Monument presents Alpengluhen#66
Cobahn(@cobahn)
Daniel[i] (@danieli_whs )
F-on

March 6th, 2022.

Streaming event(and video) at:
https://www.youtube.com/watch?v=UNlNg0GvebI

Thanks @monument-podcast for making it possible

Monument presents Alpenglühen #66 w/ Cobahn, F-on & Daniel[i]

Audrey Danza invites Swiss DJ Timnah Sommerfeldt. 

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com



Outsiders: Proxima w/ Timnah @ Kiosk Radio 27.05.2023

It's an honour to welcome the lovely Joan Gila to The Observatory <3

A passionate music lover and record collector for over half his life, Joan is the curator of HOC Radio and a really beautiful label known as red edge (highly recommended if you're not familiar! stunning releases by ABSIS and Bastien <3). Alongside Javi .apart and his friend Jordi, with whom he runs the Binomi project, he co-hosts MostRadio.

https://soundcloud.com/joan-gila
https://soundcloud.com/hoc-radio
https://soundcloud.com/red-edge-label
https://soundcloud.com/binomi
https://soundcloud.com/mostrabcn
https://rededge.bandcamp.com/music

Some words by Joan about the mix:

"I always like to conceptualize my mixes. It helps me set boundaries and avoid falling into the endless musical rabbit hole - which, frankly, can be overwhelming. This particular mix took me time to find its definitive form. After my latest vinyl purchases over the past few months, as well as an exploration of CDs (a whole fascinating world in itself), I was finally able to define its premise.

The mix unfolds across four movements. Three of them are based on a deconstruction of a long-form minimalist drone composition, layering elements of field recordings, electroacoustics & musique concrète, or additional drones. Each movement explores textures, dialectics, and microtonalism respectively. In between, the remaining movement serves as a purely experimental interlude.

This time, I can’t provide a tracklist - I couldn’t even say exactly what I used or in what proportion. The selection flows together in a way that’s hard to pinpoint, with a mix of works and pieces that come together naturally. That said, I can share that it features a strong presence of musique concrète and electroacoustic works from the '70s and '80s, including artists like Jep Nuix, Olly Wilson, Hans Roosenschon, and Anne Ben Hammou, along with revered names in drone and minimalism like Éliane Radigue, Bernhard Günter, Sarah Davachi, or Toshiya Tsunoda. There are also more recent sonic experiments and compositions – names like Richard Chartier, Steve Roden, Pablo Diserens, Jana Winderen, ENA, or Lotus Eater - some of which we’ll have the chance to experience at Mostra. And of course, there are also tracks from friends - this time, Oisatsana, ABSIS, and Menhir."

Artwork by Clayton Ciolac
https://www.instagram.com/cccccclaytonciolac/

The Observatory - Joan Gila

Poussière Diamant August 2025

https://soundcloud.com/velvia50

https://soundcloud.com/espacio-perpendicular Festival 2025
Saturday morning 11:30-13:00

Obscure Echoes: Velvia [Perpendicular 2025]

Live recording at the Future Intel headquarters in The Hague. Streaming live every Thursday and Friday on YouTube and futureintelradio.com. For more info, visit our website.

Remma ╚═ Future Intel x PODD ═╗ 21 08 2025

murianoise returns to TILECT with a completely different mood... 
For this occasion, he delivers a set of atmospheric, droney, and hypnotic techno from  the 2013-2018 era. 
We have reasons to believe he might have been slightly influenced by Antonio Vazquez's mind-blowing performance at Mostra festival '25.

"A set designed for the dance floor, with moments of meditative introspection. I hope you enjoy it."


TRACKLIST

Condensed Utopia – Seesaw Of Pain
Abdulla Rashim & Axel Hallqvist – Skog
Dino Sabatini & Edit Select – Euterpe
Wata Igarashi – The Summon
Function – Against The Wall
Dino Sabatini & Giorgio Gigli – Proteus
Tadeo – The Need Of Development (Silent Servant Remix)
Wata Igarashi – Haziest Just Before The Dawn
Ruhig – Nadir
Svreca – Seda Muerta
Cio D’Or – XLIV For Mike
Acronym – Nifelheim
Anthony Linell – Scattered Across
Alfredo Mazzilli – Nuvole
Function – Modifier
Pär Grindvik – Left Alone
Ruhig – Abode
Notzing – Self Awareness And Presence
Claudio PRC & Ness – Icore (Nuel Remix)
Gianluca Meloni (Laertes) – Ostinate Sin
Donato Dozzy & Cio D’Or – Menta (Peter van Hoesen Remix)
Claudio PRC – Utopia
Antonio Vázquez – No Existence
Function – Incubation (Ritual)


Connect with murianoise:

https://www.instagram.com/murianoise
https://soundcloud.com/murianoise

TILECT with #24 murianoise

What happened that weekend at @summer_of_love_cy was beyond my expectations, to say the least!
A closing slot on a Sunday afternoon gave me the opportunity to have as much time as I needed to be playful and unfold everything I wanted to do!
A creative awakening...
It was a special 4 hours set, that I don't get the chance to experience often at an event.
Special thanks to @aristodemos & @geechemist for that opportunity and for all the love they 've shown me all these years!
I appreciate everyone who managed to stay until the end, those who had a rest, woke up and came for the closing and all the smiles I saw in front of me during the set!

