Buy / Stream: https://ffm.to/julio

Enduro Disco continues his mesmerising run of form on Exploited with another
spellbinding three-track release.
‘Julio’ is unmistakably his handiwork: a classy, spacious slice of modern, dubbed-out
disco. Warm, Balearic bass underpins a haze of chopped-up, resplendent disco
string samples and tripped-out, unintelligible vocals at the core of the track. Flurries
of saccharine, mellifluous synths soar and glide from various pockets of the track,
and deft conga rhythms fill in the gaps. More dramatic synth touches and triangle
16ths keep the track captivating to the very last moment.
‘One Jam’ is similarly dreamy, where plucked 8-bit-esque melody twinkles over
chugging bass and breathy male vocal harmonies. A triumphant feel envelops this
track, with shimmering disco hi-hats bringing the rhythm urgency and subtle strings
filtering away in the bedrock of the composition. Blissed-out, spine-tingling gear.
‘Standing Up’ completes this delightful 3-pack in wonderfully colourful fashion. The
bass is more funk-fuelled, blasts of sprightful trumpet jump out of the mix, and sweet
snatches of piano give passing glances through a filtered haze. Samples are twisted
into unrecognisable snatches of melody, and infectious percussive hits pepper the
groove msot pleasingly. Masterful.
Artist: Enduro Disco
Release: Julio
Label: Exploited
Cat: EXPDIGITAL230
LC: 15799
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 20.05.2022
Releasedate Beatport & Streaming: 27.05.2022
Releasedate Global Download: 10.06.2022

Julio

Buy / Stream

Enduro Disco - Julio | Exploited

Buy / Stream: https://ffm.to/dancing-you-and-me

NEAT return to Exploited with what might just be their strongest EP to date.

The title track features Swedish talent Storken, who has released on Running Back, and channels beautiful ‘80s Balearic vibes into its skippy house template. ‘80s electro bass funk leads the charge while wonky tape delays massage guitar chords and female vocal cuts into the distance. Bubbling synths subtly augment the central pillars of the track. The blissed-out breakdown makes for a stunning ambient / chillout interlude, allowing this glorious track to breathe and stretch out its arms.

‘What’s Up D?’ continues the retro theme, with diva house vocals cut up and set by turns against jaunty chime chords and a warped, nagging, pitch-bending synth hook. The ‘90s house percussion shuffles away with tinges of techno in its clap patterns and soft ride cymbals, while rubbery bass pulsates beneath. It’s a lean, punchy workout that flits between euphoria and heads-down intensity.

‘You Know What My Love’ rounds off the EP in beautiful style. The most gentle of the three tracks, its combination of stuttering vocal cut-ups, spine-tingling chord delays and succinct yet driving beat make for a dreamy experience. The breakdown is a stunning affair, where soaring pads float atop sensual melody and hypnotic FX, sunsets and lapping waves invoked by its heavenly sounds.

Artist: NEAT
Release: Dancing You And Me
Label: Exploited
Cat: EXPDIGITAL233
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 29.07.2022
Releasedate Beatport & Streaming: 05.08.2022
Releasedate Global Download: 19.08.2022

Dancing You And Me

NEAT Feat. Storken - Dancing You And Me | Exploited

Dj Steef & Mr. Bard - Love To Fly

Bandcamp: spaindisco.bandcamp.com
Junodownload: www.junodownload.com/labels/Boite+Music/
Traxsource: www.traxsource.com/label/53933/boite-music
Beatport: www.beatport.com/label/boite-music/89982
Facebook: www.facebook.com/boitemusicrecords/
Instagram: www.instagram.com/boite_music_records/
Youtube: www.youtube.com/c/spaindiscorecordsfrandeeper
Mastering: master79music@gmail.com

[BM047] LAFRENCH TOAST - Dune (Original Mix)

Mexico City resident La Guardia De La Luz is back on Hell Yeah with a new three-track EP, The Magnetic Field, a perfect follow-up from his Awakenings EP back in late 2021. 

This Balearic-not-Balearic artist has been crafting his seductive sounds for many years. From lush deep house to stoner dub via psychedelic beats, he can do it all with a majestic sense of storytelling. This time out he has his sights set firmly on the dance floor as he mixes up breakbeat, reggae and disco. 

