Buy / Stream: https://ffm.to/1000years

Early feedback in from Basement Jaxx, AME, Perel...

One of the brand-new tracks taken from James Curd mostly-retrospective debut album ‘Taking All This Time’, ‘1000 Years’ arrives to transport you into a warm summer haze and give another taste of this stunning record.
‘1000 Years’ is another exemplary Curd-cut, a melodic deep house beauty laced with a dulcet vocal from newcomer Natasha Lillith. Led by soulful, pulsing electric piano chords and a warm bassline, the groove has a little Brazilian feel to it, only heightened by summery guitar licks applied in just the right moments. Lillith's soft vocal tones are the perfect accompaniment for this balmy groove, transporting you instantly to a warm beach with sand between your toes.
French producer Kendal (Dischi Autunno/Ritmo Fatale) goes for a future garage vibe on his remix, where brooding synths soar atop peppy, pacey 2-step beats. Phunkadelica (Multinotes | Correspondant | Permanent Vacation | Innervisions | Engrave LTD), by contrast, opt for an Italo disco direction with an epic piano breakdown.

Artist: James Curd
Release: 1000 Years
Label: Exploited
Cat: EXPDIGITAL221
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport & Streaming: 27.08.2021
Releasedate Global Download: 10.09.21

1000 Years

1000 Years feat. Natasha Lillith (Kendal Remix)

Buy / Stream

James Curd - 1000 Years feat. Natasha Lillith (Kendal Remix) I Exploited

Booking : xavier@lagencedulobby.fr
Demos : mila.dietrich.music@gmail.com
Label nerd of @devilishrecords 

★ techno wave★

TECHNOSTREICHKUNST || Hey look above the sound is disco light. And like flowers we are dancing way to sky.￼

S'il m'arrive d'avoir le mal du pays je l'ai pour…
Paris.

Booking/requests: dorianflagrant@gmail.com
Dorian Flagrant: DJ Sets and productions across indie dance, synthwave, disco, progressive house 💽 Indeflagration: blog sharing indie and retro music ⚡️ 

Gigs 2025

02.01 À la Folie Paris with Groover Obsessions: Amarcord, Vhyce, Karassimeon & more
02.06 La Rotonde Stalingrad (Paris) with Néon Noir
02.08 Bar Gallia (Pantin) for Synth Connection
02.22 Lorganiq (Bordeaux) for Holy Groove
03.07 Sleepwalk (New York) for In Flagrante Delicto

Gigs 2024

02.02 - La Recyclerie (Paris)
03.19 - Bateau Phare (Paris)
05.24 - Tempest Brighton (UK)
05.25 - Nomad Sound Paris 1
06.21 - Zozoo / Cantine de la Butte, Paris
06.22 - Nomad Sound Paris 2
06.27 - Cavalcade à L'International, Paris
07.12 - Nomad Sound Paris 3
08.07 - Ground Control, Paris
08.25 - Flyin Club Festival, St-Palais sur Mer
09.01 - Les Locomotives Normandes, Livarot
09.14 - Jardin21, Paris
09.20 - Tendrestival, Selles-sur-Cher
10.27 - Cavalcade à La Maison Bistrot, Paris
11.06 - Dead Letter no9, New York
11.08 - Sleepwalk, New York

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)