Although this was the personal account of Chris Carter it now also hosts Carter Tutti and Chris & Cosey tracks.

Throbbing Gristle tracks can be found on our Industrial Records Ltd. SoundCloud https://soundcloud.com/industrial-records

Follow the trials and tribulations of Magenta and Xavier on Esperanto City.

Robin Rimbaud (Scanner) is an artist and composer working in the UK, whose works traverse the experimental terrain between sound, space, and image, connecting a bewilderingly diverse array of genres – a partial list would include sound design, film scores, computer music, avant garde, contemporary composition, large-scale multimedia performances, product design, architecture, fashion design, rock music and jazz.

Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. He scored the hit musical comedy Kirikou & Karaba (2007), designed the sound for the new Philips Wake-Up Light (2009), and campaigns for Stella McCartney (2017), Chanel’s Fall-Winter collection (2012) and Jaguar (2014).

In 2019 he designed the sound for the Cisco telephone systems used in offices around the world, whilst his sound work in Vex House in London was voted as RIBA House of the Year. His work Salles des Departs is permanently installed in a working morgue in Paris.

Committed to working with cutting edge practitioners he has collaborated with Bryan Ferry, Dangermouse, Coil, Laurie Anderson, Carsten Nicolai, The Royal Ballet, Wayne McGregor, Merce Cunningham, Hermes, Hussein Chalayan, Philips Design, Mike Kelley, and Miroslaw Balka. His work has been presented throughout the United States, South America, Asia, Australia and Europe.

I am a half-German, half-American singer and accordionist. Ever since my grandpa started playing his accordion to me as a little child I have wanted to play it too. I just love the deep and full sounds and the little quirky noises the accordion makes and I don’t know any other instrument that can be so versatile and expressive.

Having played in various bands (The Irrepressibles, Haunted Stereo, Moneytree) and worked with solo artists (Katy Carr, Jake Flowers, Helen McCookerybook, Ana Silvera), I decided to start my own project in 2010. The “Turn-Turn-Turn” EP was released on UK label Sotones Records in September that year and in February 2011 we toured the work in the USA.

2012 saw the release of my debut album “An Estimation” on Sotones Records with four supporting singles – And Her Head (September 2011), A Kiss (January 2012), Italian Song (May 2012) and Instigate It (August 2012).

“Sultry folk, like a Romany gypsy cabaret show.” (Q Music)

“A New Orleans funeral dirge, and that is not a slight.” (Music News)

“Vocals that will set your world ablaze.” (Train Wreck’d Society)

“Anja’s vocals soar with feeling as the mood is extricated by the music.” (For Folks Sake)

“Wonderfully off kilter arrangements add a gravitas and there’s a superb organic feel to the production.” (Tasty Fanzine)

“Anja’s ethereal vocals merge with the rich and full-bodied sound of the accordion to give an eerie, mournful impression that will stay with you long after you’ve taken the headphones off.” (Stereoboard)

“…reminds me of the experience of hearing Joanna Newsom for the first time. Certainly, their musical styles diverge, but there is a passion in both Newsom’s and McCloskey’s performances that underscores the passion felt for their off-beat choice of instruments.” (Shh Music)

“I’m utterly blown away by her” (405 Blog)

The wonderful musicians who work with me: Andy Harris (electric guitar, vocals), Ben Jennings (violin), Brad Walters (guitar), Campbell Austin (guitar, vocals), Carolyn Rogers (cello), David Miatt (guitar, vocals), Hannah Drollinger (violin), Hollie Chapman (violin), Joseph Kelly (double bass), Laura Valle (violin), Mike Porter (clarinet), Mikey Kenney (violin), Patricia Spodzieja (viola), Ruth Skipper (vocals), Sam Hall (violin)

The creative team: Kate Flores (illustration), Gillian Sore (videos), The Ranch (mastering), Johnny Toaster (layouting), Joe McDonald (animation), James Crawford (animation)

Founded in 1984, Nettwerk Music Group is a leading global independent record label with a legacy of purpose-driven innovation. We are dedicated to nurturing a diverse roster of artists with fan-connected communities, helping them cultivate deeply engaged audiences and build sustainable, long-term careers in the ever-evolving music industry.

