ترانه‌های درهم

Music is the poetry of the air.  ~Richter



Poetry

| Soundtrack |

Fabrizio Paterlini

slowly

talented person

classical

Expanding

Light

Schindler's List is the original soundtrack, on the MCA label, of the 1993 Academy Award- and Golden Globe-winning film Schindler's List starring Liam Neeson, Ben Kingsley, Ralph Fiennes and Caroline Goodall. The original score and songs were composed by John Williams, and features violin player Itzhak Perlman.

The album won the Academy Award and the BAFTA Award for "Best Original Score" and the Grammy Award for "Best Instrumental Composition Written for a Motion Picture or for Television". It was also nominated for a Golden Globe.
Track listing

   1. "Theme from Schindler's List" – 4:15
   2. "Jewish Town (Krakow Ghetto - Winter '41)" – 4:40
   3. "Immolation (With Our Lives We Give Life)" – 4:44
   4. "Remembrances" – 4:20
   5. "Schindler's Workforce" – 9:08
   6. "Oyf'n Pripetshok / Nacht Aktion" – 2:56
   7. "I Could Have Done More" – 5:52
   8. "Auschwitz-Birkenau" – 3:41
   9. "Stolen Memories" – 4:20
  10. "Making The List" – 5:11
  11. "Give Me Your Names" – 4:55
  12. "Yerushalayim Shel Zahav (Jerusalem of Gold)" – 2:17
  13. "Remembrances" – 5:17
  14. "Theme from Schindler's List" – 2:59

 Not on the soundtrack

Other tracks that appear in the film, but not in the soundtrack are the famous tango "Por Una Cabeza" by Carlos Gardel and Alfredo Le Pera, the German schlager "Im Grunewald ist Holzauktion" by Otto Teich and the German marching song Erika (Auf der Heide blueht ein kleines Bluemelein) by Herms Niel.


Schindler's List

Tara Tiba (Voice)
Laura Corney (Sax)
Reza Mirzaei(Guitar)
Kate Pass (Double bass)
Talya Valenti(Drums)
Music: Joseph Kosma
Words: Mahyar Tahmasbi
Download link : http://www.4shared.com/mp3/PAm3ipc4/Paeez-Tara_Tiba.html
Buy the high quality Album here and support us for future music making!:)
http://www.cdbaby.com/cd/taratiba
www.facebook.com/taratiba.music
www.taratiba.com

Paeez(Autumn leaves)_Tara Tiba_تارا تیبا_پاييز

Soheil Mokhberi - OrdiBehesht From Dorouj Album - Published From " BARBAD MUSIC INC " © 2013 Tehran, Iran | 

Ordibehesht, is of the Dorouj Album Pieces had Made by Combining two Local Instruments | Kamancheh & Gheychak | which Turns to National Instruments Nowadays. On the other Hand it Made a Newfound Tone using the Same Primitive Elements. |

Dorouj 
Compose & Arrangement, Kamancheh, Kamancheh Alto & Gheychak Alto : Soheil Mokhberi | 
____________________________________________________________________________________

OrdiBehesht - From Dorouj Album © - Tehran, Iran 2013  |

سونات در اف مینور اثر دومینیکو اسکارلاتی
پیانو: Emir Gamsizoglu

دومینیکو اسکارلاتی، سونات در اف مینور، ک. ۴۶۶

آواز: همایون شجریان
آهنگساز: تهمورس پورناظری
شعر: سیمین بهبهانی
آلبوم: نه فرشته‌ام نه شیطان

چرا رفتی؟ چرا من بی‌قرارم / به سر سودای آغوش تو دارم
نگفتی ماه‌تاب امشب چه زیباست / ندیدی جانم از غم ناشکیباست
چرا رفتی؟ چرا من بی‌قرارم /به سر سودای آغوش تو دارم
خیالت گر چه عمری یار من بود/ امیدت گر چه در پندار من بود
بیا امشب شرابی دیگرم ده/ ز مینای حقیقت ساغرم ده
چرا رفتی؟ چرا من بی‌قرارم / به سر سودای آغوش تو دارم
....

