Antique

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

Hey this Animesh Kumar Mishra. aka AKM, green baldy, Chiku, Big skinny, that bald guy with frosty lemons, etc. 
musician from Kolkata, Mumbai Singapore back to Kolkata.
Been playing live since for over 16 years. Started touring this year. Play a bunch of instruments and thanks to MIDI pretty much every instrument. Use mostly hardware analogue synths. But most analogue gear tend to have a some digital components. That’s cool I use plugins. The daws I use are Ableton and logic. Pro tools is reserved for post production is the original daw can’t cut it. It’s just easier to mix and master in pro tools when the others can’t do it. The other ones can do pretty much everything. Ableton is the easiest one for hardware gear sessions. Looping and live performance is also easiest to play. You can literally play the daw’s  features and instruments to improvise and it a very quick and simple leaning curve. But you can do all the features of send and receiving MIDI, recording, mixing and mastering on all of them. Though each has individual strengths for example more loops and variations I’d use Ableton. For longer music pieces or songwriting go to logic. Depending on no. of channels pro tools free or first are good too. But logic is the cheapest amongst the three full features. And has the best in the box sounds and mixing plug ins. Ableton has equally good stuff if you’re sure you know what you’re doing. You understand the parameters. It’s not visually going to guide you while on the logic x the on daw/box plugins are visually much easier to interact with. It’s clearly teaching you to sound design if you just try to use it for design. Same with mixing. Same with mastering. But live performances Ableton is leagues above. Pro tools get it only if need to. Depending on your needs buy a cheaper version if possible. But the fully featured pro tools is the best but the toughest one to learn and costliest. And Ableton is still better to play for live shows. Like I said Ableton is an instrument with very reasonably priced MIDI hardware from Akai. Push is the best but costlier then a lot of akai’s products put together. So get the push only if you absolutely need to. Logic is most value for money by an immeasurable amount. It’s so cheap compared to the other 2. And the others have free versions you can try. Your daw will determine your music as much as which studio room which console in a very expensive studio would. For hardware synths or mixing gear go with whatever you like and know how to use. It’ll always be better sound-wise. This includes synths especially modular and preamps primarily. In post production ever aspect is as important as the other. Monitors and headphones are too personal for a composer. Get what you like.

Farahnoise pudiera ser mas conocido como bajista de diferentes agrupaciones underground de la ciudad de Guadalajara desde los 90'.
Se inicia como ruidista alrededor del año 2006.

Farahnoise quiere agradecer a las siguientes agrupaciones en la que ha participado ya que sin su apoyo jamas hubiera sido posible crear ninguno de estos noises.

Voz sin Cuello - Garagexeprimental
Síndrome de Estocolmo - mathcorexperimental post -hardcore
Pandemia - Hardcoremetal
Imopectore - Hardcoremetal
Le Caterpiller - Worldmusicjazzrockfusion
Cerado dl Noise - Experimentalcircuitbending&feedback 
Cerado dl Hibre - Unknown jazz
David Chanson - Bad Nerved jazz freenoiselanders

Estas piezas son el resultado de una extensa búsqueda por plasmar un momento vivo.

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'all of heaven is against you' under CRSY is out now. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

improviser - composer - sound artist

he does solo projects, collaborations and participates in international online improv sessions. his main instruments are piano, guitar and electronics.

inquiries for new collaborations are welcome.

you can contact him at contact@stefanstrassermusician.de

Beside improvising and meeting the moment ,I bring my poetry in a sferic  of sound , interaction of fibration , using a variety of instruments .

www.henrykoek.com
www.maisonbleuecollectifartistes.com
henry.koek1956@gmail.com

My Soundcloud Collaborations :

- @a-cutteridge
- @ankea-collaborations
- @arnold-cabott-again....
- @Darius-improvise
- @edafraux
- @free-variety-theatre 
- @Henri-Roger
- @kamikuma
- @mcirab
- @nos-namajs
- @popropo-goes-collab
- @Urban-BallShit
- @vascomorais
- @KONOKUNOK
- @RoNniE-Free-Improv 
- @letterfounder
- @meshmass
- @Yellow-Salamandr7
- @Bruno-Gussoni
- @laurent-avizou
- @Lutz-Thuns
- @Augenmerk
- @Unearth-Noise
- @STMD-"Steve-the-Mad-Drummer-SteveMauro
- @numbersinthedream
- @unstable-range
- @jwiedenfeld
- @Wilfried-Hanrath
- @Guy-Frank-Pellerin-1
- @King-Imagine
- @Wodwo   Derbyshire-United-Kingdom 
- @re-evolution_cafe

Belial Pelegrim is an electronic musician and producer known for crafting dark, cinematic, and experimental music. His work blends elements of ambient, glitch, IDM, and neoclassical styles, often creating immersive soundscapes that evoke a sense of mystery and introspection. Pelegrim's compositions are characterized by their rich textures and atmospheric depth. He frequently explores themes of surrealism, metaphysics, and the ethereal, drawing listeners into complex auditory experiences. Pelegrim's music often incorporates a hybrid of organic and electronic sounds, pushing the boundaries of conventional genres.​

Benoît, qu'est-ce qui s'est passé?
J'espère que ce n'est pas grave.
Merci pour "Barricades".
Fais un signe quelconque!

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Hälfte von @Pentaloops und Mitglied vom Kollektiv Filmstadt Underground.
Vgl. @roebot-muzik und @atze187.
Moitié de @Pentaloops et membre du collectif Filmstadt Underground.
Cf. @roebot-muzik et @atze187.
Half @Pentaloops and member of the collective Filmstadt Underground.
Cf. @roebot-muzik and @atze187.

Pentaloops = Frid Mars + Röbot
Röbot + Frid Mars = Pentaloops

@Frid_Mars & @roebot-muzik

Pentaloops wurde im Juli 2020 gegründet. Alle Stücke basieren auf nachbearbeiteten Live-Aufnahmen. Kein Multitrack, kein MIDI.

Pentaloops a été fondé en juillet 2020. Tous les morceaux sont basés sur des enregistrements live post-traités. Pas de multipiste, pas de MIDI.

Pentaloops was founded in July 2020. All tracks are based on post-processed live recordings. No multitrack, no MIDI.

There are a few of these songs out there on your favorite music platform.  Thanks for giving me your time!

Antique

F4R4HN015E