a morph of "Generique" from "L'ascenseur pour l'échafaud" Ost by Miles Davis

Marco Lucchi / tools

15 luglio 2013

Marco Lucchi - Le Descendeur

Experimental Electronic music, designed specifically for headphones. Released on Iynges records, 2009

Walking Commute

for Plum

FR :

une pièce en trois parties, mêlant synthèse modulaire et phonographies naturalistes.

simulacre, mimétisme, apprivoisement, charme, sortilège, et mystère ont été les principales notions qui en ont guidé la composition.

EN :

a three parts piece, mixing modular synthesis and field recordings.

simulacrum, mimicry, taming, charm, spell, and mystery was the main notions who guided the compostion process.

Deux Renards (2013)

DREAM SONGS for orchestra and tape

5 poems by John Berryman

Dream Songs for orchestra and tape

My latest work. Might still undergo some minor modifications and a name change. I'd like to know what you think about it. feel free to share your comments and critiques on this piece.

It is build upon three tracks of a live performance (Guitar, Nord Modular, Guitar-Granulator)with heavy postprocessing and corrections.

The composition is featured in the fulldome production "Black Light" with visuals from Stefan Berke of modular audio graphics: https://vimeo.com/126667144

It will be shown on May, 28th 2015 on the Fulldome Festival, Jena.
Best, Martin

Black Light

Black Vines:

Birthed between the burning fields of Kansas and the surreal landscape of the New Mexican desert, Black Vines is a dense layering of monophonic drones, delayed sitar and large scale cello arrangements.

Combining the distorted and blackened influence of Aaron Martin’s recent solo and collaborative work with Joseph Angelo’s love of ragas, industrial noise and meditative minimalism, the eight elegiac strands of Black Vines are tribute to redemptive growth that occurs in the shadows.

Mastered by James Plotkin, featuring tracks reworked from the original parts by Dag Rosenqvist with stunning artwork by Chris Koelle.

Packaging includes letter-pressed covers, glass mastered CD, 10 x limited edition prints on heavy card stock with glassine bags, all resting inside hand numbered, scented black envelopes. Limited edition of 200 copies!

http://fluidaudio.bigcartel.com/product/black-vines

Willow Choir (Black Vines)

A quick sketch using an array of Buchla DIY + Make Noise, 4MS, Toppobrillo, Mutable Instruments, Livewire & STG Soundlabs modules. 

20 Trillion Leagues

Lissajous (2012), for vibraphone and electronics
by Ethan Frederick Greene
Commissioned, premiered & recorded by Adam Groh

Lissajous, for vibraphone & electronics, is a sonic impression of a Lissajous curve – a graph of the system of parametric equations describing complex harmonic motion. Represented visually, such a curve resembles a three-dimensional knot. The musical material lies at the intersection of minimalist and 12-tone techniques, while the electronic elements – built from simple sinusoids, FM synthesis, and processed vibraphone and Thai gong recordings – serve as accompaniment and soloist throughout the piece. The vibraphone’s motor speed dial is manipulated as an effect, and granular processing, distortion and other guitar-style effects serve to further augment the instrument. All processing and cueing done in Max/MSP.

Lissajous (vibraphone & electronics – Adam Groh, vibraphone)

Ethan Frederick Greene writes music of all sorts. For more information on these sorts, please visit ethangreene.org. Thank you.

Lissajous (vibraphone & electronics – Adam Groh, vibraphone)

Ethan Frederick Greene

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