Sonic Superstars OST - Final Boss

Sonic Superstars OST - Frozen Base Boss

Momentum

Iron Inquisition hijacks the grid with SIGNAL BROADCAST—a suite of hard techno, aggrotech, and industrial dubstep cuts tuned for maximum impact. Expect four-on-the-floor war-marches, broken-beat barrages, multi-band distorted bass, and glitch-scarred vox that sound like a servo skull preaching through static.

What’s inside:
• Sound: neuro reese layers, clipped transient kicks, ring-mod stabs, granular pads, machine-clock percussion  
• Vibe: cyberpunk, grimdark, warehouse, smoke and hazard strobes  
• Use case: live sets, gym wars, night drives, heresy rituals (consensual)

Tech notes:
• BPM range: ~150–156 • Keys: minor-leaning, sub-anchored  
• Production: Phase Plant + Pigments for synths; ghost-kick sidechain; soft clip + limiter for drop impact (~-8 LUFS short-term)  
• Master goal: punch first, pretty never

Credits:
• Music/Mix: Iron Inquisition  
• Vox Design: Radio-Static Prophet  
• Visuals: Servo Skull Broadcast

Support the signal:
Repost, comment, and add to your sets. Contact for sync/collabs: <your email/site>.

FFO: dark industrial, hard techno, EBM hybrids, underground EDM.


Iron Seraph

Sonic 3D Blast - The Final Fight

Emerald Hill Act 2 - Sonic 2 HD Music

1) Okay, so I should stick at least reasonably close to the Sonic CD title screen formula
2) Going reasonably well
3) Added some horns
4) Suddenly Grandia
5) fffffffffffffffffffffffffff :(

Before the Sequel - Title Screen

JINGLE - Stage Clear

1 - 08 On The Hero's Trail - For Star Shores Act 2

Props if you can remember where the quote is from without googling.

(All cutscene music names are video game quotes because I'm a marketing genius)

CUTSCENE - But Dropping a Warship On Me is Cheating

Sonic CD ~ The Complete Soundtrack 2.0

Stardust Speedway: Good Future

Falk is a home-grown musician with a skillset just about as diverse as his interests. Hailing from Malaysia, he jumped with both feet into audio for games right out of college and spent a few years as Audio Lead at a rhythm game publisher. After having travelled to Boston to attend the prestigious Berklee College of Music, Falk has been involved in countless fan productions and remixes, original compositions, arrangements, and orchestrations.

Falk, through his affiliation with the Video Game Orchestra, has had the privilege to work in the presence of industry veterans such as Hitoshi Sakimoto of Basiscape, Masashi Hamauzu, and Go Shiina of Namco Bandai, amongst others, in the capacity of recording and mix engineer for their various projects in ensembles varying from simple instrumental overdubs to full orchestral/choir recordings.