si vous voulez d'autres titres, possible par messenger ou whatsapp….et mon lien fb contact à claire.interprete@orange.fr je suis aussi sur easyzic, même pseudo claireinterprete avec d'autres sonset sur youtube claire lamberti

I’m someone who truly lives through music. Whether I’m starting my day, working, or just taking a moment to breathe, there’s always something playing in the background. I love exploring different genres, diving into lyrics, and finding those songs that hit just right. Music isn’t just entertainment for me it’s a mood, a memory, and sometimes even a form of therapy. I’m always on the lookout for new tracks, old favorites, and hidden gems that make me feel something real.

Music and Production by Stina Crow
Singer Songwriter Gothic/Ambient/Piano located in Sweden🇸🇪


any Booking/Contact
vertidote@gmail.com
supereg0@naver.com

Thank you so much for listening, all you wonderful people world wide! 

Experimental low budget music.  
Headphones welcome  :)

Composer, singer, percussionist and drummer. Minimalist.
Here on SC I always release my rough mixes and jams. The mastered versions of my songs are available on Bandcamp.

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All the copyrights are mine except of collaborations and interpretations. 
Commercial spreading of my music is not permitted.

Songs of life, love and other stuff ¯\_(ツ)_/¯
Rock-n-Roll Forever Forever Rock-n-Roll
 #RRFFRR

These songs started with the words. 

I set the words, written by Riley Robinson, to chords on piano. The chords that felt right. I recorded the Casio electric piano, then my sawed-body Austin bass guitar, both plugged in directly. Bass played with a pick. (a square corner of my old driver's license)

The organ pretty much follows the piano chords. Two different organ sounds were used for each song on The Black Cat Record. The same Casio.

Vocals. I recorded one, then muted it and recorded another. So that the second vocal wouldn't be an imitation. I tried a lot of the time to sing as if I were in a concert. One vocal is only on the left, and the other is only on the right. 

I recorded electric guitar plugged into a Blackstar amp, direct-in. Same pick used. I had a Lyon Disturbed signature guitar with a kill switch for The Black Cat Record, and a Squire with a whammy bar for Hex. Rhythm guitar was usually done twice, and only on the left or right, like the vocals. I like to think the left headphone is a slightly different album than the right.  Vocals recorded with a Shure SM57.

All songs recorded in my room on a laptop, through a preamp. On Audacity. One piece at a time. 


No A.I. 
No auto-tune. 
No metronome. 
No samples.

- Ryan Bulliner 

Shout out to Ali Sky. Her busking on YouTube inspired me a lot at the time. 

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