Name: Avoid The Wrong Shadows — Most Of Eternity #mphil_portfolio by E. Lynn S. (Elaena Lynn Sethani) in E.S.: Soundscapes/Paysages Sonores
Duration: 2 min 40 s
Description: Avoid The Wrong Shadows suite #mphil_portfolio

Grave, Deep and beautiful. Very captivating music Elena. Love it

Composed, recorded and mixed by E. Lynn S.

A collection of my electronic, ambient and psychedelic sound art tracks that I wrote, recorded and released between 2003 and 2016.. 

Argonika tracks (dance, synth pop, electronica) are also added to the playlist; it is my early '00s project hosted on a separate soundcloud account, @argonika.

E.S.: Soundscapes/Paysages Sonores

Talhios Version Idref

Title:
Earth

1: "Earth", 05:02 (00:00)
2: "Parting", 06:22, (05:02)
3: "Trees", 05:28, (11:24)
4, "Insects", 1:35, (16:52)
5, "Visitor", 04:23, (18:27)
End (22.50)

Dates:
01-Nov-2025 (inception), 01-Nov-2025 (finalised), 04-Nov-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund
Music Video by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/earth

Description:
After recording "Granie Demo3 - Lyra Dreams The Halloween Edition" (Ref. [1]), I had to have a wind down session just jamming out, or was it going more hyper -- you be the judge.

Tracks 1, 2, 3 and 4 were recorded DAWless on the Granie, feeding it the Soma Lyra 8. Granie is my granular synthesiser Ref. [2].

Track 1 used a definite tuning library, whereas for tracks 2, 3 and 4, it was all modified and improvised. The tuning is listed below, negative frequencies meant play backwards, these were the grain play-back frequencies, which may differ to the human perceived frequency.

Grain Bank 1 frequencies [Hz]:
1: -1.635
2: 0.265
3: 0.985
4: 1.465
5: 2.165
6: 2.865
7: 4.165
8: 12.465

Grain Bank 2 frequencies [Hz]:
1:14.
2: 3.
3: 13.
4: 20.
5: 25.
6: 32
7: 28.
8: -2.4

Grain Bank 3 frequencies [Hz]:
1: 3
2: 14
3: 17
4: 22
5: 23
6: 25
7: 41
8: 47

Grain Bank 4 frequencies [Hz]:
1: 117
2: 122
3: 125
4: 129
5: 131
6: 136
7: 141
8: 40

The tuning was determined one grain bank at a time, all by ear, ensuring each new bank's ith note worked well with the next bank's ith note.

For track 5, I was curious what the tuning of track 1 would sound like with a fixed discrete tuning instrument, so took the raw track 1 tuning and put it into Ableton Live, an exact replica of tuning but with no granular synthesis human perceived tuning corrections. Some selective octave reduction was also used, this tuning is shown below:

ID, Bank, Local, FreqRatio, Cents
0, 0, 0, 1.000, 0c
1, 0, 1, 0.162, -3150c
2, 0, 2, 0.602, -877c
3, 0, 3, 0.896, -190c
4, 0, 4, 1.324, 486c
5, 0, 5, 1.752, 971c
6, 0, 6, 2.547, 1619c
7, 0, 7, 7.624, 3517c
8, 1, 0, 1.070, 118c
9, 1, 1, 0.229, -2549c
10, 1, 2, 0.994, -11c
11, 1, 3, 1.529, 735c
12, 1, 4, 1.911, 1121c
13, 1, 5, 2.446, 1549c
14, 1, 6, 2.141, 1318c
15, 1, 7, 0.183, -2936c
16, 2, 0, 1.835, 1051c
17, 2, 1, 8.563, 3718c
18, 2, 2, 10.398, 4054c
19, 2, 3, 13.456, 4500c
20, 2, 4, 14.067, 4577c
21, 2, 5, 15.291, 4721c
22, 2, 6, 25.076, 5578c
23, 2, 7, 28.746, 5814c
24, 3, 0, 1.118, 193c
25, 3, 1, 1.166, 266c
26, 3, 2, 1.195, 308c
27, 3, 3, 1.233, 362c
28, 3, 4, 1.252, 389c
29, 3, 5, 1.300, 454c
30, 3, 6, 1.347, 516c
31, 3, 7, 0.382, -1665c

I used a bell instrument, ok, this is weird, the tuning, not the instrument, but it worked, 8 notes for each of the Granie banks, strung together into 32 notes and just stuck with only using those 32 notes. I realised I needed a timing track, so picked a drum set and set the Push2 midi controller into 1/16th repeat note mode and improvised some drums into a 21 bar section. Improvised on the Bells track into 18 bars. Put the percussion and bells into looped playback and improvised on the Lyra 8 -- one take, improvised tuning oh ya.

