Tyler Bates & Lorn - The Gap


This is a track I created for the opening scene of the film "unReal" by Teton Gravity Research and Anthill Films.  

http://anthillfilms.com/category/unreal/

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Goner

The second EP "MAS VIDAS" by @bleidxyz for Ashida Park is out now

artwork by instagram.com/fayxkax
mastering by @djgapdjgap

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BLEID - DANÇA, LOKA (CRRDR REMIX)

The End

download here:

https://stylss.bandcamp.com/album/stylss-loves-you-volume-two-bootleg-edition

soundcloud.com/stylss

Free Download

Burial - Rival Dealer (Ollie Macfarlane Remix)[free download]

Burial- 'Forgive' (Kania's "if you remix Burial you're asking for trouble" Remix)

Lorn - L'appel Du Vide

In the last few years, Lewis James has gone from being an artist on the rise to establishing himself as one of the most exciting act to emerge from electronic music. His debut EP on Exit Records backs this statement up without question. The features on the EP speak for themselves: Lorn, dBridge and Alia Fresco. Aesthetically Lewis James has put together an EP that traverses different shades of electronica whilst not losing a sense of identity, an identity that is truly Lewis James by way of Exit Records.

5. Lewis James- No Team Ft Lorn

DROWN THE TRAITOR WITHIN

LORN - THE SLOW BLADE

From the album Ital Tek - Outland (out 1st May 2020 on Planet Mu)
smarturl.it/ItalTekOutland

Ital Tek (a.k.a. Alan Myson) returns to Planet Mu with his sixth album ‘Outland‘.

The album was written during a time of new beginnings following a move out of the city to a quieter space and the birth of his first child. During this period of seclusion Alan recorded a huge amount of source material and spent weeks and months sitting up at night with his newborn, listening back and making notes on how the new record should take form, focusing and developing ideas to shape this lean ten-track album.

Alan talks of the record being a collaboration between two parts of himself, something that definitely comes across as the album unfolds. Textures are something Alan excels at and on his last album, the largely beatless ‘Bodied’, it felt as if he was building a new sound-world. On ‘Outland’ he expands upon this. The album brings together the extremes of Alan’s sound, contrasting roughened bass and beats with starker more detailed atmospheres and emotions.

The most beat-driven song here is ‘Deadhead’, with its gnarled bouncing bass, angular distorted melodies and cavernous textures. On tracks like ‘Bladed Terrain’ the contrasts are even more defined with buzzing drones and razor sharp drums plunging into a grainy fog, giving the track a dramatic 3D feel. Then there are the stop-start pauses of ‘Leaving The Grid’, where the song evaporates into space before reemerging with shuddering rhythms and ghostly textures. Melodies crawl around these tracks as if they’re just waking up, as heard on the atmospheric ‘Angel In Ruin’.

The sleep-deprived fraying of the senses became Alan’s routine and one which he says gave him a renewed creative energy; half-asleep, working through the night, and then into the daytime super-focused but exhausted. Prone to audio hallucinations whilst writing the album, he aimed to capture these distortions in his perception of pitch and time, and you can hear these effects interpreted on tracks like ‘Endless’ and ‘Open Heart’ as melodies phase and slip out of time like an emotional Doppler effect. This is also true of the soaring atonal synths at the peak of ‘Diamond Child’, which feel like the aural equivalent of eye floaters.

These intuitive feelings and functions are a difficult thing to capture in sound, but Alan manages it beautifully and always makes the result feel warm and adventurous, heartfelt and epic.

Outland

Ital Tek - Open Heart

LORN - BITTER ARCS

Exit Records is at forefront of electronic music, constantly pushing the envelope in terms of aesthetic and execution.
Label owner dBridge strikes a careful balance between releasing music that serves a purpose for dancers and thinkers alike. The roster of artists involved in the label is allowed express themselves as they see fit with only one stipulation; pushing the genre forward.
The Exit Records club nights are typically riotous affairs- they stand as a mix of the most cutting-edge music crossed with a firm eye on the dancefloor, from stages at festivals to residencies at clubs across the world, the events are known to sell out.
As the label enters its 15th year of existence a confidence in sound and direction has come to the fore and this is what cements Exit Records as a go-to label for those inside and out of the genre.

5. Lewis James- No Team Ft Lorn

Exit Records UK