INDUS/TECHNO

A big '"Thank You" to all those who like and repost my playlists. You've all got great taste in music! Lol... ;)

It wouldn't be possible to create my playlists if it wasn't for all the talented artist(s) so please show them some love. Thanks. ;)

Nəʊ~Neɪm (aka Iklɛktɪk dɪslɛksɪk)

Sɪstəˈmatɪk #001

DEEP TECHNO

New Sounds - January

techno

TECHNO(dark,heavy,beats)

PP039 B2 Giorgio Gigli & Obtane - Ambient Drama

PP039 Giorgio Gigli & Obtane - Industrial Assaults

Mastered by Neel at Enisslab, Rome

Buy:
http://semanticarecords.bandcamp.com
https://clone.nl/item28228.html

Abdulla Rashim & Axel Hallqvist - Sorunda (Semantica 58)

Deepbass - Sequence 1 (Edit Select Records)

My Gorilla Biscuits EP Forthcoming On Pennyroyal. 

Gorilla Biscuits [Pennyroyal]

M_Rec Ltd continues to ascend as one of the the most interesting labels in the techno scene. Today's release sees Giorgio Gigli (Prologue Music, Zooloft, Electric Deluxe, Elettronica Romana, etc.) sign two original tracks and a remix of one of the most important artists of the past few years: Terence Fixmer (Electric Deluxe, Prologue Music, etc.). Together, their approach creates something special and unique. In its original track Giorgio Gigli delivers the best of its hypnotic and psychedelic techno. A great atmosphere, where the ambient pads meet the dark bass sound which made Giorgio one of the most significant artists in the new techno scene. The side closes with an ambient session; a drone of pure electronic,dark synth, making the idea of the state of mind of his own individual unconscious.Terence Fixmer's version is decidedly more rough, stripped of certain atmospheres, highlighting a more hypnotic and repetitive attitude. This rough sounds have for many years marked Terence Fixmer as an icon of the techno world. 
This is a great release of modern techno!

Giorgio Gigli - Indifferent Sight (Terence Fixmer Remix)

Artist: Various artists
Title: 6
Cat nr.: ON006
Format: 12” vinyl & digital
Release date: 11th of April (vinyl, digital)

Tracks:
A1 Milton Bradley - Multidimensional
A2 Jeff Rushin - Tusk
B1 Terence Fixmer - Moments
B2 Yan Cook - Freefall
C1 Mørbeck - Weapon's in your Head
C2 Unbalance - Affective State
D1 Aiken - Reductive
D2 Nicole Rosie - Chambered Nautilus 


Yan Cook - Freefall

Continuing UK producer Cleric's double-header on Figure, Figure 65 offers up 4 more brand new tracks from the sought after young talent. Following on from his wonderfully diverse collection of tracks on Figure 64, Cleric's skills continue to shine in this second chapter.

After a beautifully sensitive chord-led introduction in the form of 'Shifted Reality', showing off some rare after-hours vibes from the Cleric studio, we hit the peak time once again with 'Plexus'. A stripped and perfectly balanced moment of percussive DJ Tool glory, all we need are claps, Kicks and FX to get the room working overtime!

Old school killer 'Seit 1990' graces the B2 position with an addictive bleep-fest in the true spirit of underground, warehouse Techno... Simply a must have for the purist minimal heads out there, and the new breed alike.

Cleric closes out the EP with a mesmerising down-tempo composition entitled 'Dissapointment'. Its a touching ode to early 90s Electronics, and it will be no surprise to some that the Northern English producer shows his true colours on this wonderfully atypical track - echoes of Warp there to be found if desired.