چرا رفتی؟ همایون شجریان آلبوم: نه فرشته‌ام نه شیطان

Lambert
https://soundcloud.com/listentolambert
https://www.facebook.com/listentolambert
https://www.youtube.com/user/listentolambert
http://listentolambert.com/

Photo By Alexander Shark
https://flic.kr/p/vENT2m

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Stay In The Dark

Download

Lambert - Stay In The Dark

Week #6 - back to my piano solo. Closer mics, softer sounds. Much more intimate, as if i were playing right beside you. This one is my favourite so far. Download it (it's free) and if you think it's worth, please share it. Headphones recommended. 

Original photo credit: <a href="http://www.sxc.hu/browse.phtml?f=download&amp;id=1365998">http://www.sxc.hu/browse.phtml?f=download&amp;id=1365998</a> 



Week #6

Nearly 2 hours ago I asked to my FB friends to give their own images/scenes that melancholy inspires them. I was literally overwhelmed with their beautiful images and thoughts. So I decided to compose this music, to add my contribution to the discussion. 
Thank you, guys - you rock. 

If melancholy were music

Yalda Abbasi Mohsen Mirzadeh Leh Yareh Golnar

Karen

Zacon - Aha Boogoo (Ft Mori)

It's what we don't see, when everything else is illuminated. 

Enjoy your summer, folks. 

Artwork: http://www.sxc.hu/profile/porah

Darkness is not the opposite of light

My piano, the clouds

قطعه پایان ازموسیقی متن   فیلم " کنعان"  مانی حقیقی  / اثر کریستف رضاعی 
آلبوم کنعان / نشر هرمس 

قطعه پایان ازموسیقی متن   فیلم " کنعان"  مانی حقیقی  / اثر کریستف رضاعی

This was originally done for a competition Indabamusic.com was running, to remix the original Tubular Bells. I decided to take the opportunity to re-imagine part of it for my entry. I'm just stoked on the idea that Mike himself is the judge and might actually click play on an Distant Earth track... wow!

Here's a link to my entry http://www.indabamusic.com/opportunities/mike-oldfield-tubular-bells-remix-contest/submissions/126564 thanks for the support.

Distant Bells (Mike Oldfield tribute)

These summer nights brought me a new sound. Woods, felted notes and resonance are now part of the music. 

And yes, they will be part of my new album, too. 

Fabrizio Paterlini - Summer nights (working on the new album)

 آهنگساز فیلم «جدایی نادر از سیمین» گفت: موسیقی در این فیلم فقط برای سکانس پایانی و تنها با ساز پیانو و چند ساز زهی ساخته شد تا مهر تاییدی بر روایت زندگی روزمره باشد. 

ستار اورکی  ضمن بیان این مطلب در خصوص کم و کیف ساخت موسیقی فیلم «جدایی نادر از سیمین بگفت: اصغر فرهادی قصه خود را به خوبی می‌شناخت و معتقد بود که به دلیل روایت دقیق داستان، وجود موسیقی از ابتدای فیلم نیاز نیست چراکه داستان به گونه‌ای است که آهنگ زندگی و یک تصمیم برای ماندن و یا رفتن را در بردارد. 

وی در ادامه افزود: من هم با نگاه فرهادی موافق بودم و معتقد هستم که نظر این کارگردان درباره کم و کیف حضور موسیقی در این فیلم به جا است به همین دلیل طی جلسات بسیاری که با محمدرضا دلپاک و فرهادی داشتیم به این نتیجه رسیدیم که موسیقی در این فیلم فقط در سکانس پایان فیلم و تیتراژ نهایی مورد استفاده قرار گیرد به همین دلیل رنگ مایه موسیقایی فیلم از صدای پیانو بهره برد. 

این آهنگساز در پاسخ به این سئوال که چرا ساز پیانو را به عنوان ساز اصلی درنظر گرفته است گفت: تصمیم برای استفاده از این سازبه عنوان ساز مادر از لابلای تصاویر فیلم بیرون آمد به این معنا که در طول فیلم یک سکانس وجود دارد که کارگردان مشغول بالا بردن ساز پیانو هستند در واقع این سکانس به این دلیل نشان داده شد که پیانو در عین حال قدرتمند به نظر می‌رسد بسیار شکننده و حساس نیز هست و فرهادی نیز بر این نکته تاکید بسیار داشت که نمایش این ساز حکایت تلویحی از فیلم است و از من خواست که صدای پیانو در موسیقی این فیلم به کار برود و من هم طبق نظر ایشان کار کردم و در‌‌نهایت متوجه شدم که استفاده از این ساز هوشمندی ویژه‌ای از سوی فرهادی بود؛ البته ناگفته نماند که اصغر فرهادی هنر موسیقی و رنگ موسیقایی فیلمی که می‌سازد را به خوبی می‌شناسد.

