This thing is folder filled with nonsense, be warned if you dare to listen to these songs.

The randomized insanity that I enjoy

water flame

James Jams!

My Music

Before the sequel

Sonic Before the Sequel OST

Just some random shizz

stuff I like

Ya Boy Evanolution

PewDiePie jabba the hut. I dont own this song,its uploaded entertainment    purpose.

Jabba The Hutt (PewDiePie Song)

Attack on Titan OST - Armored Titan Music Theme

Dj MHM - PewDiePie Song

Deadly Six Goin Hammer

Masked Dedede returns...Also, Shadow Dedede...

Masked Dedede Battle

Stereo Madness Geometry Dash

Polargeist

I was searching for and Orchestra Version of My Theme But had no luck!

So you know i so happen to download a good Orchestra and wanted to post it!

Oh Soundcloud, Flandre Doesn't have enough Exsistence here...We're gonna have to fix that...

Just to let you know, I'll be posting so Flandre ThemeMixes and Other Touhou Characters i like too...Next One Will Be Sakuya ThemeMix From Nana Takahashi ouo

Enjoy...

U.N owen was her (Orchestra)

Spotify: https://play.spotify.com/artist/5rn3BUzOWjGGWkCSHQsADZ

Download link (iTunes): https://itunes.apple.com/album/back-on-track-single/id695744161
Download link (Bandcamp): https://djvi.bandcamp.com/album/geometry-dash-songs
Download link (Google Play): https://play.google.com/store/music/album?id=Bwu5j6lhie3hf6edqvn3we2wtky&tid=song-Tjgtochcif7uzh25f3gbnlp4tzm
Download link (Amazon): http://www.amazon.com/Back-on-Track/dp/B00EV4ZP4W

▼DJVI
Facebook: www.facebook.com/djviofficial/
SoundCloud: https://soundcloud.com/djviofficial
Instagram: www.instagram.com/djviofficial/
YouTube: www.youtube.com/user/djvitechno

▼Sound Ward
Facebook: www.facebook.com/soundwardrecords
SoundCloud: @soundwardrecords
YouTube: www.youtube.com/soundwardrecords
Twitter: twitter.com/soundwardrec
Instagram: instagram.com/soundwardrecords
Website: www.soundwardrecords.com

Back On Track

DJVI - Back On Track

Attack On Titan - Great Escape

Knuckles Gets It Started In Here

Throwback Funk

Dark Pit Bites The Dust

The jamminest

[please ignore]
(remaster: https://soundcloud.com/matrixmariox2/mario-paintexe-20 )

(mario) paint.exe

An orchestrated version of the Final Zone from the original Sonic the Hedgehog. I haven't released a sonic remix in a while and wanted to try one this morning. I tried to experiment a little so it's not amazingly close to the original. I also composed it from ear so there may be duff notes here and there.

Used:
FL Studio 10, Kontakt 4, Spitfire Albion, Harp, Percussion & Symphonic Strings, Cinesamples CineBrass, HollyWoodwinds, CineSnare & VOXOs, Tonehammer Requiem & Emotional Piano, Audiobro LA Scoring Strings, Orchestral String Runs, Dummyworld Shhh, Project SAM Symphobia II

Sonic The Hedgehog - Final Zone Orchestra

Sonic Unleashed - Rooftop Run - Mode

http://www.youtube.com/watch?v=Xmf5EsGfFWs

First stage of this awesome fangame. It's out and you can play it now*; we're making a 2012 special edition with an original score for SAGE 2012.

I went with a Sonic CD vibe for this one, with emphasis on clouds and rain.

http://www.sonicfangameshq.com/forum/showthread.php?t=7437

Rivulets - For Hilltop Heights Act 1

08 - Usui no Hikari Kage

An orchestration of Green Hill Zone from the original Sonic the Hedgehog. Again, testing out various libraries I've bought recently and also experimenting with techniques. Not completely happy with it, but the original song's style of orchestration isn't something I'm completely competent with yet.

Used:
FL Studio 10, Kontakt 5, Spitfire Albion, Harp, Orchestral Grand Piano, Percussion, British Woods & Great British Brass, 8dio Reqiem Pro, Cinesamples Cinebrass, Cinebrass Pro, HollyWoodwinds & CineSnares, Project Sam Symphobia II & True Strike, Cinematic Strings 2

Sonic the Hedgehog - Green Hill Orchestra

http://www.youtube.com/watch?v=g7Z9whouusI

Act 2 of the first Zone of this awesome fangame. It's out and you can play it now*; we're making a 2012 special edition with an original score for SAGE 2012.

In many ways Rivulets (Hilltop Heights Act 1 music) is iconic of Before the Sequel as a whole - It's the first piece of music (other than the title screen) that people will hear, and it sets the mood of the game as 'something wildly different from the typical Sonic experience' (as opposed to starting with a Green ____ trope for example).

For Act 2, I decided to retain a lot of familiarity with Act 1's music. I think this should help that feeling of 'a new adventure' to fully sink in, while at the same time building up the intensity level.

p.s. This track has arguably the most recognizable Sonic music cameo so far out of all the stuff I've done for BTS. :V

* http://www.sonicfangameshq.com/forum/showthread.php?t=7437

Downpour - For Hilltop Heights Act 2

1) Okay, so I should stick at least reasonably close to the Sonic CD title screen formula
2) Going reasonably well
3) Added some horns
4) Suddenly Grandia
5) fffffffffffffffffffffffffff :(

Before the Sequel - Title Screen

http://www.youtube.com/watch?v=92s47PQNw8Y

Act 3 of the first Zone of this awesome fangame. It's out and you can play it now*; we're making a 2012 special edition with an original score for SAGE 2012.

