🎵 “Still Running”

DO IT 2015

DL Link
https://www.mediafire.com/?7gzsby22v1p3294

Figure It Out

Introducing the first EP from Dan Marshall – wonderfully sampled rhythms and skilfully crafted beats in a seemingly Helter skelter fashion, ‘Acid Bon Bons’ is both beauty and beast; jazz monkey meets acid moog in a gleefully revelling combo.

Audaciously followed by ‘Smiley Tarts’ a wonky double-bass, trip-hop, disco roller that keeps the jazz in this release alive.

And finally we end on ‘Long Hose’. A fusion of synth chorded jazz, funk and modern trap beats decorated by late 60s San Fransisco. A classy bookend to a special and wildly original debut.

Direct: http://modulabeats.com/store/index.php/product/modula002a-acid-bon-bons-ep/
iTunes: https://itunes.apple.com/gb/album/acid-bon-bons-single/id1268683120
Spotify: https://open.spotify.com/album/2vKo3Ll8DK4ZR8GzaDx8pS
Bandcamp: https://modulabeats.bandcamp.com

Dan Marshall - Smiley Tarts

EXITLP017 8 Zed Bias - Energy High Ft Bahia

Full Crate’s stuttering collaboration with Mark Pritchard is a marvelously manic beast. With groove in no short supply, the mighty Harmonic 313 gives the tune its proper trajectory, with reams of rapid-fire percussion and broken rhythms, at once demented, hypnotic and breathless.

Written by N.Nikoghosyan (NED) and Mark Pritchard (UK). Produced by Full Crate and Mark Pritchard. Instruments played by Full Crate, Mark Pritchard, and Broke One.

Full Crate & Mark Pritchard - Dangle

A pairing of two Hong Kong underground titans, Fergus Heathcote and DJ Yakuza team up to form Chungking & Mansions. The production duo pull inspiration from the fast pace lifestyle of their home city and the sinister late night warehouse parties that form the bedrock to their debut EP 'The Snake.' 

Opening track "15 Grams" was influenced by an euphoric, dark and humid excursion to a drum & bass rave in Hong Kong's industrial area Fo Tan. The duo then collaborated with fledging London rapper NV on an ominous roadrap release dubbed "One Time." 

The third track is "Opium War Riddim" which kicks off on a boom-bap tip in ode to '90s Death Row Records affiliate Miilkbone, before quickly melding into a frisky 160 BPM jungle anthem. Rounding out the four track EP is "Tried by 69," a east-meets-west production tinged with modern colonial nostalgia. Cantonese vocals are paired with melodic strings from Odetta's "Sakura" (which was also infamously rendered in East Flatbush Project's "Tried By 12") and layered over a merciless drum & bass shuffle.

Released August 22, 2018 

Credits

Written and Produced by Sebastian Stitch and Fergus Heathcote 
Art Direction by Derick Van Wijk 
Photography: Arthur Bray 
Executive Produced by Yeti Out (Arthur Bray, Erisen Ali, Tom Bray)
license
all rights reserved

Chungking & Mansion - Opium War Riddim

Download

Prophet - You and me

JP DURBAN - Lil Bebe
@ddurbann
TEKLIFE VIP

TEKLIFE VIP 2019

JP DURBAN - Lil Bebe

@williamflorelle’s debut Two & Three EP on WotNot caused an impressive stir for a newcomer. His collaboration with Lua was a thick soup of bumpy jazz and soul-inflected tracks that earned him a 9/10 in DJ Mag, airplay on BBC 6Music and 1Xtra, coverage on Stamp The Wax, Bolting Bits and Ransom Note, as well as Resident Advisor track features for both of the 
remixes. 

This new release, written and recorded at the The Docks Studios (nestled in the Total Refreshment Centre), continues where he left off. However, this time Will Flo includes his own vocals, and Swedish vocalist Bahia (Zed Bias, EVM 128, Elliphant) lends an irresistible, sensual R&B edge to the tracks, leaving them finely perched between the underground and mainstream. 

One of the artist’s best abilities is to distill his featured artists to their very best, while maintaining his own strong sense of style. FSG, or Feels So Good, opens with a murky swirl of Rhodes-like chords and a wash of vocals, launching into a bumping, sexy, half-time R&B roller, allowing Bahia’s singing to recall Erykah Badu while remaining undeniably Florellistic. 

Make It Right’s sleazy guitar fills and wobbling keys betray the influence of Steve Lacy, with a lurching drum loop performed by Joe Wood from psyche-poppers Mellow Gang, creating a counterpoint to Bahia and Will’s tender vocals. The artwork is an adaptation of an illustration by Ollie Scully, augmented by Raimund Wong who designed the first William Florelle sleeve.

FSG/ Make It Right

William Florelle & Bahia - FSG (WOT036)

This instrumental is meant to have Wocka Flocka - Hard in the paint accapella over it but due to copyright i cant post it, if you could cop the ep just drop me a email with a screenshot and ill be happy to send it over big up the supporters
Timmatdj@gmail.com

Timma T - Wocka Flocka INSTR

Exit Records is at forefront of electronic music, constantly pushing the envelope in terms of aesthetic and execution.
Label owner dBridge strikes a careful balance between releasing music that serves a purpose for dancers and thinkers alike. The roster of artists involved in the label is allowed express themselves as they see fit with only one stipulation; pushing the genre forward.
The Exit Records club nights are typically riotous affairs- they stand as a mix of the most cutting-edge music crossed with a firm eye on the dancefloor, from stages at festivals to residencies at clubs across the world, the events are known to sell out.
As the label enters its 15th year of existence a confidence in sound and direction has come to the fore and this is what cements Exit Records as a go-to label for those inside and out of the genre.

EXITLP017 8 Zed Bias - Energy High Ft Bahia

Exit Records UK