Colours Of Piano

Richter: Vladimir's Blues

my testimony

A soothing yet potent and dynamic instrumental track featuring the Full Moon Wolves.

All rights reserved 2025 © Evelyn Izaks

Wolves

Taken from the compilation Piano Cloud Series - Volume One
Release date: March 11, 2016

www.1631recordings.com
www.1631recordings.bandcamp.com

Oskar Schuster - Singur

Closer, Still

Bells

"Winter Stories" will be released on Feb 23rd 2018.

Winter Stories

My Misty Mornings

Music by Fabrizio Paterlini

Fabrizio plays the piano
Live electronics by London DC

Violin: Eugenio Gargiola
Cello: Silvia Dal Paos


Buy the CD

After the rain there will always be the sun

Music by Fabrizio Paterlini

Fabrizio plays the piano

Violins: Eugenio Gargiola
Viola: Jessica Orlandi
Cello: Silvia Dal Paos

Drums: Luca Modena



Not from the past not for the future

Music by Fabrizio Paterlini

Fabrizio plays the piano

Live electronics: London DC

Violin: Eugenio Gargiola
Cello: Silvia Dal Paos


My perfect time

Anime Greg Maroney

https://onpiano.com/ – find updates, stories, and more info on the On Piano Website.
Link to the music sheet: https://www.sheetmusicdirect.com/en-US/se/ID_No/1475713/Product.aspx

You can also click on one of the following links to find out more.
www.frankiengo.com
www.youtube.com/c/OnPianoNY


Produced by Frank Iengo.
Written by Frank Iengo
Publisher: FRANK IENGO MUSIC
Record label: Raighes Factory

Chiar di Luna by On Piano is a nocturnal song with a mysterious vibe in the beginning and then transforms into a passionate dedication to the moon.

NOTTURNA

Chiar di Luna

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Chiar Di Luna

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.
