Che spettacolo.. chi suona il violoncello?!?

I'm just so in love with the combination you use of Piano, Cello & Violin. <3 Each time I have tears filling my eyes.... So much beauty. So Touching.

Time to Migration's birds.......and Paterlini melodies

Light Forign

Improvisation For Purple Sky

Iday - Flight

Zbigniew Preisner - nostalgia

#classical #string #orchestral #cinematic #soundtrack #japan #japonese #philarmonique

再会 ( réunion )

15 - Throne of Grace

We already reached week #5! It means we are almost at the half of my project... this time, for the first time, i wrote and recorded a string quartet part together with my piano. I want to experiment in these months and so i am doing :)
Once again, the song is free to download.. please share it, if you think it is worth.

The original photo has been downloaded from here:
http://www.sxc.hu/profile/bjearwicke 
Then i edited it a little bit, but this is another story. 


Week #5

That's a piano piece totally improvised, I just sat on the piano and play what spontaneously came out. No sheet music, preparation, or forethought. Just spontaneous composition, in one take. No edit. This is why you may hear some "mistakes" but as Thelonious Monk said: “The piano ain't got no wrong notes.” ;-)
I made it as part of the Piano Journal experimentation, a project created by Jason Dzamba: www.thepianojournal.com

Impromptus Vol. 1

Impromptu n°II / FREE Download (Total improvisation, no edit)

The Butterfly's Dream (OST)~ Rahman Altin

original music: luca longobardi / diego guarnieri

piano 4 hands: luca longobardi (left)- diego guarnieri (right)

Written and recorded in one day, Timeline is the result of a session in which Luca Longobardi and Diego Guarnieri shared their ideas and creative process. Improvisation, composition and rework are the keyframes of this four-hands-two-brains Ep.

5 pm

تمام شد.اما مگر می شود آن سه سرباز را فراموش کرد;یونس،یحیا،قباد را...
مگر می شود ترس از آسمون غرنبه ی قباد را فراموش کرد...مگر می شود غرق بی مزه بودن روزگارشان نشد...
تمام شد و دلشوره های فیروزه می ماند و نگرانی های جلال می ماند و اضطراب های ملاحت می ماند و خستگی های سامان می ماند و ...
بغض فریدون...
نور می آید...
-امیر بشیری
اول آذر 1397

One of the best experiences I've ever had was writing a short but deep and emotionally challenging theme for this incredible, award winning play, written by Mohammad Charmshir and directed by Amir Bashiri, one of the absolute talents in Iran.

Khanevadeh Mohtaram Ardekani

Main Theme

Zbigniev Preisner - Kieslowski

Z. Preisner - Lacrimosa

Zbigniew Preisner - Life After Life

Sometimes I can't tell if my mood is driving the music I'm playing, or if the music is influencing my mood. I think it's a little of both. But this Saturday morning, I'm waking up to another gentle day. The city is peaceful just behind my curtains, like a frozen postcard from a moment stuck in time. Only the clouds seem to move, announcing the passage of hours. I turn back to music, to feel something 'changing', and with it, emotions, perceptions and senses are all that I know that are signs of my 'life'. Today's soundtrack to the imaginary narrative is a piece by Richard Luke appropriately titled "Silent Story". This track originally appeared on Luke's 2019 release on Moderna titled Glass Island, and today we are honoured with a rework, this time accompanied by short thumping bass, and gorgeous string passages courtesy of Amira Bedrush-McDonald. This piece is taken from an upcoming EP, featuring additional reworks by Daigo Hanada, Aisling Brouwer, Jakob Lindhagen, Halftribe and Anna Pluto. I hope that it starts off your quiet May weekend, as it has revealed all that's real in mine.

Glass Island (Reworked)

Silent Story

TRACK PREMIERE : Richard Luke - Silent Story (Rework)

Shin mesle Shadi

Old Dreams

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Week #5

Fabrizio Paterlini

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