Scattered Thoughts Part 2

Seit 1990 - SNIPPET

Florian Meindl - Nights I Don't Sleep (Leghau Remix)

Booking: +34 676 474 866 / info@dualbooking.com
Contact: contact@davidmeiser.com

Track included in the EP "Zero Decibels" published in Synewave (NY) [SW117].
Vinyl available at:
http://www.deejay.de/SW117_-_David_Meiser_-_Zero_Decibels_-_12-Vinyl__177201
http://www.decks.de/t/david_meiser-zero_decibels/c50-99

Digital Version available at:
https://pro.beatport.com/release/zero-decibels-ep/1474983

Buy Vinyl

David Meiser - Zero Decibels

After exploding onto the scene last year with the highly charged and widely acclaimed CLR debut, ‘The Engine EP’, Bryan Black revises his BLACKASTEROID guise to present ‘Black Acid’: five tracks of lab-crafted techno, and a deeply groovy entry into the Electric Deluxe stable. 

Whilst BLACKASTEROID is still a fairly fledgling endeavour, Black’s production credentials are as rich as they are steeped. Starting out at Paisley Park Studios as a sound designer for Prince, Black proceeded to foment a passion for techno as the other half of Motor. Signed to Novamute in 2003, over the course of nearly a decade Black and his partner Olivier Grasset consolidated EBM, industrial, pop and electro fusions into four albums and a string of EPs. But it is as BLACKASTEROID that Black has come into his own as a unique and highly skilled sonic engineer, with ‘Black Acid’ marking further steps towards a purer, and yet boundless engagement with techno.

“This EP is about chemistry and space. I chose to focus on raw, analogue sounds. I spent a lot of time playing with white noise, static and sub bass, often layering them together and coming up with new sounds in the process.”

From the EP’s punchy granular title track to the meticulous disorder surrounding “Hydrogen” and palette of alien, mechanical sounds that proliferate throughout—distinctly towards the EP’s space-themed closers: “Pressure”, “Lunar Landing” and “Lunar Escape”—‘Black Acid’ is an inventive and ever intriguing record. Like some estranged and maverick alchemist, Bryan Black mixes drops of discordant home-brewed noise with plenty of infectious floor-ready rhythms to form compounds that transcend straight listening and danceable orientations. Indeed, whether an aficionado of sound or simple beat junkie, ‘Black Acid’ will lure you in with one and hook you with the other. Turn up the bass and dive deep into its timbres to discover the weird and wonderful vistas of BLACKASTEROID’s sonic imagining.


01 BlackAsteroid - Black Acid

Alien Rain - Alienated 2b (Original Mix)

The tale of the mythic pentaki mountain has been engraved on a two-sided circular piece of wax.

the north face of the peak is steep, abrasive, and has been the subject of many legends in the region. it is said that whoever would manage to climb it would find a plateau, leading to a place called “the single source of truth”.

considered as the ultimate goal by both psychedelic gurus and database o
ptimization corporations, and as an ideal retirement destination for a couple of lost souls in search for coherence and objectivity, the source diffuses endless loops of haunted voices, apparently sampled from a discarded call center, running low on power, encouraging listeners to shorten cycles, deliver requests and improve user experience.

it is also said that anyone climbing from the south side would never reach the summit or find his way to the plateau, and would always end up on a lower altitude than where he started.

this topographical anomaly is probably the reason why the south face of the pentaki has always been favorited by locals, with its sunny weather and its luxurious vegetation flourishing along the soft downward slope, leading to a slow and peaceful end.

Kangding Ray . The Pentaki Slopes . 12" E.P
r-n 145 . raster-noton

A1 : North
A2 : Plateau ( a single source of truth )
B1 : South

North

South

Trade - SHEWORKS005

A1   - Half Nelson
A2   - Positive Neckline
AA1 - Touch This Skin
AA2 - I Notice You All

Produced by Blawan and Surgeon.

PRE-ORDER HERE - http://www.rubadubrecords.co.uk/music/techno/sheworks005

Trade - SHEWORKS005 preview

In the last 12 months, Marco Antonio Spaventi has produced alongside James Priestley on Secretsundaze as well as with Aroy Dee on MOS, and here he returns to said deeper than deep label with two tracks all of his own entitled 'The Jungle' and 'Insanity'.

