Buy / Stream: ffm.to/accent-remixes

A tough job to remix Sandhog’s latest weapons, but Exploited Club have picked two consummate producers to do an excellent job.
Brazil’s Renato Cohen is a perfect match for ‘Accent’, bringing his new school electro/Italo touch to the proceedings. With a knowing nod to New Order’s monumental classic ‘Blue Monday’ in its snare fills and chord progression, his remix gets to work immediately with a snaking arpeggiated bassline weaving its way through and snappy drums, eventually unfolding into that familiar melody as bright pads glisten and live handclaps add an organic touch. Almost psychedelic touches of twanging FX deck out the outer edges of the track, and a manic siren-like synth blast ups the energy further. Funky percussion is drafted in with a touch of acid later on to keep things fresh, making this a hugely engaging remix throughout.
Fabrizio Mammarella does the damage on his version of ‘Nechama’. Teasing us slowly with ticking techno percussion that ebbs and flows, he gradually reveals the synth chords amidst giant snare hits and pulsing cymbal rides. A huge melodic acid line juts into view, taking us deeper into Mamarella’s futuristic groove, before the full fanfare of the colourful lead riff is unveiled in the breakdown—making for a truly explosive climax.

Artist: Sandhog
Release: Accent Remixes
Label: Exploited Club
LC: 96788
Cat: EXP125
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 05.05.23
Release Date Streaming/Beatport: 12.05.23
Release Date Global Download: 26.05.23

Accent Remixes

Sandhog - Nechama (Fabrizio Mammarella Remix) | Exploited Club

Nirvana, magic, a reality distinct from the actual, other dimensions, aliens, so what’s your preference? Just a story they will say, nothing. I say otherwise. 

Anyway, this is where I find new sounds I want to play and I’m always looking for new music... Respect. Peace 🔆 pasito pasito 🫶

Analog guy in digital world. Half Italian blood... Fast cars, planes and boats. 80's forever

Booking World:  pruschyagency@gmail.com
www.instagram.com/sandhog.music/

I am Sandhog.

Indeed, one might truly affirm that Sandhog is a pretty new venture. Actually it is. In 2020, one of the most particularly eventful years in the last decades, Sandhog decided to get his butt out of the studio and publish his tracks. And what's the idea behind this project? Not giving a damn about musical trends. It's about composing peak time house music with a pile of emotions and good vibes.

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)