'Kingston Technologies' has an irresistibly wiggling dub rhythm. Dusty breakbeats and digi-synths dance around one another as warm chords and jah-inspired vocals drift up top. It's a super fresh tune that sounds like nothing else out there. 

The epic ten-minute workout that is 'Planetary' builds on deep-cut house drums with funky bass playing and louche percussion. It's an early evening classic that will see any floor slowly fill up as people shake their booty to the loose rhythm and get lost in the soulful melodies that grow ever more cosmic. 

Finally, the title track is another nearly 10-minute masterpiece with silky star-gazing arps circling up through the mix over lazy breaks. It's an expansive track with a widescreen design that has you gazing off to the distance and lost in a loved-up deep disco reverie. 

These are three inventive tunes that take you to another world.

download

La Guardia De La Luz - The Magnetic Field

Part 5 of the various artists series is at it again with 5 tracks by 5 different producers and a mixture of feel good party time music and contemplative music. You will hear familiar Running Back names like Storken (this time together with JStaaf) refining their comic tropes (or imagine Foreigner doing house music) next to newcomers like Archie Ward. His Pizza Girl puts musical toppings on a pounding underbelly that wouldn’t be out of place in any warehouse, while Moritz and Amount dial it back a bit. Their respective tracks are gleaming with a special kind of elegant end-of-night euphoria that is hard to come by – and all the nicer if it happens. Remember: trance is a state of mind! Last but not least, Australia’s Jonus Eric delivers an IDM-leaning piece of outsider dance. Hot soup, hot swallow!

A1. Moritz - Flying Saucer

Produced by FSQ. Honoring Sa'D Ali, a dear friend and long time collaborator. Happy birthday Sa'D 🤍

Pain & Beauty (Feat. Sa'D Hourchild)

We are honored to premiere this tune from the last ever Trash The Wax legendary compilation series from Paper Recs.

As Frankie sang, 'and now, the end is near', which is certainly the case for the long standing Trash The Wax compilation series.

Over the years, it has released some absolute dance floor smashers by established names in the art of bangers as well as emerging music makers showcasing their fresh sounds.

Initially, Paper wanted to establish Trash The Wax outside of the 'kick-hat-snare stuck over a Sister Sledge sample' style edits that were dropping weekly. The result was a collection of cuts aimed at the dance floor which would also appeal to fans of electronic music. But all things come to an end, and with this 10th release, we are finishing on a high.

As expected there are disco ticklers aplenty from renowned party people such as Late Nite Tuff Guy, Ed Wizard, Bill Brewster, Pablo & Shoey, Danny Russell & Ronald Christoph and Yam Who.

Tracks such as Leon Sweet's Sunny Bigler made their way into the record boxes of the likes of Luke Unabomber, Maurice Fulton and Chris Duckenfield as well as the airwaves of 6Music. Deckard's rework of the theme from 'The Warriors' created scenes at ALFOS in Glasgow with Sean Johnston saying 'I've never seen as many shirtless middle age blokes go as mental as they did when that dropped!'

On a more twisted gutter style disco tip, there is Richard Seaborne's ' Is This Acid?' which topped the Paper best ever sellers on Beatport for months, Richard Norris's 'Glow' is textbook space disco, the low slung sludge of James Rod & Aleito's 'Raum 909' and the Speak & Spell narrated Acidisco by Andy Buchan.

There are also two brand new cuts from TTW family members Boblebad & D.S.D. plus more killer music than we can shake a disco stick at. Never has the phrase 'all hitters and no shitters' been more apt.

James Rod & Aleito - Raum 909 [Paper Recordings] <Gouranga Premiere>

Missing

Silent Frequencies

Upbeat jazz groove starring Soprano Sax throughout. This is the jazz groove to dance to. I dedicate this song to my beautiful granddaughter Emyliana (11 years old) she plays Alto & Tenor Sax, Piano, Guitar, Flute and anything else she can find. She loves Jazz like me. I adore her!! She's my lil buddy!

Emyliana

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)