Buy / Stream: ffm.to/something-cool

Returning to Exploited for another bite of the cherry, Italian duo gizA djs are back.
‘Something Cool’ blends elements of indie dance and nu disco in its loose, warm feel, with a dash of Italo disco attitude to boot. ‘80s synth pulses set the tone over live percussion and subtle bass, before a sultry male vocal adds more retro feel to the proceedings. Classic disco hi-hats drop in as the vocal switches from English to seductive Italian and big synth chords filter into focus. A sweet arpeggiated lead line thrusts into play as a Daft Punk-esque electric bassline funks away below. An unexpectedly wonky breakdown builds tension, setting us up for a colourful finale where the key elements morph and modulate in a beautiful fusion.

‘Rogue One’ is more of a brooding, atmospheric house affair, but one that comes with dashes of funk. Tribal percussion intersperses a turgid bass groove as mystical trumpet loops tease in and out of the mix. A discofied guitar lick bolsters an infectious, mysterious plucked melody, and imperceptibly the track builds intensity to a crescendo with eerie pads, heady reverbs, ride cymbals, urgent vocal chants and judicious use of FX.

Artist: gizA djs
Release: Something Cool
Label: Exploited Club
Cat: EXP118
LC: 96788
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 22.07.2022
Releasedate Beatport & Streaming: 29.07.2022
Releasedate Global Download: 12.08.2022

Something Cool

Buy / Stream

gizA djs - Something Cool | Exploited Club

Buy / Stream: ffm.to/black-hawks-of-panama-hurts

Did someone order a piano banger? Black Hawks Of Panama debuts on Exploited with an absolute monster in the form of ‘Hurts’ that’s set to get pulses racing and fists pumping skyward, ready for the Ibiza season.

Supremely chunky ‘90s house beats with a gently distorted techno undertone pummel away underneath the phat bassline whose tone is perfectly balanced between weight and melodic overtones. Piano chords bang a jaunty, rave-influenced hook, and Bisi’s sweet vocals provide a sensual, soulful counterpoint. Little else is needed to make this track thump hard except subtle sustained strings and big cymbal crashes, and there’s an instrumental available which cuts to the meat of the track.

And who is Bisi? She’s better known as British actress Victoria Ekanoye, a woman of many talents who featured on Black Hawks’ previous single on Future Disco ‘Mercer Street’. She starred in the West End musical ‘The Lion King’, toured the US with ‘The Blues Brothers’ and fronted the show as Mistress of Ceremonies at both the London and New York infamous nightspot ‘The Box’. She takes her influences from blues, jazz, Stax-era soul and trip-hop.

“Our mutual friend Lisa Forshaw had worked as a PR for Victoria whilst she was on the nation's most popular TV show” says Black Hawks Of Panama. “Lisa got in touch with me and explained I should work with Victoria. Immediately I was struck with vocal range but also her presence as a performer. So I hired a commercial recording studio in Manchester as we didn’t know each other then and we agreed 'Feel For You' would be a great track to do as it’s a joint favourite! Although I didn’t want a carbon copy of the Chaka classic—I don’t see the point in that—I wanted something more lowdown and sultry! After a great first session we discussed Bowie, Prince and Patti Labelle, so it was pretty clear from this point this was going to work out well!!”

The Mancunian producer behind the track took his name from an inspirational time spent in Panama City and its surrounding rainforests. Born to parents who both had influential roles in the Manchester music scene of the 1970s and 80s, he has spent time living in Ibiza and DJed under another name for many years. Black Hawks of Panama is a project that’s going from strength to strength, and this hot new single looks set to break down yet more doors for him.

Artist: Black Hawks of Panama
Release: Hurts Feat. Bisi
Label: Exploited Club
Cat: EXP117
LC: 96788
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 17.06.2022
Releasedate Beatport & Streaming: 24.06.2022
Releasedate Global Download: 08.07.2022

Hurts

Black Hawks Of Panama - Hurts Feat. Bisi | Exploited Club

Buy / Stream: ffm.to/dancing-you-and-me

NEAT return to Exploited with what might just be their strongest EP to date.

