into weightlessness.[…] You can refer to 70s pioneers like Kraftwerk or Cluster, but these 36 minutes land directly in the present.”

In 2024 remixes were released by dub legend Scientist, Art Alfie and Pink River Dolphins.

Full EP: https://open.spotify.com/album/4MWUQaDpO8JwkuLpEAlPhv?si=OgoUwNWNThyRwZ6WrlTzmg
The uncompromising concept of 20-something angst turned dada where the playful melodies break through the saturated distortion like gasps of air. The will to do nothing but the utterly bizarre and pointless in an age of perfection.

Öfre byns ondskeorkester startade våren 2017 i Öfre byn. Trummisen Janne spelar trummor. Sångaren Håkan är från Tällberg. Gitarristbassisten Olov spelar basgitarr.

In Hansén’s home in Öjebyn, in the very north of Sweden there was a cafe frequented by music students from Framnäs, who played on their piano, and on Sundays the priest held the funeral service to the sounds of the pedal organ and hymns. In the church nearby there was a cantor, Wäinö Ruottinkoski, who called himself a composer, and the meeting with him when he showed some compositions made a great impression on Hansén.

 Other memories are the sensational discovery that the radio was playing pop music. Hansén wrote down the time and day in a notebook, because he thought there was a good chance that the next day or week there could be just as good music coming out of the device. A creative friend gave Hansén the idea to build his own instruments from cans, planks and old scrap. This was just before the punk rock era and it was the start of his own creative activities. 

Hansén started to write his own classical compositions at the age of 16. By the age of 30 he became an acknowledged composer by the release of his first string quartet ”Laterna magica” on Warner Music. After a turn in life, music had to take a backseat to new jobs and experiences, but Hansén returned to music in 2019, now also with a spiritual dimension which takes on a concrete meaning. 

Cecilia Gelland from Duo Gelland, describes Hansén: "You belong to those people who have the ability to convey the skinless, who can bear to be there long enough and who possess both the intelligence and the tools to do so."

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