A gracefully dainty & enrapturing spirit of romantic notions! Lovely keys that express with a gentle vividness! Intriguing element of the depth of passion that seems to profess a sense of yearning via what seems to be a stint of a chromatic accordion sound. South America & Italy will especially appreciate the latter instrument.  I adore that timeless preservation of instrumental charm. The arrangement has an endearing presence.  🎥💯🌟❣❣❣

شیرین دوست دارم تا اخرین لحطه عمرم… جواب هرچی باشه من بهت افتخار میکنم اینو یادت باشه…

A collection of Ambient works and modern classical pieces. I designed this collection to showcase many of the artists that drive some of the sound design I create. 

I listen to this when I fall asleep 

I listen to this when I walk deep into the forest

I hope you enjoy my journey.

Racing to Sleep

Evgeny Grinko

Excited to announce the release of a new single which I composed exclusively for #PianoDay. This is music for a "Portrait of a Lady with a Fan" whom I found looking back at the artist with heartache in her eyes. I am not a painter, but this is what I saw.

Portrait Of A Lady With A Fan

Mike Lazarev plays Portrait Of A Lady With A Fan

I’m excited to spend this morning in a company of a new name to my ears in this constantly evolving, vibrant music scene. Although Chronos is officially a sophomore full-length album for this self-taught pianist, Johann Pätzold [his first was a record titled Minds out on Timezone in 2011], it is the first time I am presented with his stunning music, courtesy of InFiné. This Rostok-based (northern Germany) multi-instrumentalist and producer’s discography includes a few more self-released EPs and two more for the imprint, Monumentum (2017) and Odesea (2018), including compositions for Dior fashion shows and HBO programmes. But today I’m listening to Chronos, and premiering “Nothing Lost Yet” from this upcoming album, out on April 23rd. The piece, nearly halfway through the album, is a texture-rich cinematic journey, balancing elements of modern classical composition with an electronica momentum of the progression arc – if you listen closely you can hear influences of Trentemøller, Apparat, and Jon Hopkins in the mix. “Wide open spaces are filled with elegiac strings and reverberating electronic percussion, fine-tuned to the millisecond: everything is in the right place, making for a listening experience that is ultimately musical storytelling.” The background of the album is built on the composer’s real experience with the Syrian refugee crisis, musical activism, and the eventual nervous breakdown – all of which is left unspoken, yet still heard…

"Another track that had to be put on hold for a year because of covid-19. Whilst fine tuning the album I had to leave France in a hurry before the border closed, to get back to my home in Rostock, Germany. We then asked our InFiné label mate (Thomas) Toh Imago if he could build us some beats. His work improved the track and gave it a whole new polish. I’m so lucky that so many people helped me to get this album finished during the pandemic."
— Johann Pätzold

he record is available as a digital, 12″ black vinyl, and a striking all-red compact disc. A quick head nod to a beautiful and memorable album cover by Alice Sfintesco​. This is a winner for InFiné!

Chronos

Nothing Lost Yet

TRACK PREMIERE : Secret Of Elements - Nothing Lost Yet

02 Valse

Recorded in January-February 2015
at Babajim and the Mosfilm studios
mixing and mastering Nikolay Kulyabko
Cello - Yana Chekina
Violin - Vlada Ponyatovskaya

Field (Lev Knipper Cover)

No Clear Mind-A New Sun

https://www.youtube.com/watch?v=aB74jzR3iMQ

beneath your beautiful - emeli sande & labrinth (piano cover)

Valse

My official remix of Max Richter's wonderful Path 5.  Taken from the Sleep Remixes EP released by Deutsche Grammophon.

Sleep Remixes

Max Richter: Path 5 - Digitonal's Theo In Dreamland Mix

https://www.facebook.com/sebastianplano
Watch Live Video Session at: https://www.youtube.com/watch?v=fB9zsb2wy9I

Sebastian Plano - 'Indie' - Funkhaus Live Session

Once upon a time_Evgeny Grinko

Jane Maryam

Son Vals

Balmorhea - Remembrance

TRIO MARA - Sari Gyalin - Սարի Գելին - Instrumental - Rouge Mix

Piano: Naze Isxan 
Violin: Nure Dlovani 
Music: Unknown

Sound Engineer: Roland Lücke 
TRIO MARA / LIVE RECORDINGS / Rudolf-Oetker-Opera-Hall / Bielefeld, Germany /30th September 2012 
Mix & Mastering: Roland Lücke

