Piano

Marijuana

اغوا

Cofee

Modern Classical

Fabrizio Paterlini

Deuter - Sound of Invisible Waters

Al Gromer Khan - Black Princess

Pete Namlook & Geir Jenssen - When The Night Was Black

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Islands: Essential Einaudi is the first time that all of Einaudi's best known music appears in a single collection. It’s available as both a single disc and special double disc version. Islands also includes new tracks The Earth Prelude and High Heels as well as two new remixes of Lady Labyrinth and Eros.

Available to order now:
iTunes: http://po.st/EinSoundCIiT
Google Play: http://po.st/EinSoundCIGP
Spotify: http://po.st/EinSoundCISpot

Divenire

Monday

Una Mattina

Nuvole Bianche

Alexandre Desplat — New Moon (The Meadow)

موسیقی متن سریال حلقه سبز (ابراهیم حاتمی کیا) | کارن همایونفر

My piano, the clouds

چشمهای تقریبا نگران
فردین خلعتبری
آلبوم:به خاطر سنگفرشی که مرا به تو میرساند
For the Sake of the Cobbled Street That Would Take Me to You


فردین خلعتبری متولد ۱۳۴۳ در شهرستان نوشهر است. وی موسیقی را با ساز فلوت آغاز کرد و بعد از انصراف از رشته سازه دانشگاه صنعتی شریف به سراغ موسیقی رفت و در دانشکده هنرهای زیبا تحصیلات خود را در زمینه موسیقی ادامه داد.[۱]
اولین کار او ساخت موسیقی تئاتر «گرگ گرگم» به کارگردانی مسلم قاسمی در سال ۱۳۶۴بود. او تاکنون موسیقی چند فیلم سینمایی و سریال تلویزیونی را ساخته که از میان آنها می‌توان به ترکش‌های صلح، هم نفس، گل یخ، اتوبوس شب، زمان می‌ایستد، زمانه و... اشاره کرد.


چشمهای تقریبا نگران-فردین خلعتبری | almost worried eyes-fardin khalatbari

Taken from my Autumn Stories album, Digipack Edition.

Week #5 (Piano solo)

Live recording of an excerpt from Do Make Say Think's appearance at 2010's Toronto International Film Festival Lightbox events, performing a live score to Eric von Stroheim's 1924 silent film 'Greed.'

Do Make Say Think • "Greed Waltz"

This is the previously unreleased track included in the benefit compilation "... and darkness came", curated by Headphone Commute for helping people affected by Hurricane Sandy. All the income generated from this release will be donated to Doctors without Borders and The Humane Society. 

You can buy it and contribute to the cause by checking:
www.headphonecommute.bandcamp.com

Fabrizio plays the piano.

Silvia Dal Paos: Cello
Chiara Spagnolo: Violin

Buy 

There's a light we might see

TrDrops

سوگل - آلبوم لحظه ها
بداهه نوازی های پیانو
کیاوش صاحب نسق
نشر هرمس

Sogol-Kiawasch SahebNassagh

الف - بداهه نوازی برای پیانو - کیاوش صاحب نسق
آلبوم ...و اینجا در سکوت
کارگاه موسیقی

Alef
Piano improvisation
Kiawasch SahebNassagh

Piano Improvisation- Alef- Kiawasch SahebNassagh

A short story for you.
Taken from a series of piano and strings tiny sketches. 


Unrequited #4

Stars

http://www.youtube.com/watch?v=IHoBtRayPto
http://teaadora.bandcamp.com/track/the-only-one


I 
didn't wanna do this.
I
know its something I could never defend.
When it comes to blood, the rules change.
When it comes to war and love, the blood is the same.
I
didn't wanna do this.
Marked with a curse, noose around my neck.
The view above spectators, waiting for me to break my neck.
To watch my nerves, be my final movement as I squirm.
Its all ok, I am just paying for what I earned.


When we first met, I used to make you laugh.
You raised the stakes, for a lover to stay.
You said I was the sun.
When we had our final fight, you said I ruined
the only meaningful thing you found in your life.
You meant I was the one
You said you never told anyone.
It's what you meant when I said I was the sun.
I didn't know what that meant then I was too young.
Too young.... to hold on...
I learned in my destruction 
Either way, I could not be the one. 
The savior... with love another one. 
If you are not giving all you can.
If you're not the one and they're not the one.
Learning to be alone is learning to love...
someone. 
Its seems now a days, its the most forgotten,
if you are not someone, you are not going to find the one.
Because first you have to be the one. 