This was all done in the session view of Live, then bounced into the arrangement view ready to play back and do the mastering by putting in volume swells for interest.

You can hear the whole album on my YouTube channel at:
https://youtu.be/Dd1BKzmb1hU

References:
[1]	Granie Demo3 - Lyra Dreams The Halloween Edition, Link: https://youtu.be/5HTL0VaQpvI
[2]	Granie, Granular synthesiser by Norman Freund, purchase at: https://normanfreund.gumroad.com/l/granie


Trees

An ambient and meditative instrumental composition based on analog synths.

Runology

Feel You Near Me

Helga's Ephemeris: Feel You Near Me

Avoid The Wrong Shadows suite #mphil_portfolio

Avoid The Wrong Shadows — Most Of Eternity #mphil_portfolio

Ephemeris - Movement 5

Helga's Ephemeris: Ephemeris Movement 5

Watch the video Dream 17: http://www.youtube.com/watch?v=Lsh7iPpEv8A&#13;


Dream 17

Helga's Ephemeris: Dream No. 17

Runology I

Helga's Ephemeris: Runology Part I

Transformed Paths I

Helga's Ephemeris: Transformed Paths Part I

Runology III

Helga's Ephemeris: Runology Part III

Suite Hypnotique — 01 Sci Fi Boogie / Distant Light

(free) Jul Type beat / La Zone / Prod by layte
key : A minor 
BPM : 124
It's a free for non profit use beat, just write "prod by Layte"
if you want to make profit just send me a mail to purchase license of this beat

Please send me what you did with my production on my instagram ! 

My mail if you want to buy it : laytonthetrackbeach@gmail.com

My instagram : __layte__

(free) Jul Type beat / La Zone / Prod by layte

The Kid Laroi Type Beat Download link Below

https://www.beatstars.com/beat/the-kid-laroi-type-beat-x-here-we-go-6878842

This is free for non profit use only, if you want to use it for profit you can purchase a license from the link above as well.

Kid Laroi Type Beat | "Here We Go"

Mengklaim Anak Hilang merupakan kajian Islam ilmiah yang disampaikan oleh Ustadz Dr. Erwandi Tarmizi, M.A. dalam pembahasan Kitab Zadul Mustaqni. Kajian ini disampaikan pada Kamis, 30 Jumadil Awal 1442 H / 14 Januari 2021 M.

RadioRodja.com

Mengklaim Anak Hilang

bazenleri bazı ş3yler olur ve o zaman biz

Tove og Lilly blev anbragt på Vejstrup Pigehjem -  med datidens sprog en opdragelsesanstalt – for at blive opdraget, så de kunne blive ordentlige mennesker. Det er en historie om pædagogik, IQ-tests, skam og tvangssterilisation.

Historiker Bolette Frydendahl Larsen fra Kønsforskning på Lunds Universitet fortæller om sin phd, hvor hun har undersøgt behandlingen af de piger, der blev betragtet som landets meste vanskelige børn og unge. 

Læs phd'en om Vejstrup Pigehjem: https://portal.research.lu.se/portal/en/publications/opdragelse-og-diagnosticering(a7969519-b85f-4d7d-b4f4-dfe3df382800).html

Billedet af køkkenpigerne fra Vejstrup Pigehjem er fra Frydendal Larsens afhandling.

Tilrettelagt og produceret af Dorthe Chakravarty. Og jeg beklager Zoom-lyden, men på grund af restriktioner er det desværre ikke muligt at lave interviews på anden måde.

Anbragt for at blive et godt menneske

Fr. Bryan Kassa gave this homily on the 2nd Sunday of Epiphany at St. Thomas Chaldean Catholic Church in West Bloomfield, Michigan.  He preached about Jesus being the Word and becoming a human out of love for us in order to save us.  By Jesus becoming a human being, He allowed Himself to be constricted although He is God and without restrictions and how we restrict Him in our lives even 2,000 years later after all He has done for us.

Fr. Bryan Kassa - 2nd Sunday of Epiphany

Elaena Lynn Sethani (aka E. Lynn S., Etherstrings, SygmaLyrae.proj, Helga's Ephemeris, Argonika) is a musician, composer, writer, and artist-researcher.

Music: psychedelic sound art / art sonore psychédélique
Fiction: magical realism / fantasy / contemporary fiction
Research interests: artistic research / visual music 

https://www.youtube.com/watch?v=m1lVw7tfiBg

Avoid The Wrong Shadows — Most Of Eternity #mphil_portfolio

E. Lynn S. (Elaena Lynn Sethani)

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