Headquartered in Vancouver, Nettwerk's hybrid workforce numbers over 200 and operates from strategic hubs in Los Angeles, London, Hamburg, Eora / Sydney, New York, Nashville, Berlin, Amsterdam, Toronto, and beyond. With a wealth of cross-market expertise, our unified global team creates impactful, culturally resonant music experiences that transcend borders.

Earache Records is a heavy metal, blues and alt rock orientated record label based in Nottingham, UK and New York, USA.

booking contact :clara@acheron-booking.com

Terence Fixmer's music has the remarkable ability to not only set feet in motion on the dance floor but also resonate deeply with the searching soul, all while maintaining a profound musical depth and integrity.
In the world of techno, Terence Fixmer is a highly respected figure, celebrated for his innovative and genre-defying approach to music production. With a career spanning over two decades, he has released numerous albums and EPs on some of the most prestigious techno labels. His remixing talents have extended to tracks from industry giants like Depeche Mode, Yann Tiersen, Sven Väth, Dave Clarke, Front 242, Nitzer Ebb, Indochine, and more.
Terence Fixmer is renowned for the quality of his live performances, gracing renowned clubs and festivals worldwide.

Chapter 1: 1998-2007.

In 1998, Terence established his own label, Planete Rouge. From 1999 to 2007, he gained worldwide recognition with the release of his debut album, "Muscle Machine," under DJ Hell's legendary International Deejay Gigolos imprint. This album masterfully blended elements of electro, industrial, EBM, and techno, pioneering a dancefloor-oriented style later recognized as "Techno Body Music." Tracks like "Electrostatic," "Body Pressure," and "Electric Vision" are still hailed as modern classics today.

In 2002, Fixmer joined forces with Nitzer Ebb's lead singer, Douglas McCarthy, to form Fixmer/McCarthy. Together, they released two full-length albums that pushed the boundaries of Techno EBM to the maximum. The album "Fixmer McCarthy Between the Devil" has earned its place as a revered classic, and the band has become iconic in the Techno EBM scene.The duo has performed their energetic live sets at numerous renowned clubs and festivals all across the globe.Fixmer/McCarthy earned respect in the global scene for their unique way of creating truly pioneering sound fusions by elegantly blending the aggression of Techno Body Music and the sensuality of Electronica.

Chapter 2: 2007-2015

Fixmer continued to expand the horizons of modern techno, releasing albums and EPs under his own name as well as various alter egos, showcasing his ability to maintain a unique sonic personality while avoiding repetition. His works found homes on highly respected techno labels such as Electric De Luxe (notably the "Comedy of Menace" album in 2010), Prologue, Jealous God, CLR (including the "Depth Charged" album in 2014), Aufnahme + Wiedergabe.

Chapter 3: 2015-2020

Terence Fixmer continued to evolve his sound in 2015. His EP "Aktion Mekanik," originally released in 2003, was reissued on Ostgut Ton, marking his entry into the Ostgut Ton family—the flagship label of Berlin's Berghain club. He subsequently released various EPs and his album "Through the Cortex."
 Fixmer's distinct sound signature remained in high demand, leading to remix requests from notable artists such as Depeche Mode, Front 242, Ellen Allien, Front Line Assembly, Arnaud Rebotini, Yann Tiersen etc..

Chapter 4: 2020- 
 
Terence produced music for Thomas Cohen (formerly of Scum) with tracks like "Braid" and "Chain of Love" on Mute Records.

Additionally, he signed with the legendary label Mute Records, renowned for its roster of innovative and influential artists. 
In 2022, he released his first album on Mute Records titled "Shifting Signals" .
His music has been used by Fashion brand, such as Prada, Raf Simons ...
A 2nd album is in the plan for 2024.


Terence Fixmer's unwavering drive to craft experimental, mind-bending, and relentless sounds continues to transcend the boundaries of the musical mainstream, solidifying his place as a visionary within the techno and electronic music landscape.

An artist-run music promotion company for innovative music, Factory Nation has been exploring new avenues by which to represent artists and their work since 2008. As the traditional music industry crumbles, Factory Nation has committed itself to adapting and evolving to those situations in which more rigid business structures are otherwise collapsing. We operate within the gaps created by new technologies in order to build visionary nations of new music in a digitally convergent world.


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