If Rivulets (Act 1 music) was characteristic of Before the Sequel as a whole, and Downpour (Act 2 music) built on it, this track would be a step towards building expectations for the OST in general. I wanted to, early on, expose players to the full range of genres that could be represented in the soundtrack and dissuade any preconceptions on what a 'retro'-style game had to sound like. Sonic CD was 1992 and its two OSTs fit so well with the game despite it being 224p 16-bit fare.

This was an interesting track to work with. I discovered halfway through working with Act 2's music that the rap I was working with actually mentioned "Rainbows" and "Prisms"- a fact that I didn't know when I was just using its chorus "Feel the Beat" section for Act 1. It worked alongside the orchestral-ish rendition perfectly for Act 3's lighter mood. Kinda funny how things turn out.. ;p Despite the rain being gone, I still get a very chilly vibe from the overall zone coloration (nevermind that it's really Hilltop Zone tiles in the foreground). Hopefully the music conveys that well.

I also threw in Green Hill again like I did with Act 2, except as a feature rather than a hidden easter egg. Musical quotes from Sonic music is going to be another staple for this OST, as it really is my homage to the franchise in general.

* http://www.sonicfangameshq.com/forum/showthread.php?t=7437

Prismatic - For Hilltop Heights Act 3

Pewdiepie sings Adele-Someone Like You on karaokeparty.com

Here to his channel: http://www.youtube.com/user/pewdiepie

*Brofist*

Pewdiepie- Someone Like you

Circumstance - Opening

Written for Metro Madness Zone Act 2 of Sonic Before the Sequel.

Progressive House tempo with a hybrid of electro house and funky disco house.. I guess all major House genres are crammed into this 90 second loop.

Bandcamp

Metro Madness Act 2

Written for Metro Madness Boss of Sonic Before The Sequel.

For the boss, had to take it to Techno. Square wave acid lines, jazz funk chords drenched all over, pizzicato violin B section sampling, we're going everywhere and nowhere in 60 seconds.

Metro Madness Boss

RO•SHON - Top Of The World

PewDiePie Winning Song! -  Omnipony - Omnipony

That classic metro feel. Except not quite 'classic'.

Tea With Ellie - For Cyan City Act 1

Unapologetically funky.

Written for Tech Tree Act 1 of Sonic ATS.

Rocks Like This

SPOT CHECK Q&A SESSION

Q: Falk didn't you already upload this? https://soundcloud.com/falk-2/radical-train-modern 
A: The other upload is a WIP version of a different incarnation of the full track that this is an excerpt from. This short edit is specifically intended as one of the Special Stage tracks for Sonic: After the Sequel, and retains the same applause/turntable power down staples of the other Special Stage remixes.

Q: But if the other one is a WIP, shouldn't this be a WIP too?
A: No, this is final. I'm completely fine with the excerpt being different in both mix and arrangement from the full version should that change. They aren't intended to be identical, after all. Also this means that this incarnation is download-enabled. Yay!

Q: So what exactly are the other uses of this Radical Train remix?
A: Aside from this excerpt being used for ATS, the material in full or in part is also intended as a contribution to an otherwise undisclosed compilation album (shhhh), to inspire a certain someone to get off his buttbottom and finish the Generations port of this level, and as part of my Berklee College of Music MP&E major final project. Efficient use of effort and all that. In part, call this an experiment in which I'm hoping to capitalize on cross-interest/networking to help build exposure for all these disparate elements of the project.

Q: You're just uploading this twice to get more plays aren't you?
A: OH MY GOD LOOK A TWO TAILED FOX

Special Stages - Sonic 06 Radical Train Modern

Big props to KgZ for adding some extra psychedelic to the track!

Ascent to Madness - Moon Mansion Act 3

Retro 90s Trip Hop.

Written for Technology Tree Act 3 of Sonic ATS.

Freefall

Memories - For Horizon Heights Act 3

Pomp and Circumstance

Intro music.

ATS Intro: "A Matter of Pomp"
BTS Intro: "Circumstance"

Remix/Mashup: Pomp and Circumstance

I'M A GENIUS THANKS FOR PLAYING

Special thanks to Andre and KgZ.

A Matter of Pomp

Attack on titan Full ( Shingeki no Kyojin)

Falk is a home-grown musician with a skillset just about as diverse as his interests. Hailing from Malaysia, he jumped with both feet into audio for games right out of college and spent a few years as Audio Lead at a rhythm game publisher. After having travelled to Boston to attend the prestigious Berklee College of Music, Falk has been involved in countless fan productions and remixes, original compositions, arrangements, and orchestrations.

Falk, through his affiliation with the Video Game Orchestra, has had the privilege to work in the presence of industry veterans such as Hitoshi Sakimoto of Basiscape, Masashi Hamauzu, and Go Shiina of Namco Bandai, amongst others, in the capacity of recording and mix engineer for their various projects in ensembles varying from simple instrumental overdubs to full orchestral/choir recordings.