Lovely piece, Evandro... the way it unfolds, fresh emotions to explore.  Superb!

Great keys and synths… Like it a lot!👌🏻

lovely clear production, great work Evandro!!

Beautiful track. Love the sound design, the synths sound spectacular. It's a very original and very good composition and arrangement, too

Wonderful track with lovely melodies and piano.Great atmosphere!

oh this track has a beautiful pianoline - the orchestral parts ffit well:) it has a peaceful overall feel

The Path of the Wakeful Dreamer

Cover art: The School of Athens by Raffaello Sanzio.
"Perfect embodiment of the classical spirit during the Renaissance period".

Renaissance

Wakeful Dreamer: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

Wakeful Dreamer

The Dawn of the Mystics: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

Cover Art / Photo: Evandro Lira aka Vintage Mutation (in the background, above, photo of the planet Venus)

“The return of the mystics for the awakening of human consciousness”.

“Even times of oppression are worthy of respect, for they are the work, not of men, but of humanity, and therefore of creative nature, which can be harsh, but is never absurd. If the times we live in are harsh, we have the duty to love it even more, to penetrate it with our love, until we have removed the enormous mountains that hide the light beyond them”. (Walter Rathenau)

The Dawn of the Mystics

This is a track I uploaded a while back and somehow made it private by accident.  This is more of a melancholy bit of upbeat.  Like grasping on to something great at a heavy down time. It's hard to explain how this particular track comes across, but I truly hope you enjoy it!

Coverallsalt

Between Human and Nature: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

"Between the Human and Nature lives the inner consciousness".

"The human is made up of the essential elements that constitute Nature.
Therefore, planet Earth will not survive if there is no global environmental ethical awareness, an ethical awareness for the entire world".

(Evandro B. Lira)

Between Human and Nature

MIRAGE

Ars Existentiae | The Art of Existence: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.


From the Latin ARS EXISTENTIAE, which translates to "The Art of Existence", it points out that at its core, all existence corresponds to the Primordial Manifestation, emanated from a single point.

"The musical composition has in its introduction the first impressions of the primordial manifestation, still contained in the ethereal. In the main theme, one can notice the subtle harmony design for the architecture of worlds. Consequently, already in the dense sphere of the manifested universe, the melody translates into the complexity and multiplicity of forms, to then end with the return to the ethereal, where the end of all things will be identical to the beginning, yet added to the experiences acquired over the period".

Ars Existentiae

El taller de Cuca:
Toni Solé (piano and keyboard)
Mery Navarro (choirs)
Cuca Aguirre (choirs)
Pepe Gámez (Spanish guitar)
Antonio Sánchez (Spanish guitar and bongó)
Adrián González (electric guitar)
Sergio Párraga (keyboard, bass, melodic bass, cajón, palms, choirs, drumms programming and production)

Donde siempre

Produccion,bateria y teclados San Kajati(desde Valencia)todo lo demas yo.
Los peores sueños
                 Am-Em-Dm-Am

No voy a ir 
Dónde no puedo 
Por ahí pueden venir 
Los peores sueños 
Pensaba en vos 
Mirando de nuevo 
El juego, el color 
El otro veneno 
Las luces veo al fin 
Alumbran el piso 
Cuando vienen a mí 
Se vuelven pasillos 
Perdido en un laberinto 
Cerca del río 
Me pongo a caminar 
La salida persigo...

LOS PEORES SUEÑOS-Christian

we can get distracted by flashing lights,spectacular presentations,glitz and glamor ...It is important to seek out things/people/leaders with real qualities not false promises and slick pandering
lyrics

giant rosebush blood red bright
lilac tree deep purple delight
spectacular to see for sure
but what interests me the more
are the tiny flowers that you see
growing in the grass singly
not loud not bold not flashy not sassy
It doesn't take much to make them happy

flashy dresser latest styles
manicured nails and botox  smile
glitters in the dim daylight
attracting many to his site
but what I want, what I seek
is not someone that just throws off heat
but instead is simply warm inside
who doesn't need glitz and glitter
to be satisfied

like a moth drawn to a light
we often seek the cheap delight
and gather around in mindless worship
of something that it truly worthless
so when you choose a light to follow
be sure its source is not bare and hollow

choose wisely

Lost In Dreams

Lyrics: Mag ik dan bij jou (cover Claudia de Breij)

Als de oorlog komt, En als ik dan moet schuilen, Mag ik dan bij jou?
Als er een clubje komt, Waar ik niet bij wil horen,Mag ik dan bij jou?
Als er een regel komt, Waar ik niet aan voldoen kan, Mag ik dan bij jou? En als ik iets moet zijn, Wat ik nooit geweest ben Mag ik dan bij jou?

