Altiplano, Volor Flex’s effervescent collab with fellow Russian producer and good friend Encode, is yet another dateless - albeit state-of-the-art - immersion into the polyrhythmic, dense, visceral compositions that this prolific artist is constantly fine-tuning somewhere in the steppe of the Ural Mountains.

There’s a lot of synced up emotional comfort and tension happening on both sides of the release, balanced-out, as ever, by artfully crafted elements of structure and style. Among them, the everpresent UK garage signature, the noise-drenched soundscapes, the sharp snares, the skittering beats, the melancholy vocals (especially on Altiplano, which easily competes with You In Me or Fake Love in unforgettableness), plus those entrancing moments of fervor followed by profound relief that Volor is such a master of.

The main track and subsequently the EP were named after the highest and largest plateau in South America, and that’s how exalted and wide-reaching this music should feel. Both inner-city and otherwordly, both London and Syktyvkar, the 7-track, two-sided EP is going deep to get that right, raw vibe. The 12” comes with a wonderfully exciting digital perk, a sweet and soulful bonus track titled Avia.

<b>Tracklist:</b>
<i>A1. Altiplano
A2. Unbone
A3. Entropy
B1. Frontiere
B2. Boring Apparatus
B3. Sidewalk
Digital Bonus: Avia</I>

Volor Flex & Encode - Altiplano

Download from "Buy" link. 

thanks for the support, Felice Fawn. 

Demon - Chang Caine (Mostapace & Influe Remix)

Free DL

Massive Attack x Burial - Paradise Circus (Hajimari Bootleg)[Free DL]

Systeme Biotic-Neoverse [Dark Nature Concept]

Demo of my favorite song. It was written 2 years ago at Banger Zone contest and little modified, so I will upload it maybe this autumn. "Mir eto ad" means "world is hell" in russian. I think u r too smart to understand why

mir eto ad (demo)

Era demasiado amor. Demasiado grande, demasiado complicado, demasiado confuso, y arriesgado, y fecundo, y doloroso. Tanto como yo podía dar, más del que me convenía. Por eso se rompió. No se agotó, no se acabó, no se murió, sólo se rompió, se vino abajo como una torre demasiado alta, como una apuesta demasiado alta, como una esperanza demasiado alta.

En la playa, todo acabó empezando, todo empezó a acabarse, pero yo todavía no me di cuenta.
Había sido demasiado amor, tanto como el que yo podía dar, más del que me convenía. Fue demasiado amor. Y luego, nada.

Quizá la mayor facultad que posee nuestra mente sea la capacidad de sobrellevar el dolor. El pensamiento clásico nos enseña las cuatro puertas de la mente, por las que cada uno pasa según sus necesidades.

La primera es la puerta del sueño. El sueño nos ofrece un refugio del mundo y de todo su dolor. El sueño marca el paso del tiempo y nos proporciona distancia de las cosas que nos han hecho daño. Cuando una persona resulta herida, suele perder el conocimiento. Y cuando alguien recibe una noticia traumática, suele desvanecerse o desmayarse. Así es como la mente se protege del dolor: pasando la primera puerta.

La segunda es la puerta del olvido. Algunas heridas son demasiado profundas para curarse, o para curarse deprisa. Además, muchos recuerdos son dolorosos, y no hay curación posible. El dicho de que "el tiempo todo lo cura" es falso. El tiempo cura la mayoría de las heridas. El resto están escondidas detrás de esa puerta.

La tercera es la puerta de la locura. A veces, la mente recibe un golpe tan brutal que se esconde en la demencia. Puede parecer que eso no sea beneficioso, pero lo es. A veces, la realidad es sólo dolor, y para huir de ese dolor, la mente tiene que abandonar la realidad.

La última puerta es la de la muerte. El último recurso. Después de morir, nada puede hacernos daño, o eso nos han enseñado.

Cya in a while

Requiem for myself

A lot of things have been said about Volor Flex, the young Russian producer whose music feels and acts like both a tribute and, at times, a cover of this mysterious iconic musician called Burial whom you might've heard of on previous occasions. 

Some people think "this sounds too much like the original, we don't need copycats" while others went as far as calling it "Burial v2". 
To each his own - the music is shamless and catchy. Have a go at it, leave all bias aside and take it in for how it sounds rather than what it stands for, you'll probably find yourself enjoying it

credits:
Mastered by Liar. 
Artwork by Hargi Csík. 
Brought to you by Origami Sound. 
www.facebook.com/origamisound

Volor Flex - You In Me

Ghostek :
https://soundcloud.com/ghostek
https://ghostsyndicate.net/

Artwork by: SABIR
 https://www.behance.net/Su22eal2508
https://www.artstation.com/sabirg
Mastered by: Zelmershead
https://soundcloud.com/zelmershead

Ext x Ghostek - Ravage

Blowing Smoke

Volor Flex - Days End (2019)

Bandcamp

Coreless

In the last few years, Lewis James has gone from being an artist on the rise to establishing himself as one of the most exciting act to emerge from electronic music. His debut EP on Exit Records backs this statement up without question. The features on the EP speak for themselves: Lorn, dBridge and Alia Fresco. Aesthetically Lewis James has put together an EP that traverses different shades of electronica whilst not losing a sense of identity, an identity that is truly Lewis James by way of Exit Records.

5. Lewis James- No Team Ft Lorn

Exit Records is at forefront of electronic music, constantly pushing the envelope in terms of aesthetic and execution.
Label owner dBridge strikes a careful balance between releasing music that serves a purpose for dancers and thinkers alike. The roster of artists involved in the label is allowed express themselves as they see fit with only one stipulation; pushing the genre forward.
The Exit Records club nights are typically riotous affairs- they stand as a mix of the most cutting-edge music crossed with a firm eye on the dancefloor, from stages at festivals to residencies at clubs across the world, the events are known to sell out.
As the label enters its 15th year of existence a confidence in sound and direction has come to the fore and this is what cements Exit Records as a go-to label for those inside and out of the genre.

5. Lewis James- No Team Ft Lorn

Exit Records UK