An IT professional who loves to producer, compose, arrange and experiment with music.

Geo:

Musician/Producer/Composer/Songwriter/
Remixer

Main Instruments: Bass & Guitar
Additional Instruments: Drums, Piano, Synthesizers.

Beats, Arrangements &amp; Production.

Brick Elephant Production Team.
Beats and Film Composition.

theGenetics:
Jupiter Jones, Amino, Geo.
Hip Hop/R&amp;B/Neo-Soul
www.thegenetics.com

If you dig some of the sounds you hear please "Like" on Facebook and Follow on Twitter! (links above)

Thanks for tuning in!

It’s not often one encounters an imagination with the depth and prolificacy of Jacob Collier’s. The London-based 28-year-old is dubbed by many as one of the most innovative musicians of his generation. In 2012, Jacob's self-made YouTube videos achieved legendary status in the music world, attracting the praise of such luminaries as Herbie Hancock, David Crosby, Steve Vai, and Quincy Jones, who manages Jacob to this day. Jacob’s debut album, In My Room, crafted entirely in his room at home, went on to win two GRAMMY's. His success has led to musical collaborators and fans including the likes of Coldplay, John Mayer, Ty Dolla $ign, Tori Kelly, Daniel Caesar, SZA, Charlie Puth, Jessie Reyez, T-Pain, and Lizzo (to name a few).   In January of 2018, Jacob began designing and creating a recording project on an unprecedented scale – a quadruple album called DJESSE: 50 songs, divided between four volumes, with each operating within a separate musical universe of sound, style and genre. Scattered across the four volumes are 30+ collaborators from across every facet of the music world. Djesse Volumes 1, 2, & 3 have earned him a GRAMMY each, affirming that Jacob is the first British artist to win a Grammy for each of his first four albums.

Please follow https://soundcloud.com/princess-problems instead! XOXO

The piano is the most versatile of all instruments. It can become a suit of armor or a bouquet of flowers. It can keep time and it can stop time. When paired with the human voice, the possibilities are limitless but the outcome is unpredictable. Vocalist Sara Gazarek and pianist Josh Nelson have aligned their musical spirits in a way that would make any artistic duo envious. Gazarek’s top flight interpretations of the vast and varied American songbook are buoyed by the sensitivity of Nelson’s supple command and they have transfixed audiences from New York to Tokyo. They have a telepathic understanding that has come about through more than a decade of friendship, not just hundreds of hours on the bandstand and it blankets any audience lucky enough to hear their swinging high-wire act of trust and commitment.

 
Championed by some of music's most celebrated figures, Sara Gazarek has emerged as a strikingly original artist with limitless potential. With three highly acclaimed CD's under her belt at 31, Sara has been hailed by the LA Times as "the next important jazz singer," and "impeccable," by the Winnipeg Free Press. Blessed with a gorgeous, translucent voice, excellent pitch, and supple sense of time, Gazarek is steeped in the jazz tradition, but is not afraid to embrace the music that moves her generation. Her newest CD, Blossom & Bee (2012, Palmetto) was released to rave reviews, as Nick Mondello of Jazz Times has noted "Blossom & Bee' has all the beauty, bite and superb workings of a winner. It’s as good – or better – than some recent Grammy®-nominated or winning female vocalist efforts." When not criss-crossing the globe with her band, Sara is embracing the future of jazz vocals as a faculty member at the University of Southern California, leading the award-winning vocal jazz ensemble there and teaching privately.

 
Born and raised in Southern California, Josh Nelson is a first-call jazz pianist, composer, teacher, and recording artist. At 35 years old, he has already performed and worked with some of the most respected names in music, including Natalie Cole, Queen Latifah, John Clayton, Walter Smith III, Ben Wendel, Seamus Blake and Matt Wilson. Josh has produced music for countless albums, films, and television, but also makes time for his own projects including Anticipation (2004), Let it Go (2007), and I Hear a Rhapsody (2009), all of which featured Josh’s explorations of new original music, standard interpretations, and reinventions of pop tunes. His recent record Discoveries (2011) pairs classic sci-fi film footage with new compositions for a brass and wind ensemble. He currently teaches at Cal State Northridge as part of the music faculty. 

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