***

TRIO MARA press kit:
http://www.sonicbids.com/2/EPK/?epk_id=369621

TRIO MARA virtual WOMEX: http://www.womex.com/virtual/sakina_teyna/trio_mara

TRIO MARA booking contact: 
booking@ko-event.com, Fax: +49 221 168 42 83, John Tobisch-Haupt

***

KURDISH ETHNO MEETS CLASSICAL 
https://www.facebook.com/trio.mara.project

***

Discription & Biography

'Mara' is Zazaki, which is one of the oldest native languages in the Middle East. It means BY US.

Mara draws from the rich treasure of traditional Kurdish songs. They express them anew in their own particular way by contrasting classical and contemporary music. Presented in a way only women can sing them these songs turn into a great experience.

***

Sakina 
SAKINA began her career self taught, as an autodidact, before she received professional education and voice training. 
In the 90′s she was a member of the Mesopotamian Culture Centre, a Kurdish artists association based in Istanbul but acting throughout all of Turkey. Its members suffered various reprisals by the government because of their Kurdish lyrics. Some of them paid their artistic dedication with their lives. 
During this time she organized many (due to the government led forbiddance of the Kurdish language until the late 90s) illegal concerts, until eventually she was forced to flee. 
She continued her work in Armenia, Syria and Kurdish-Irak. 
Currently she is living in Vienna. 
Since 2008 she has become increasingly involved with human rights issues in particular women’s rights issues. 
She views her music as a way portraying the life of people in the Kurdish regions. She realizes this with a sensitive performance of striking melodies by which suffering and melancholy, courage for life and yearning become palpable.

Naze Isxan 
Naze Isxan began to play piano at the age of six. The pianist graduated from the Rimsky-Korsakov Conservatory in Krasnodar as a concertmaster and music teacher. Since the end of the nineties, she has given concerts in Russia at first and since 2001 she also appears on a regular basis in other European countries. 
She has a passion for Kurdish music that she would like to introduce to a wider non-Kurdish audience in her concerts. Therefore, she also arranged traditional Kurdish melodies for piano and published the first Kurdish music book for piano in 2004 (Evina Kurdistane - Bona Pianoforte).

Nure Dlovani 
Nure Dlovani is a solo violinist who also works as a teacher for violin and piano. She received her professional education at the conservatories in Moscow, Erevan, and Frankfurt. 
Her repertory is rich and comprises classical music and pop as well as sound tracks or crossover performances with the New Philharmonics in Frankfurt. She also works with a variety of well-known Kurdish musicians both in the studio and as a solo violinist in live concerts.

***

TRÎO MARA 
Trîo Mara ku ji jinan pêk tê û stranên jinan bi înstrumentên klasîk ên rojava û teknîkên deng ê gelerî ji nu ve sirove dike, di kemanê de ji Nurê Dilovanî, di piyanoyê de ji Nazê Îsxan, di stranbêjî de ji Sakîna pêk tê. Rewîtiya Trîo Mara ya mûzîkê berê salek û nîv destpê kir. 
“MARA” bi zaravêya zimanê Kurdî Kirmanckî de tê wateya “Ji Me”. Gelek zimanên din ên Rojhilata Navîn de pêyva “ma” pêyvêk mê ye. Bi Kirmanckî û Ermenîkî tê wateya dê. Mara bi Erebî tê wateya Jin. 
Trîo Mara li keleka sê zaravên zimanê Kurdî, bi Tirkî, bi Ermenîkî û bi Azerî jî stranan dibeje. Endamên Trîo Mara bawer dikin ku sînorên ku deshilatdaran di nava gelande ava kirine bi rêya mûzîkê ku bi xwe zimanek taybete û herkes dikare tê bigîhe ji holê radibin. Bi israrek mezin divê mirov bi zimanê astiyane ya mûzîkê bi pêyîve. 
Her sê hunermendên jin, di stranên xwe de qasê trajedîya gelê Kurd û jinan, heman demê, evîn, sahî û cosî, ês û janên civata xwe jî dixwazin bînin ziman. Hember nêrînên deshilatdar ya zîhniyeta mêran dixwazin bibin dengê jinên ku naxwazin bê deng bimînin. 
Stranên TRÎO MARA ji me wek bêhnek, deng û awazek û rîtmek, ji were bibin xelat. Em hêvîdarin ku hin caran we li serê çiyayên bilind û asîde, hin caran li keleka çemên dîn û har diherikin de, hin caran dêstên bê dawî de derxînin rewîtiyêk xwes ê bi mûzikê re.

