بی‌کلام دو

Co-Composed with Nicolas Laget:

https://soundcloud.com/nicolaslaget

All things have hope. With patience and caring hands, even the delicate and vulnerable can survive winter and grow into maturity with strong roots and branches. With time and unconditional love, our tree may one day blossom and bear fruit in the joy of spring. We must remain patient.

ALBUM INFO:

"The Idea Of You" is the first of a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This Andrew's most personal and intimate music. It is quite literally a love project. We hope it may it help you on your journey, as it has us...

The Idea Of You Cover Art "The Idea Of You" is music inspired by the spirit of Eros and all of its blessings as well as its tribulations. It explores the vicissitudes of romantic love, the delicate seasons and contour of life, and all the lessons learned along the way. Themes of desire, passion, limerence, romantic love, idolatry, jealousy, envy, loss, regret, forgiveness, acknowledgment, appreciation, acceptance, and eventually glimpses of true understanding permeate the work. It attempts to communicate that which so many of us can never quite communicate properly with words. It is an open apology for the clumsy mistakes we all make when coming to maturity in learning how to care selflessly for another human being. It is a gentle reminder as to what is most important in life, as well as an invocation to continuously seek self-improvement regarding our understanding of such matters.

Andrew Souter & Nicolas Laget -- Solstice

Wind - Brian Crain

Tambour - Chapitre I | mr002

Listen/Buy/Download:
Bandcamp : https://modernarecords.bandcamp.com/album/chapitre-i
Spotify : https://open.spotify.com/album/1T9ZEbw8xXTWjBz5z0440N
iTunes : https://itunes.apple.com/au/album/chapitre-i-ep/id1050834587
BUY / 12" VINYL : https://modernarecords.bandcamp.com/album/chapitres-vinyl-edition

.: Esquisses oubliées en trois mouvements :.
Composed and produced by Simon P. Castonguay
Piano - Simon P. Castonguay
Violon I - Rose Frappier
Violon II - Audrée Leduc
Alto - Mélanie Venditti
Recorded by Benoît Parent
Mixed by Benoît Parent
Mastering by Pierre Duchesne
Cello - Anaïs Constantin

Tambour - Esquisses oubliées en trois mouvements

Glory

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : https://modernarecords.bandcamp.com/album/ichiru
iTunes : https://itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : https://open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

written and recorded by daigo hanada 
mastered by emil thomsen (et mastering)

Ichiru

Buy CD/Digital

Daigo Hanada - Solitude

Allewind Concept (follow @dirk_maassen on instagram)

So… this is slightly awkward… When it comes to promoting my very own music, I seem to be at loss for words. And yet, I accept that self-promotion is part of every composer’s journey, at the end of each release. This album has been in the making for a very long time. In fact, it was complete before I even left New York, and I’ve been “sitting on it”, afraid to let it out, too weak to let it breathe. And yet here it is, fulfilling the unavoidable and at times desirable closure to something I meant to leave behind.

Beneath the dark veil of the night, covered in an intoxicating somber solitude, somewhat sorrow and slightly sweet, ‘Dislodged’ is a place of isolation, melancholy, and a bit of heartache. Composed and intended to be listened to as the second half to the ‘Unhinged’ mini-album, this intimate recording of my beloved instrument explores the outer reaches of spatial and reductionist pianism, occasionally echoed by the song of a lonely cello, contributing to the detachment, displacement, and dislocation of a damper pedal, controlling the felt rail which muffles the hammers against the strings. This is where my music lives…

The ten-piece mini-album, beginning with the same-titled “Dislodged” track, which is being premiered exclusively today on Headphone Commute, is out on November 10th, on 1631 Recordings. Recommended for fans of solo piano music, and my all-time favorite composers who inspire me, such as Nils Frahm, Otto A. Totland, Julien Marchal, Goldmund, Dustin O’Halloran, Fabrizio Paterlini, and Sophie Hutchings, and many, many more…

Dislodged

TRACK PREMIERE : Mike Lazarev - Dislodged

Original soundtrack composed for the movie "The Cakemaker" (2017) directed by Ofir Raul Graizer. www.ofir-raul-graizer.com 
Watch the movie trailer here: 
www.youtube.com/watch?v=EzJKBdRfk0U
All music composed, performed, mixed & mastered by 
Dominique Charpentier 
© 2017 Dominique Charpentier. Unauthorized copying, hiring, lending, public performance & broadcasting prohibited. 
All rights reserved. Made in the E.U

The Cakemaker Original Motion Picture Soundtrack

Buy Now

Kinema - The Cakemaker Original Soundtrack

Music for piano.

Follow:

Spotify: https://open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: https://music.apple.com/us/artist/steven-gutheinz/1421925543

SoundCloud: https://soundcloud.com/steven-gutheinz

Instagram: https://www.instagram.com/stevengutheinz

Facebook: https://www.facebook.com/stevengutheinzmusic/

YouTube: https://www.youtube.com/@stevengutheinz

Bandcamp: https://stevengutheinz.bandcamp.com

Musicbed: https://www.musicbed.com/artists/steven-gutheinz/4360

Web: https://stevengutheinz.com

Atlas

Piano solo piece from my new Album "Reminiscence", released May 4 2018 © 2018 Dominique Charpentier. All rights reserved
https://dominiquecharpentier.bandcamp.com/album/r-miniscence
Artwork by Anna Salzmann: www.annasalzmann.com

Réminiscence

Buy now

Buda (from "Réminiscence")

Original soundtrack composed for the movie "The Cakemaker" (2018) directed by Ofir Raul Graizer. Watch the video of my performance here: https://www.youtube.com/watch?v=lqICyb7fhjY
Watch the movie trailer here: 
www.youtube.com/watch?v=EzJKBdRfk0U
This is a live recording from my studio, July 2018.
All music composed, performed, mixed & mastered by 
Dominique Charpentier © 2018 Dominique Charpentier. 
Unauthorized copying, hiring, lending, public performance & broadcasting prohibited. 
All rights reserved. Made in the E.U

The Cakemaker (Original Motion Picture Soundtrack)

EP + FREE Sheet

The Cakemaker Soundtrack - Live from my Studio (July 2018)

Live recording at Hallgrímskirkja 12. july 2018

Alto flute Pamela De Sensi
Organ Steingrímur Þórhallsson

New piece by me that me and my wife played yesterday.

Meditation On The Summer That Never Came No. 1 (live Recording)

My piano, the clouds

I visited the Jewish Museum in Berlin a week ago and I felt overwhelmed since I walked in the first corridor.
The Memory Void, one of the symbolic spaces on the ground level of the Libeskind building, includes the installation Shalekhet (Fallen Leaves) by Menashe Kadishman. More than 10,000 faces with open mouths, cut from heavy round iron plates, cover the floor of the ground floor void.
Menashe Kadishman’s sculptures stir painful memories of the victims of war.
The soundscape you hear within the composition is a recording I made in the Void of people stepping on the iron plates.

10,000 fallen leaves

10,000 Fallen Leaves

Neeno

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


“I am a designer, painter, and writer with a deep passion for music, especially folk, surreal, and authentic melodies. My work is inspired by timeless traditions and the soulful essence of art. 

{naghash.e.khaterat}  on Instagram

My piano, the clouds

Fabrizio Paterlini

Recent comments

Signe Aunpuu

Ania Vena

Davide Zappettini

•• ℋℳ 𓂀

Related tracks