Spiritchaser, the UK duo of Mark Bamford and Richard Earnshaw, have been crafting emotive and influential electronic music since the late 1990s. Fusing deep house, progressive vibes, and soulful undertones, their sound is a testament to their shared passion for dance music that moves both body and mind. With nearly two decades of production experience, Spiritchaser have built a formidable reputation through their original works and remixes for some of the world’s most iconic labels, including Toolroom, Papa Records, Z Records, Arista, BMG, Sony, Soulfuric, and Quantize, as well as their own imprint, Guess Records.

Their journey took a defining turn with the 2010 release of their debut album, 1440, a milestone that showcased their ability to weave diverse influences into a cohesive sonic narrative. The album’s standout track, “These Tears,” a collaboration with Emily Cook and Est8, soared to international acclaim, dominating South African charts with over 38 weeks in the Media Guide Top Ten, including an impressive 8-week run at number one. This success cemented their status as global players in the dance music scene.

Spiritchaser’s discography is a rich tapestry of releases, from chart-topping singles like “Yesterday’s Gone,” “Edge of the World,” and “Find A Way” to three additional albums following 1440, with a fourth released in 2019. Their productions and DJ sets traverse a wide spectrum of dance genres, always prioritizing the music, the message, and the journey. Known for their meticulous approach to sound design and performance, they continue to captivate audiences worldwide with live sets that fuel the imagination and keep dancefloors pulsing.
With a legacy of acclaimed performances and a relentless drive to push creative boundaries, Spiritchaser remain a vital force in electronic music, delivering tracks that resonate with both longtime fans and new listeners alike.

Newcastle Online Radio it's an Online Radio Station broadcasting from Newcastle in KwaZulu Natal, playing music from Newcastle and surrounding areas from R&B, Hip Hop to House Music. Broadcasting 24/7 with scheduled shows daily.

I am neither afraid of showing my emotions nor to include them in my music - Stimming

Few people bring a truly original sound to house music. At a relatively young age, Hamburgs Martin Stimming did just that, demonstrating a sophisticated yet accessible sound that is beyond his years.

Two years after hooking up with Solomuns Diynamic Music, his 2008 breakthrough hit Una Pena made the electronic world sit up and take notice, and before long acclaimed labels like Freerange, liebe*detail, Buzzin´ Fly, Green and Poker Flat were snapping up his work. 2009 saw him release his immaculate debut album Reflections to great acclaim, cementing his reputation as one of the most exciting new producers of his generation. 

His second album, Liquorice, eschews the normal kick-clap/snare template by and large to explore more interesting and progressive territories, but always with that trademark magpie-like sense of texture, emotion and discovery. 

His productions are filled with a multitude of his own unique, charismatic field recordings, and he never uses the same sample more than once. 

2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards, following on from his live show (Stimming does not DJ) stunning the crowds at the islands legendary Pacha, and the finest danceries around the world Πfrom Berlins Panoramabar to Sao Paulo´s D-Edge, Brussels Fuse, London´s fabric and Paris Rex, and plenty more beyond. 

Remixes for the likes of Sascha Funke, Claude VonStroke, Deadmau5, Stephan Bodzin and Tom Novy to name but a few have further spread his influence amongst the discerning house and tech community, and cemented his reputation as one of the scene´s most exceptional producers.

Clearly, Martin Stimming is a precious talent indeed. But then again, not everyone loves liquorice...

Young musicians making their way to the top of the village charts.The_Village_Kings are creative individuals joined to form an unstoppable Deep movement and a mixture of Tech,Tribe,vocal and township deep house.@The_Village_Kings on Facebook.

Booking: booking@best-works.com
Booking Americas: bookings@cohenshi.com
cohenshi.com/artist/andre-lodemann/

Music Producer / Composer / Mix & Mastering Engineer / Artist & Record Label Owner.

Network:

► Web - http://bit.ly/1OCDKGo
► YouTube - http://bit.ly/1JeCYID
► Soundcloud - http://bit.ly/1Hv1R5B
► Twitter - http://bit.ly/1KkQtu5
► Instagram - http://bit.ly/1KVsqWh
► Label Store - http://bit.ly/1KlK7bY
► Traxsource - http://bit.ly/1vwowew
► Beatport - http://btprt.dj/1V0d8nK
► Juno Download - http://bit.ly/1Ojhdis
► Juno Records - http://bit.ly/1xyva2W
► WPP - http://bit.ly/1Mvf96Y
► Resident Advisor - http://bit.ly/1MgEIpl

Peder Mannerfelt splits the difference between playful immediacy and daring experimentation. You’re as likely to find him premiering a live show at Berlin’s Atonal festival as pulling apart fabled techno meccas from Berghain to Fabric with synapse-frying precision. One minute he’s being asked to remix Björk, and the next he’s dropping EPs of non-conformist techno for Karenn’s Voam label. 

As a prolific collaborator throughout his career, Mannerfelt has veered from the orchestral tension of Roll The Dice (with Malcolm Pardon) to the anything-goes maximalism of Aasthma (with Pär Grindvik). As a producer, he’s worked on every one of Fever Ray’s acclaimed albums and live shows, as well as projects from alt music heavyweights such as Smerz, Blonde Redhead and Glasser. His Peder Mannerfelt Produktions label has become another outlet for his singular approach, presenting his work alongside similarly experimental operators like Sissel Wincent, Machine Woman, Klara Lewis and Hodge. 

More recently, his PM+ series celebrates the immediacy of club-focused tracks, and Mannerfelt thrives on the energy and community of contemporary club music. What makes him different is his response to that energy, as he pushes the music’s possibilities in wild, unpredictable directions.

Deeply prolific Bristol-based house connoisseur Andy Compton has released over 50 albums and over 200 EPs (either under his own name or as part of his legendary group The Rurals, COMPTON or L.A.M.P, Blue Dream) on his essential Peng label and imprints like Motown, Universal, EMI, Sony, Ralf GUM’s GOGO Music, Chicago’s LARGE Music, Seasons, Viva, Hed Kandi and many others.
South Africa has embraced Andy's deep house sounds, and because of his popularity over there, and albums released via EMI, SONY, WEA, and now Universal. He has done over 20 South African tours in the past 10 years.
Since discovering house music in the early ‘90s Compton has released a dazzling array of music and worked with an army of artists. He’s been featured on the cover of the seminal DJ Magazine and had his music used in TV show Six Feet Under, while tunes like “Sweeter Sounds” have become bona fide anthems at spots like NY’s Shelter. He has worked with top class vocalists Celestine, Marie Tweek, Diviniti, Kafele, Rowan, Ladybird, Sabrina Chyld and many others!
Compton's Dj skills have turned heads and twisted bodies worldwide, with his thumping brew of electronic beats swathed in coolly-crafted melodies, with Peng becoming one of the premiere labels on the planet, garnering support from house big-hitters like Louie Vega, Larry Heard, Mark Farina and Osunlade (to name a few).
All this has solidified Compton’s reputation as one of the most respected house music players on the planet.

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