Sattar Orki - Jodaeiye Nader Az Simin (a separation)

The image is from the outstanding artist Richard Brocken (see http://www.saatchionline.com/richardbrocken) 

Moonstruck

Taken from my Autumn Stories album, Digipack Edition.

Week #5 (Piano solo)

Hans Zimmer & Lisa Gerrard - Now We Are Free

Preliminary recording of my latest piece. Comments of every stripe are welcome! Thank you for listening.

So Close the Stars

Lion (Jamie xx remix)

Conversation with myself

PRESENCE | by Christophe Rezai Masoud Shaari(SeTar)

Farshad Fozouni - Hichki

Esmaeil Satarzadeh - Leila

This is the previously unreleased track included in the benefit compilation "... and darkness came", curated by Headphone Commute for helping people affected by Hurricane Sandy. All the income generated from this release will be donated to Doctors without Borders and The Humane Society. 

You can buy it and contribute to the cause by checking:
www.headphonecommute.bandcamp.com

Fabrizio plays the piano.

Silvia Dal Paos: Cello
Chiara Spagnolo: Violin

Buy 

There's a light we might see

Track List:

1. NAMITO & ARGENIS BRITO - ATTACK 
2. NAMITO & RAMON TAPIA – DECAY 
3. NAMITO & SASSE - SUSTAIN 
4. NAMITO & TOM CLARK – RELEASE 

Having kicked started his "Invites" series by hooking up with Pier Bucci, Pig&Dan and Argenis Brito, Systematic mainstay Namito lines up another selection of co-produced club hits on, Vol.2. 

The second collection sees the Berlin based producer link up with another selection of hugely respected and varied artists in Ramon Tapia, Sasse, Tom Clark and Argenis Brito to present a selection of brand new original work. 

With a concept that was designed to excite and ignite creativity, label boss Romboy feels that the results match his vision to perfection, "what i love about this ep is the sheer diversity of the three tracks, all A Sides!" As the saying goes.... 'All killers and no fillers!'

Selected early feedbacks:

Joris Voorn - “This is a great compilation from Systematic. Well done Namito, something for everyone here. Will support!!”

Martin Eyerer - “Another huge release from Systematic!!! I think I can play everything on here.

Karotte - “The tracks with Argenis. Ramon & Tom are really great for me. Will play this 3!!  Good work!!”

Davide Squillace - “Namito & Ramon’s Decay goes straight into my playlist!! Good stuff!

Carlo Lio - “Awsome tracks... very cool stuff.. but def feeling Ramon’s mix the most... great bassy groove”

Martin Landsky - “Nice release guys... Attack and Release are my favourites here to play.... Looking forward to dropping those!”





Namito invites vol. II Megamix

Pouya Mahmoodi - magical moments

Strangers

Memories of Tomorrow is the story of a simple day in a complicated modern society. It is about coping with the stressful urban life, visiting memories of the past to calm the complicity of life, lost loves, betrayals, hate, and difficult challenges only to put them all aside to gain hope to start a new day.
	  	  
خاطرات فردا داستان يك روز معمولي در زندگي پيچيده شهري است. روایت چالش با اضطراب ها، تنش ها، پناه بردن به خاطرات براي تسكين روح آزرده، عشق ها، نفرت ها، خيانت ها ... و تلاش براي كنار گذاردن همه آنها به اميد شروع روزي ديگر.

Helpless/By Ahmad Pejman درمانده / اثر احمد پژمان  قطعه ای از موسیقی فیلم بوی کافور عطر یاس

Let's go for a ride through the bumpy roads of neverending galaxy

Solar Storm - Mass Effect (PsyWorld Rec.)

A short story for you.
Taken from a series of piano and strings tiny sketches. 


Unrequited #4

Klopfgeister - Trust in me ( Full Track)

Nowhere Nobody 
Music for movie
Composer Behzad Abdi
National symphony orchestra of Ukraine
Conductor : Vladimir Sirenko 

Nowhere Nobody

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.
