ازت ممنونم بابت این اثر هنری🌼🌱

Sound & silence

Mockup of a three-movement piece for solo piano

Remember Dusk [forming]

'Grønjørd' (from the album '∞ (Infinity)') and 'La Dispute' (as featured on the award-winning soundtrack to the film Amélie) feature on the new live album 'Yann Tiersen: Live in London', recorded at the Royal Festival Hall on 26 September 2014 and made available directly after the show via Abbey Road.

The live performance features fan favourites alongside tracks from Yann Tiersen's latest album '∞ (Infinity)', and is available to buy here: http://bit.ly/YannAbbeyRoad

Get '∞ (Infinity)' here:
Digital Download - smarturl.it/yanninfinityiTunes
CD - smarturl.it/yanninfinityCD
LP - smarturl.it/yanninfinityLP

Yann Tiersen Online:
Website: yanntiersen.com
Facebook: www.facebook.com/yanntiersen.official
Twitter: twitter.com/yanntiersen
Youtube: www.youtube.com/user/yanntiersenofficial

Yann Tiersen- La Dispute (Live at the Royal Festival Hall)

The Stoop for solo Synthesized Piano in Just Intonation
Performed by Paul Kerekes
30 July 2014

The Stoop for solo Synthesized Piano in Just Intonation

Written by Brian Petuch
Commissioned and Performed by Bearthoven

Bearthoven is
Karl Larson - Piano
Pat Swoboda - Bass
Matt Evans - Percussion
http://www.bearthoven.com/

Brian Petuch's Website
www.brianpetuch.com

Updog

Hebbian Theory, in 3 movements

Ludek Wojtkowski, violin
Miki Sawada, piano
Gleb Kanasevich, clarinet, bass clarinet

Premiere performance, recorded live in concert at Morse Recital Hall, Yale School of Music as part of the 'New Music New Haven' series, 2 October 2014.

Video available at http://vimeo.com/williamgardiner/gardiner-h-th-3

III. long-term potentiation

live performance by Ghanbarimehr-Ensemble

non-moderato (live performance)

The piece has been published on "Sinece-Rest" album under Hermes Records in 2012.

Performers: 
Babak Kouhestani, Nima Aghiani, Adel Poursamadi, Kaveh Hamedanian, Aida Khalilzadeh Shirazi

Dark Clouds

Sextet (live performance)

Composed by Brian Petuch
Performed by andPlay
Sound Engineering by William Gardiner

A note by the composer:
The Pequod is the whaling ship in Moby Dick. I read Moby Dick last summer for the first time while on the coast of Oregon. The immensity of the dark Pacific coast only made the book more real to me. While reading I contemplated the scope of the Pequod’s journey on the vast sea and the scope of Captain Ahab's futile quest to conquer the white whale, which led to the Pequod's inevitable demise. It was both beautiful and terrifying and this piece tries to capture the spirit of the novel. I use the electronics and strings in a way that at times are abrasive and grating in order to feel the immense weight of an unforgiving and impartial world, and other times the music emerges with moments of light simplicity out of the darker more sonically oppressive moments.

andPlay is
Maya Bennardo - Violin
Hannah Levinson - Viola
http://andplayduo.com/


Brian Petuch's Website
www.brianpetuch.com


EDIT: This studio recording is a replacement of the live recording at Cloud City in Brooklyn NY 2/17/16

The Pequod - for Violin, Viola, & Electronics

i don't hear you anymore

sample: 
gemma hayes - noise

noise

´the worlds within out petty voids´ for flute, oboe, violin, viola and cello.

Written for and premiered by ensemble recherche.

Recorded by Chloe Deng.

the worlds within our petty voids

Stratosphere

Two Way Radio

mineral veins is the second collection of pieces exploring the sound of minerals and structures in flux, for release in 2020

lugnas was recorded in sweden

The Stoop for solo Synthesized Piano in Just Intonation

Farnood HaghaniPour

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Brian Petuch

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