Name: Veloma (re-imagined) by Fabrizio Paterlini in IR
Duration: 2 min 59 s
Description: New version of my song "Veloma"! This version, included in my last "Viandanze re-imagined" EP (released with March Rosetta and issued by Test Tube netlabel), has guitars played by Thom and piano by me. Enjoy!

Speechless. Very beautiful and dream-inspiring. Thank you for making and uploading such wonderful music.

I feel this song's vibrations syncing with my heart. Congratulations for the way you bring spirit and beauty to melody.

My favorite tune of all times. Whenever I sit on the piano, I feel the need of playing it. Thanks for your awesome work. Such a gentle touch on the keys, the piano sings with such a strong emotion.

غم لیلا، گروه عاحک

Follow:

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Apple Music: music.apple.com/us/artist/steven-…theinz/1421925543

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New version of my song "Veloma"! This version, included in my last "Viandanze re-imagined" EP (released with March Rosetta and issued by Test Tube netlabel), has guitars played by Thom and piano by me. Enjoy! 

Veloma (re-imagined)

Did this about 2 years ago,, before I got sick.
Used Spitfire Audio along with some Projectsam and Vienna.

Concerto for Piano #12

My beautiful baby niece was born way to soon and premature, she spent weeks in hospital. 
As the weeks went by I saw her slowly getting stronger every day, this was my insperation for this song.

All music written and copyrighted by Sean Harrison.

If you are interested in using this track in your project and want more information please get in contact:

seanharrison_448@hotmail.com

Thank you.


Stronger Every Day by Sean Harrison

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<a href="http://www.gooshe.net/%D8%A2%D9%87%D9%86%DA%AF-%D9%87%DB%8C%DA%86%DA%A9%DB%8C-%D9%85%D8%AB%D9%84-%D9%85%D9%86-%D8%A7%D8%B2-%D8%B3%D9%88%DA%AF%D9%86%D8%AF/">دربارۀ سوگند، گوشه
</a>

هیشکی مثل من، سوگند Sogand

<a href="http://wp.me/p2XxM7-116">دربارۀ آردو تونجبویاجیان، گوشه
</a>


درخت زیتون، آردو تونجبویاجیان

<a href="http://www.gooshe.net/?p=6818">درباره گروه فرود، بیشتر در گوشه</a>

گروه فرود -intro

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Veloma (re-imagined)

Fabrizio Paterlini

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