Recorded in October 2010 in Full Moon
Image by Stella Margari
















"A JAMAIS VIERGE / VIRGIN FOREVER" for January 2012
http://teaadora.bandcamp.com
http://www.soundcloud.com/teaadora


The Only One

Festival de Música de Morelia Miguel Bernal Jiménez 2011
En Memoria de Miguel Bernal Macouzet 

Christoph Willibald Von Gluck (1714-1787) Don Juan, o el festín de piedra (selección) Orquesta juvenil Alemana  ChristopherMoulds, director

Music by Fabrizio Paterlini

Fabrizio plays the piano
Live electronics by London DC

Violin: Eugenio Gargiola
Cello: Silvia Dal Paos


Buy the CD

After the rain there will always be the sun

Music by Fabrizio Paterlini

Fabrizio plays the piano

Violins: Eugenio Gargiola
Viola: Jessica Orlandi
Cello: Silvia Dal Paos

Drums: Luca Modena



Not from the past not for the future

Music by Fabrizio Paterlini

Fabrizio plays the piano
Live electronics: London DC





Iceland

Music by Fabrizio Paterlini

Fabrizio plays the piano
Live Electronics: London DC



Harmattan

Music by Fabrizio Paterlini

Fabrizio plays the piano

Violins: Eugenio Gargiola
Viola: Jessica Orlandi
Cello: Silvia Dal Paos



Finale

Behind the sky

I've survived enough...we've survived enough, why must we endure?
A simple answer: Until the world is pure.

Survivor (Perhaps One Day - Orchestra Version)

This is the adagio sostenuto first movement of Beethoven's famous Sonata No. 14 in C sharp minor Op. 27 no. 2.

This track was recorded and uploaded on Sunday 17 February 2013, on a weekend of intense sadness. Thanks to your support, it was featured in the Explore Classical set. Thank you for clicking on the 'like' button and reposting, and for taking the time to comment on the track.

Pamela Chng - Moonlight Sonata by Beethoven

Nascent

<b>SARAH NEUFELD</b>, "Hero Brother"
from <i>Hero Brother</i>
Release date: 20 August 2013

http://sarahneufeldmusic.com/
http://cstrecords.com/cst095

Sarah Neufeld • "Hero Brother"

I grew so much through my first year of college....this track is a great representation of all the change I've been through :)

Doodle #2 (Metamorphosis)

This is an extract of the live streaming performance of my "Now" album performed on April 22nd. The whole performance is avalable as free mp3 (as this one!) on my Official Forum in Facebook. So - join it and enjoy it! 

Free concert!

Not from the past, not for the future (live)

Another FREE track taken from my live straming session of my latest "Now" album - enjoy and share! 

Fabrizio Paterlini - My perfect time (live)

At a pivotal moment in the drama, The Muse makes herself known to the protagonist whose sculpted art begins to multiply into abstract forms, drifting and scattering in his ragged space, filling his vision with reflective fragments of his dreams.

One of three:
The Muse II: https://soundcloud.com/oliversadie/the-muse-ii
The Muse III: https://soundcloud.com/oliversadie/the-muse-iii

___________________________________
Photograph © 2012-2013 <a href=https://www.facebook.com/photo.php?fbid=532762340073690&set=pb.156806751002586.-2207520000.1370912183.&type=3&theater>Cap Photography</A>.

Support Artist

The Muse

When I wrote this song I knew right from the beginning that Vicente (aka Science Teheran) would have been the perfect match to collab with. So I asked him if he was interested in adding some cello and instrumentation. He joined in and the result was beyond what I expected and touched me really deeply - I hope it will be the same with you !

Video on Youtube: http://youtu.be/Q2JfrHvQOXw

Vicente Bueso: Keyboard and Magic :-)
Dirk Maassen: Piano

If not yet already done you should visit his cloud: https://soundcloud.com/scienceteheran

imagery by pentalunex.com

www.maassen-music.com

If you like my music please give me a smile and like my Facebook page :-): www.facebook.com/Dirk.Maassen.Music

watch my piano video clips at youtube: www.youtube.com/user/ascoltadi?feature

Dirk Maassen with Science Teheran - Spiraling (Video: http://youtu.be/Q2JfrHvQOXw)

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.