***

TRIO MARA 
Kadinlardan olusan, kadinlar tarafindan söylenmis sarkilari klasik bati müzigi enstrümanlari ve geleneksel ses teknikleriyle yeniden yorumlayan TRIO MARA, kemanda Nurê Dilovanî, piyanoda Nazê Îsxan, vokalde de Sakîna'nin yer aldigi bir üçlü olarak müzikal yolculuguna bir seneyi askin bir süre önce basladi. 
MARA, Ortadogu’nun kadim dillerinden biri olan Kürtçe’nin Kirmanckî lehçesinde “Bizden„ anlamina gelirken, Ortadogu dillerinin birçogunda da birbirine yakin disil anlamlar tasir. Ma, Ermenice ve Kirmanckî'de köken olarak ana anlamina gelir. Ayrica Arapça'da MARA kadin demektir. 
Kürtçe'nin Kurmancî, Kirmanckî ve Soranî lehçelerinin yanisira, Türkçe, Azerice ve Ermenice sarkilar da seslendiren TRIO MARA, halklarin kültürleri arasinda olusan yapay sinirlarin ortak bir dil olan müzik yoluyla anlamsiz kilinabilecegine ve israrla müzigin barisçil diliyle konusmak gerektigine inaniyor. 
Yüzyillardir savaslarin, kanin, gözyasi ve acinin dinmek bilmedigi Kürdistan’dan gelen TRIO MARA üyeleri, repertuarlarinda kadinlarin ve halklarin trajedilerini yansitan sarkilar kadar, asklarini, coskularini, yasam biçimlerini yansitan sarkilara da yer veriyor. 
TRIO MARA, egemen bakis açilari ve yargilari karsisinda susmayan kadinlarin sesi olmayi amaçliyor. 
TRIO MARA sarkilari bizden size bir nefes, bir ses, bir ritm olarak gelsin. Kah vahsi dag baslarinda, kah coskun irmak kenarlarinda, kah uçsuz bucaksiz ovalarda, müzikle güzel bir yolculuga çikmaniz dilegiyle.


TRIO MARA - Sari Gyalin - Սարի Գելին - Instrumental - Rouge Mix

@juliagjertsen curates our latest mix with a beautiful selection of tracks featuring Bersarin Quartett, Dmitry Evgrafov, Daigo Hanada, Jim Perkins, Daniel Pemberton and much more. 

Julia released her album 'Fragile' on @modernarecords in November which you can listen to and purchase here: https://modernarecords.bandcamp.com/album/fragile 

Tracklist:
Bersarin Quartett - Wenn wir nur wollen             00:00
Jonas Meyer - Strömung                                      04:40
Dmitry Evgrafov - Anthem                                   11:59
Daigo Hanada - En                                               14:39
Mette Henriette - Passé                                        18:11
Jim Perkins - Enfolding                                         22:58
Niklas Paschburg - If                                             27:04
The Seven Fields of Aphelion - Michigan Icarus   32:00
Chris Watson - El Divisadero                                 37:04 
Daniel Pemberton - OSR I - I                                 42:15
Nuojuva - Hämärään                                             45:57

Contemplative Classical Mix

Julia Gjertsen - Contemplative Classical Guest Mix

Moriarty has been a producer of House and Techno for almost twelve years. Since then his style has drastically changed, taking influence from the likes of Digitonal, Max Richter, Hans Zimmer and a host of other ambient and emotional Techno artists. 

Over the years, Chris's sound has taken a more dynamic and cinematic style, blending deep, textured soundscapes with rolling and bouncy techno aspects. 
Chris brings a certain uniqueness and freshness to the world of Electronic Music. 

For booking and or collaborations, please contact Jacob at Agartha Media: booking@agarthaagency.de

02 Valse

"Evgeny Grinko"

Recent comments

Blue butterfly

alibqr

Hello123

amin legha

Related tracks