(chorus)  Mag ik dan bij jou schuilen, Als het nergens anders kan? En als ik moet huilen, Droog jij m'n tranen dan? Want als ik bij jou mag, Mag jij altijd bij mij Kom wanneer je wilt,Ik hou een kamer voor je vrij
Als het onweer komt, En als ik dan bang ben, Mag ik dan bij jou? Als de avond valt, En 't is mij te donker, Mag ik dan bij jou? ls de lente komt, En als ik dan verliefd ben, Mag ik dan bij jou? Als de liefde komt, En ik weet het zeker, Mag ik dan bij jou?
(chorus)  Mag ik dan bij jou schuilen, Als het nergens anders kan? En als ik moet huilen, Droog jij m'n tranen dan? Want als ik bij jou mag, Mag jij altijd bij mij Kom wanneer je wilt,Ik hou een kamer voor je vrij
 
Als het einde komt, En als ik dan bang ben, Mag ik dan bij jou? Als het einde komt, En als ik dan alleen ben, Mag ik dan bij jou?

Translation: When the war comes, And if I have to hide; Can I come to you then? If there is a club, That I don't want to belong to, Can I come to you then? If there is a rule, Which I cannot comply with, Can I come to you then?And if I have to be something, Which I've never been, Can I come to you then? Can I take shelter with you then? If it can't be done anywhere else? And if I have to cry; Will you dry my tears then? 
Chorus;
Because if I can be with you, You can always be with me  Come whenever you want, I'll save a room for you, When the storm comesAnd when I'm scared; Can I come to you then?
When night falls, And it's too dark for me, Can I come to you then? When spring comes, And when I'm in love, Can I come to you then? When love comes, And I'm sure, Can I come to you then? Can I take shelter with you then? If it can't be done anywhere else?And if I have to cry Will you dry my tears then?
Chorus;  Because if I can be with you,…L.
When the end comes, And when I'm scared, Can I come to you then? When the end comes
And when I'm alone Can I come to you then?

Mag ik dan bij jou (cover Claudia De Breij)

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, Collings mandolin, Rogue banjo, Roland electric piano, and composition
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken — drums and percussion
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar, Taylor T5z acoustic guitar, production, mix, and mastering
This song began with Josh coming up with it on his electric piano and fretless bass, to which he added some banjo, then mandolin. Once he had a solid basis for the song, he shared it with the rest of Eclectic Collective for them to add their parts. 
  Ken was first up, adding his drums in an such a creative way that matched Josh's bassline perfectly. It was originally recorded to a looper disco beat, but that was blown out of the water by Ken's creative drumming. Tez jumped in next, adding his thrilling guitar to the second half of the song. Not to be outdone, Stephen batted clean up, adding his textural and melodic guitar to the first half. He also added some subtle, but brilliant acoustic guitar to the first half, too. 
  This is a great example of Eclectic Collective coming up with an original band sound out of one of Josh's seeds. We're always pushing boundaries and trying to find fun and exciting ways to build a song. Lots of teamwork in here, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.

The Plot Thickens (Eclectic Collective)

Can't Get Bayou (But I Can't Get By Without You Either)

Space-Time Rupture

GENRES: Easy Listening | Electronic | Experimental

INSTRUMENTS: Keyboards | Synthesizers | Guitars | Vocals.

Born in São Paulo, Brazil, Evandro B. Lira, also known as “Vintage Mutation”, has been a musical explorer since he was nine years old, when he started his first music studies.
In 1990, he became a trombone player, participating in “jam session” meetings and joining with some gospels orchestras. In 1996 he began his studies in synthesizer keyboards, suffering the influence of the electric guitar since 1998, when he started composing his first songs.
Active researcher on the relationship between music and mysticism, revives his experiences since 2016, expanding his sounds from synthesizers and guitars, in order to rescue all the classic and “vintage” atmosphere, for consequent transmutation into contemporary tendencies.

Ars Existentiae

Vintage Mutation

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