[Set time: 16:00 - End]
On a Sunday afternoon, at a 24+hrs rave by the sea!

Flux Magnetic - Closing set at Summer of Love - CY [13 July 2025]

This is the exploration theme for the Hollow Palace region of the upcoming Skyrim Creation, Heart of the Mountain. These themes have hints of the Hana themes and Lightless Hollow throughout as they both are related to this area. Hope you enjoy!

Border of Nothingness

Little song forSaitō Sanki haiku:

"An autumn nightfall
the skeleton of a huge fish
drawn back by the sea."

I translate the title to my language, catalan. "Drawn back by the sea" is "Arrossegat per la mar" on my island. In Catalonia, they say: "Arrossegat pel mar". The Balearic form is more poetic for me.

Arrossegat per la mar (naviarhaiku617)

Title:
Earth

1: "Earth", 05:02 (00:00)
2: "Parting", 06:22, (05:02)
3: "Trees", 05:28, (11:24)
4, "Insects", 1:35, (16:52)
5, "Visitor", 04:23, (18:27)
End (22.50)

Dates:
01-Nov-2025 (inception), 01-Nov-2025 (finalised), 04-Nov-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund
Music Video by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/earth

Description:
After recording "Granie Demo3 - Lyra Dreams The Halloween Edition" (Ref. [1]), I had to have a wind down session just jamming out, or was it going more hyper -- you be the judge.

Tracks 1, 2, 3 and 4 were recorded DAWless on the Granie, feeding it the Soma Lyra 8. Granie is my granular synthesiser Ref. [2].

Track 1 used a definite tuning library, whereas for tracks 2, 3 and 4, it was all modified and improvised. The tuning is listed below, negative frequencies meant play backwards, these were the grain play-back frequencies, which may differ to the human perceived frequency.

Grain Bank 1 frequencies [Hz]:
1: -1.635
2: 0.265
3: 0.985
4: 1.465
5: 2.165
6: 2.865
7: 4.165
8: 12.465

Grain Bank 2 frequencies [Hz]:
1:14.
2: 3.
3: 13.
4: 20.
5: 25.
6: 32
7: 28.
8: -2.4

Grain Bank 3 frequencies [Hz]:
1: 3
2: 14
3: 17
4: 22
5: 23
6: 25
7: 41
8: 47

Grain Bank 4 frequencies [Hz]:
1: 117
2: 122
3: 125
4: 129
5: 131
6: 136
7: 141
8: 40

The tuning was determined one grain bank at a time, all by ear, ensuring each new bank's ith note worked well with the next bank's ith note.

For track 5, I was curious what the tuning of track 1 would sound like with a fixed discrete tuning instrument, so took the raw track 1 tuning and put it into Ableton Live, an exact replica of tuning but with no granular synthesis human perceived tuning corrections. Some selective octave reduction was also used, this tuning is shown below:

ID, Bank, Local, FreqRatio, Cents
0, 0, 0, 1.000, 0c
1, 0, 1, 0.162, -3150c
2, 0, 2, 0.602, -877c
3, 0, 3, 0.896, -190c
4, 0, 4, 1.324, 486c
5, 0, 5, 1.752, 971c
6, 0, 6, 2.547, 1619c
7, 0, 7, 7.624, 3517c
8, 1, 0, 1.070, 118c
9, 1, 1, 0.229, -2549c
10, 1, 2, 0.994, -11c
11, 1, 3, 1.529, 735c
12, 1, 4, 1.911, 1121c
13, 1, 5, 2.446, 1549c
14, 1, 6, 2.141, 1318c
15, 1, 7, 0.183, -2936c
16, 2, 0, 1.835, 1051c
17, 2, 1, 8.563, 3718c
18, 2, 2, 10.398, 4054c
19, 2, 3, 13.456, 4500c
20, 2, 4, 14.067, 4577c
21, 2, 5, 15.291, 4721c
22, 2, 6, 25.076, 5578c
23, 2, 7, 28.746, 5814c
24, 3, 0, 1.118, 193c
25, 3, 1, 1.166, 266c
26, 3, 2, 1.195, 308c
27, 3, 3, 1.233, 362c
28, 3, 4, 1.252, 389c
29, 3, 5, 1.300, 454c
30, 3, 6, 1.347, 516c
31, 3, 7, 0.382, -1665c

I used a bell instrument, ok, this is weird, the tuning, not the instrument, but it worked, 8 notes for each of the Granie banks, strung together into 32 notes and just stuck with only using those 32 notes. I realised I needed a timing track, so picked a drum set and set the Push2 midi controller into 1/16th repeat note mode and improvised some drums into a 21 bar section. Improvised on the Bells track into 18 bars. Put the percussion and bells into looped playback and improvised on the Lyra 8 -- one take, improvised tuning oh ya.

This was all done in the session view of Live, then bounced into the arrangement view ready to play back and do the mastering by putting in volume swells for interest.

You can hear the whole album on my YouTube channel at:
https://youtu.be/Dd1BKzmb1hU

References:
[1]	Granie Demo3 - Lyra Dreams The Halloween Edition, Link: https://youtu.be/5HTL0VaQpvI
[2]	Granie, Granular synthesiser by Norman Freund, purchase at: https://normanfreund.gumroad.com/l/granie


Monument presents Alpenglühen #66 w/ Cobahn, F-on & Daniel[i]

F-on (Alfonso Pomeda)