Beatport: https://www.beatport.com/release/masada/2802118
iTunes: https://music.apple.com/de/album/masada-single/1493842515
Spotify: https://open.spotify.com/album/081q7m1CWD9lpvjwJt3wX7

A familiar face on the Berlin techno scene, Marcus Meinhardt can frequently be found ripping it up at Kater Blau and many of Germany's other leading clubs. He is also no stranger to Exploited Ghetto with previous slammers like 'Hibiskuss' and 'House Of Beats' doing major damage.
 
'Masada' is another beast that builds imperceptibly to an intense throb through its perfectly balanced arrangement. A plump kick underpins shuffling tambourine rhythms and woodblock hits, while moody synth stabs give a sense of what's to come. Droning textures growl as hints of the bass tease into life. On-beat stabs filter up ever-so-slowly while rasping electro pulses thrust into the groove. A rapid-fire synth refrain adds more colour before swathes of white noises lift the track upwards. 
As the synth interplay continues to intensify, snare rolls usher towards new levels of intensity. The succinct yet deadly potent main hook of the the track is brought into play, dragging a spine-tingling chord progression with it. The on-beat stabs brigthen in their intensity, creating a real sense of urgency. A big snare-roll filled breakdown teases us before the arrangement is stripped back to its tribal simplicity before the final crescendo of the track hits us. Fans of Innervisions and classic Bodzin and Huntemann material should lap this right up.

Artist: Marcus Meinhardt
Release: Masada
Label: Exploited Ghetto
Cat: EXP71
LC: 48629
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order 31.01.20: 
Releasedate Beatport/Spotify: 07.02.20
Releasedate I-Tunes: 21.02.20

Masada

Marcus Meinhardt - Masada | Exploited Ghetto

never Stop
träum lieber
Alle Antworten auf die Fragen des Lebens sind auf einem externen Gehirn gespeichert. Hier gibt es nur Musik und nützliche Tipps, für ein gemeinsames Leben, Ground on earth.
It' s more phantasie then ever.
It' s getting physical, you need to know.
We need to remember the past, to bring it back to life, but dont stay in it. We need to remember the good life, for every one who stayes in it. peace

N.m.:M.m. (Niemals mit: Mütze mastern)
"Tracks werden geboren"
booking request on: bastikirsch@freenet.de
"One hand on Techno!... ohohoh"
Back in the early 90´s i started with techno, "Raving Afternoons" @ the old "Flughafen" - Munich/Riem was the Place to be. We danced along with Marusha, Charlie Lownoise & Mental Theo and many more´s. We lived for Sundays, i was thirteen years of age. Days gone bye and I practised myself into beeing a bandleader as a Singer in Grunch and Rock. We never came out of the garden;) but it was fun!! In my early twen´s i started by dejaing hip hop, we had a club where we could play in diffrend rooms. Once Techno and Trance, the other one Hip Hop. Soon enough i changed the room because playing techno was that much deeper, dirtyer and driftier for me than playing Hip Hop. (a good Hip Hop Dj is an Artist for him self, its so difficult to do good Hip Hop at the Decks!!!)I started in Techno as a Lightjockey because my friends wount let play me at the decks this time :). Once in the morning, everyones sleeping, i stole myself to the decks and started playing trance n' acid n' dance very quiet, but loud enough to woke up my friend and he shows me how to doing techno @ two turntables. From then i could get off for the next years and playing records wherever i could. Back in 2009 asked a visual artist to make electro music with him. I agreed and got a "cookie" . He gave us the possibilty to make a Producer course in how to make electronic music with a daw. Since than i produced Electronic Music. And now you get the resaults. Hope you enjoy it! evan more sounds you can find under: https://soundcloud.com/die-katze-und-das-wiesel
#Newcommer

Pieck é DJ e produtor musical com 5 anos de estrada, conhecido por uma identidade sonora marcante que transita entre Acid House, UK Garage, Electro e Break Beat. Já passou por pistas de peso como LOTE, D-EDGE e Club Jerome, sempre deixando sua assinatura em cada apresentação.

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)