'Insanity' is, as you'd expect, a mad melange of fizzing electronics, ticking cowbells and swirling atmospheres all pinned to a chugging deep house beat. Raw drum fills and squelchy modulated synth sounds fill nearly every gap, taking you to a place as intense you could imagine for the duration.

On the flip, Spaventi’s lo-fi aesthetic gets even more fucked up as he delves deep into the recess of house music with 'The Jungle'. Crunchy hits, echoing hi hats and a tightly coiled melody all race along next to each other with a slapping drum combination keeping energy levels up down below. Raw and brash yet totally beguiling, it might be some of his best work yet on the ever excellent MOS Deep.

Buy at Delsin Webshop

Ma Spaventi - The Jungle / Insanity [Mos Deep 014]

VVR 005 B2 Durant - Buffalos

Release date (vinyl & digital): 28th of Janaury 2013

Six years ago, Token was born with the release of Inigo Kennedy's 'Identify Yourself'. Since then, each of his EP's has been a milestone in the label's growth and this new 3-tracker promises to be no different.

Title track ‘Cathedral’ has you floating under its arches at a sheer height above the heads of its 
worshipers, while ‘Chamber’ takes you back down straight to the centre of the dance floor. Closing the EP is the graceful ‘Accordion’, which could be the soundtrack to a lucid dream.

Token starts 2013 in pure Inigo Kennedy style: dark, refined and oh so magnetic.

TRACKLIST
A. Inigo Kennedy - Cathedral
B1. Inigo Kennedy - Chamber
B2. Inigo Kennedy - Accordion

www.inigokennedy.com
www.tokenrecords.com
www.facebook.com/inigo.kennedy.music
www.facebook.com/tokenrecords

Cathedral

Inigo Kennedy - Accordion

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

04-Hatch the plan

The Magnus Men return with Act Two, the second chapter in what is fast becoming one of techno's most talked about projects, this time with all star remixes. The title track 'Act Two' continues where the Magnus debut 'Act One' left off. Raw analog processing meets storming percussion to amp things up whilst preserving that signature funk. First up on remix duties is Truncate who expertly strips things down to an almost atomic level and then brings it back with a thump as only he can. Coming up second is Brendon Moeller who drops a THC infused dubbed out cut with acid bleeps and crack house swing.
Act Two was mastered and cut by Man Made Mastering Berlin and is available in limited quantities on beautiful blue vinyl. Coming soon to a bass bin near you!

Available from 30th Jan 2013

http://truncate.bandcamp.com
http://soundcloud.com/brendonmoeller
http://manmademastering.com

Magnus - Act Two

Release date: 11th of February

early support by Skudge, Chris Liebing, Trevino, Âme, Tiga & more.

Since he released with 'OR' one of the best albums of 2011, Kangding Ray was on our list for a future cooperation. We just needed to wait for the right track for him to remix. That came in the form of Albert Van Abbe's demo for Curle. On his own label No Comment he had previously also worked with Conforce and Convextion - next to Gerald Donald (!), Sleeparchive and Abdulla Rashim. This is however Albert's first release outside of No Comment. The Sugar Lobby Series counts three numbered tracks. 9191 is definitely peaktime stuff, 9090 is deeper but Kangding Ray turns that one into a dark monster too. 9390 concludes the EP with atmospheric offbeats, to cool you down again. 

TRACKLIST
1. Albert Van Abbe - Sugar Lobby Series 9191
2. Albert Van Abbe - Sugar Lobby Series 9090
3. Albert Van Abbe - Sugar Lobby Series 9090 (Kangding Ray Remix)
4. Albert Van Abbe - Sugar Lobby Series 9390


http://www.curle.be
http://www.newsrecords.be/
http://www.facebook.com/NEWSrecords

Albert Van Abbe - Sugar Lobby Series 9090 (Kangding Ray Remix)

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