The title track features Swedish talent Storken, who has released on Running Back, and channels beautiful ‘80s Balearic vibes into its skippy house template. ‘80s electro bass funk leads the charge while wonky tape delays massage guitar chords and female vocal cuts into the distance. Bubbling synths subtly augment the central pillars of the track. The blissed-out breakdown makes for a stunning ambient / chillout interlude, allowing this glorious track to breathe and stretch out its arms.

‘What’s Up D?’ continues the retro theme, with diva house vocals cut up and set by turns against jaunty chime chords and a warped, nagging, pitch-bending synth hook. The ‘90s house percussion shuffles away with tinges of techno in its clap patterns and soft ride cymbals, while rubbery bass pulsates beneath. It’s a lean, punchy workout that flits between euphoria and heads-down intensity.

‘You Know What My Love’ rounds off the EP in beautiful style. The most gentle of the three tracks, its combination of stuttering vocal cut-ups, spine-tingling chord delays and succinct yet driving beat make for a dreamy experience. The breakdown is a stunning affair, where soaring pads float atop sensual melody and hypnotic FX, sunsets and lapping waves invoked by its heavenly sounds.

Artist: NEAT
Release: Dancing You And Me
Label: Exploited
Cat: EXPDIGITAL233
LC: 15799
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 29.07.2022
Releasedate Beatport & Streaming: 05.08.2022
Releasedate Global Download: 19.08.2022

Dancing You And Me

You Know What My Love

NEAT - You Know What My Love | Exploited

The Unknown

Saga

Listen to the exclusive GROOVE-Premiere of @Osunlade 's Remix of Ayalas „Sacred Piano (Yoruba Soul Cleanse)", taken from Ayala – Sacred Piano (Yoruba Soul Mixes) EP on Sol Selectas. Released digitally on March 4th. 

Read our introduction here: https://bit.ly/3Me4cbL
Veröffentlicht von: Sol Selectas
Erscheinungsdatum : 04.03.2021

SOL092 - Sacred (Yoruba Soul Mixes)

Ayala (IT) – Sacred Piano (Yoruba Soul Cleanse)

Out now on Crosstown Rebels: lnk.to/_CRMLP049

The release of Crosstown Rebels’ SPIRITS compilation is always a bastion moment for the label. The first edition came to prominence in 2017 and we’ve been graced with an annual compilation ever since, showcasing a consistent habit to champion established artists and breakthrough ones alike. Now, Crosstown Rebels’ lauded SPIRITS series will see the light of day once more in June, with the release of SPIRITS V.

“Compiling the Spirits compilations and sourcing the artists that create the artwork for the sleeves is one of my favourite annual jobs for Crosstown. I get to sift through all the best music being sent to me and find a way to make a cohesive one stop shop full of underground battle weapons and future club hits whilst also setting the tone for the sound of the label in any given year. Spirits V is one of the strongest of the series”. Damian Lazarus

NYC-native Layla Benitez leads proceedings with Fides, a progressive leaning, introspective number that retains an inherent danceability throughout. It kicks off the compilation with a driving energy, one that’s perfectly matched by Trabajar - the Crosstown Rebels debut of recent Hot Creations inductee Mr.Diamond. 

A techy-inspired cut, punchy four-four drum patterns create a distinctive late-night feel, as UK-talent Denney soon arrives with Kill The Soundboy. Showcasing the groove-laced house sound with which he’s become best known, the near seven-minute piece is sure to light up many a club setting this year, paving the way for Talk To Me. It’s a collaborative venture between Munich-based artist ASK:ME and El Muerto, with Soulfoot featuring on vocals. Retaining a vintage Detroit style, the fast-paced tempo creates a natural excitement before Romanian-born mainstay GruuvElement’s gifts us the minimal-toned Boom Room.

Building with tribal-like percussion and salsa-inspired instrumentals, it’s a playful excursion into dance music’s outer realms, paving the way for young Peruvian producer Chinonegro with My Moment. Whether it be the pluck of a guitar string or a jazzy trumpet solo, there’s an inherent authenticity to the six-minute piece, as a mid track breakdown gives way to whispering hats and a rhythmic underlying backbone.

