Buy / Stream: https://ffm.to/bj33

Hailing from Liege in Belgium, David Body has been put on our radar with releases on the fine Endless Music — but this EP for Exploited’s Black Jukebox series looks set to propel him to a new level. 

‘I Bird You’ is a seriously charming affair, led by a colourful, sugary-sweet refrain that twinkles and sparkles in cute fashion. A warm deep house groove crafted through swirling Rhodes chords builds the vibe before the flowery melody explodes into life, pushing the track into an altogether more magical direction.

‘Jack Me Baby’ channels rubbery bass and a galloping house beat, with minor piano chords creating a dramatic feel as a classic vocal sample whoops away in delight. The enormous snare-rolled propelled build-up thrusts the track into overdrive, with a delightful, balmy synth line woven in to provide a mystical counterbalance. 

‘The Talking Mouettes’ is a supremely feel-good slab of Balearic-tinged house, with choice piano chords cut up and cascading over a high-energy groove. Big squelchy melodic bass wiggles under the chords and shoulder-popping chime riff, with plenty of power and punch scattered throughout to keep the vibes rolling.

‘Endless Love’ is an absolute monster to close the EP, a soaring, triumphant electro beauty that overflows with euphoric melody and ecstatic, eyes-closed-and-rolling tingles. It just keeps building and building through layer upon layer of synth mastery to an explosive, epic climax.

Artist: David Body
Release: Shir Khan Presents Black Jukebox 33
Label: Exploited
Cat: B33
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Vinyl Release: 14.03.2022
Releasedate Beatport & Streaming: 01.04.2022
Releasedate Global Download: 15.04.2022

Shir Khan Presents Black Jukebox 33

The Talking Mouettes

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David Body - The Talking Mouettes I Exploited

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Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

Jenя ( Jenia ) Gatash is a queer feminist DJ, music producer, and art director from Odessa ( Ukraine ), currently based in Marseille. Her every mix is a story of sensations where a sound collage becomes a single metaphysical space drawn up with strokes of contrasting music genres: instrumental music, jazz, opera, techno, electro, dark disco, electroclash, acid, experimental, with touches of ambient textures and surrealist lyrics. 

Jenя works as a sound producer with galleries and theatre projects, performs as a DJ. She was a curator of art and performance events at the AWAZ music festival. Jenia organized the first open queer events Q'paradise in the muslim capital of Tatarstan, currently she continues this project in France.

She experiments extensively with the representation of opera and baroque music in contemporary contexts. She defines her artistic, performative, and musical works within this framework as meta-opera / experimental opera and post-rave