The penultimate offering comes from French-born, London-based regular Maglia, who serves up the shamanic Rayiys. The chirping of birds reside atop an ever-changing bassline, leaving us open and ready for the VA’s closing saga: Thanks Moon, by Spain’s I AM JAS. A heady combination of beautiful lyrical contributions combine with softly moving electronic elements, to leave us in a state of calm, inward reflection. Rounding off proceedings on a note of quietude, it reminds us of the final moments in clubland, transporting our psyche to sunrise, fond memories and everything in between.

Over a period of nineteen years, Damian Lazarus’ Crosstown Rebels has evolved into a world-renowned institution, garnering global audiences thanks to a consistent schedule of quality releases. In years since it’s earliest beginnings, the likes of Maceo Plex, Art Department, Seth Troxler, Ali Love, Mathew Jonson, Pier Bucci, Acid Pauli, Dennis Kurtel, Francesca Lombardo, Glimpse, Aphrohead, Fur Coat and a plethora of other figureheads have all found their home on the label.

The roster is international, showcasing how Crosstown has shaped a truly global scene. Releases are born in different continents by artists who hail from different countries, resulting in a sound that resonates worldwide. Perhaps most-pivotal to the label’s success is its musical output: no part is governed by boundary or genre. It’s underpinned by a truly eclectic sound, one that reflects the diversity of Damian’s love for music itself. An album from drum and bass icon DJ Krust here, a maiden LP from Audiojack there... traversing genres has been Damian’s forte for decades - and Crosstown epitomises that as a result.

Various Artists

Rayiys

Maglia - Rayiys

Rapture (Snippet)

Re.You - Hands (West & Hill Remix)

♬ Click for more ☞ https://www.beatport.com/de/release/frame/5341313

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2 

Get @decalculator's EP on @meeronautenmusik here: 
➟ Beatport: https://www.beatport.com/de/release/frame/5341313

Sometimes it's a matter of perspective. It’s that old story: If you only know one leg of the elephant, you might think it's a tree. Only different perspectives give you the full picture.

The same applies to a frame. For some, it means orientation, focus, safety, or the rules for a good game. For others, a frame means limitation, restriction, regulation, or an inappropriate narrative. Both perspectives are valid depending on space, time, and the people involved. Of course, different perspectives are not alternative facts. A fire in the Carakum Desert is not a date grove. However, the meaning of a fact depends on our perspective. Behind some perspectives are needs. That is human nature. I want to dance, you want to dance. Shall we try it together? Not every step on the other’s toe is wicked intent. Sometimes it's clumsiness, sometimes it's even funny, and sometimes you've just made a really wild move yourself. Sometimes it's a wake-up call… When we forget how to share different perspectives, we see trees where there are elephants, we see division where there are similarities, and fears are fulfilled instead of needs. And in the end, we may only see letters where we actually can hear Meeronauten Musik!

Decalculator's new EP "Frame" is an invitation to a game of multi-perspectivity, enriched by the views of Lisbird, Nairam, and Manucho. What's your perspective? Create a framework or dance out of the line? Give it a listen and choose something for yourself!
_____________________________________________________________________________________________

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn: https://spoti.fi/2qMRUOyy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

Decalculator - Carakum [Meeronauten]

Buy on bandcamp

Herwell's Callan - W.E.N.D

Immerse yourself in a deep, atmospheric exploration of sound — where space, emotion, and rhythm converge. Eight Wonders of Solar System blends cinematic ambience with hypnotic deep house grooves, evolving through warm sub-bass, ethereal pads, and textured melodic layers. Each section moves like a celestial orbit, pulling you into a gravity of sound both meditative and powerful.

Perfect for late-night listening, creative focus, or simply drifting through the infinite. This track captures the feeling of motion among the stars — deep, emotional, and endlessly expansive.

🎧 Genre: Cinematic Deep House / Progressive / Space Ambient
💫 Mood: Hypnotic, Atmospheric, Emotional, Futuristic
🔊 Mastered for Studio-Quality Depth & Clarity

#DeepHouse #CinematicHouse #SpaceMusic #ElectronicMusic #Atmospheric #BorisBrejcha #ProgressiveHouse #AmbientHouse #EightWondersOfSolarSystem #relaxmusic #relaxingmusic #calmmusic #studymusic

Solar System BreakOut

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)