Really good People 😇⚡️⏰🌳🌻🌳

Koralek was at the controls for this months Far Out Recordings show. He ran 60 minutes of jazz fusion, MPB and disco from the likes of Vasconcelos Sentimento, Dom Um Romão and Gilberto Gil. Highly recommended listening.

Vasconcelos Sentimento - Burkina
Toninho Horta - Diana
Joyce - Curiosa
Agustín Pereyra Lucena - 3 Horas Da Manha
Steve Kuhn - A Change Of Face
Dom Um Romão - Chovendo Na Roseira 
Nivaldo Ornelas - Dois Tempos
Neil Ardley - Leap In The Dark
Gilberto Gil - Corações A Mil
Freeez - Mariposa
Cake - Make Up Your Mind
Mass Production - Cosmic Lust
Rene & Angela - I Love You More
Tim Maia - Nuvens

Far Out Recordings w/ Koralek- August 2021

From Live at Blackheath Halls 19/09/13, released 04 Oct 2013

Alto Sax - Nathaniel Facey
Alto Sax/ Clarinet - William Scott 
Tenor Sax/ Clarinet/ Flute - Leo Aarons-Richardson
Tenor Sax - Claire Furlong
Bari Sax/ Bass Clarinet - Greg Sinclair
Trumpet - Tom Dennis, Mike Soper, Lily Carassik, Alaric Taylor
Trombone - Ross Lumbard, Rosie Turton, Hannah Dilkes, George Wrench
Electric Guitar - James Kitchman
Keyboards/ Piano - Elliot Galvin 
Double Bass - Louis Thomas 
Drums - Liz Exell

The full live album can be streamed and downloaded for here: https://emmajeanthackray.bandcamp.com/album/live-at-blackheath-halls-19-09-13

Johari's Window feat. James Kitchman/  Nathaniel Facey [LIVE]

Not long after the dawn of her career, as a teenager in Rio de Janeiro, Joyce was declared “one of the greatest singers” by Antonio Carlos Jobim. Yet despite reputable accolades and the fact that she has since recorded over thirty acclaimed albums, Joyce never quite achieved the international recognition of the likes of Jobim, João Gilberto and Sergio Mendes, all of whom became global stars after releasing with major labels in the US.

There was a moment when it seemed she might be on the cusp of an international breakthrough. While living in New York, Joyce was approached by the great German producer Claus Ogerman. Ogerman had already played a pivotal role in the development and popularisation of Brazilian music in the 1960s, recording with some of the all-time greats like Jobim and João Gilberto, as well as North American idols like Frank Sinatra, Billie Holiday and Bill Evans.

Featuring fellow Brazilian musicians Mauricio Maestro (who wrote/co-wrote four of the songs), Nana Vasconcelos and Tutty Moreno, and some of the most in-demand stateside players including Michael Brecker, Joe Farrell and Buster Williams, the recordings for Natureza took place at Columbia Studios and Ogerman produced the album, provided the arrangements and conducted the orchestra.

But mysteriously, Natureza was never released, and what should have been Joyce’s big moment never happened. As Joyce remembers, “I returned home, but Claus and I remained in contact, by letters and phone calls. He was very enthusiastic about the album and tried to hook me up with Michael Franks. He wanted me to go back to NYC in order to re-record the vocals in English with new lyrics, which I actually wasn’t too happy about. But then I got pregnant with my third child and could not leave Brazil. And little by little our contact became rare, until I lost track of him completely. And that was it. I never heard from him again."

While Claus was known to be something of an elusive character, the album’s disappearance might also have been a result of timing. The Brazilian craze was coming to an end, making way for disco and new wave at the end of the seventies, and Ogerman struggled to find a major label interested in a new Brazilian sensation. Additionally, as Joyce mentions, it wasn’t quite finished. Ogerman wanted to add finishing touches to the mix and to record alternative English lyrics for the US and international markets - a critical artistic difference between Joyce and Ogerman.

As the military dictatorship’s grip on Brazil began to subside in the 1980s, Joyce had a handful of hits in her home county, including a tribute to her daughters ‘Clareana’, and the iconic ‘Feminina’ - an intergenerational conversation between mother and daughter about what it means to be a woman. But already a feminist pioneer, these successes were hard fought. Joyce had caused controversy as a nineteen-year-old when she became the first in Brazil to sing from the first-person feminine perspective, and the institutional sexism she faced was worsened by the dictatorship who would often censor her music. Even once the Junta was out of the way, Joyce found herself up against the male-dominated major record companies in Brazil, who sought to dictate her career and sexualise her image, before dropping her for refusing to play along.

Forty-five years since it was recorded, Natureza finally sees the light of day, as Joyce intended: with her own Portuguese lyrics and vocals. Featuring the fabled 11-minute version of ‘Feminina’, as well as the never before heard ‘Coração Sonhador’ composed and performed by Mauricio Maestro, Natureza’s release is a landmark in Brazilian music history and represents a triumphant, if overdue victory for Joyce as an outspoken female artist who has consistently refused to bow to patriarchal pressure.

Joyce With Mauricio Maestro - Descompassadamente

Dreamy new jazz from Clear Path Ensemble. Perfect for a hot, humid day.  "Drumatix" is taken from their forthcoming on Soundway Records, "Solar Eclipse". 

Led by percussionist Cory Champion, Clear Path Ensemble bottles the energy of New Zealand’s bubbling new jazz scene and distills it into moody morsels of differing styles. From electric jazz to ambient, experimental, house and funk – it’s a DIY, jam-session attitude towards composition, as the band members freely cherry-pick from a vast orchard of influences.

Solar Eclipse

Exclusive Premiere: Clear Path Ensemble "Drumatix" (Soundway Records)

‘How Are You (Como é que vai você)’ is the third single to be taken from SOYUZ (СОЮЗ) forthcoming album, ‘Force of the Wind’. 

Lush, gentle harmonies slowly build like a swell of waves until the crescendo of strings breaks the waters. The orchestral arrangements by the band’s Alex Chumak flash back to the subtle psychedelic sound of Arthur Verocai’s 1972 debut. 

São Paolo born Sessa is one of Brazil’s rising talents, and he guests on vocals on this track. Singing in Portuguese, his unhurried voice gives this timeless piece a tranquil, soothing delivery. The lyrics are based on correspondence between two friends at different ends of the earth ("Como é que vai você, amigo meu? Nesse jogo, nessa vida?"). Alex Chumak was also responsible for the stunning orchestral arrangements on Sessa’s recently released album, ‘Estrela Acesa’. 

Reminiscent of post-tropicalia recordings by Jorge Ben, Milton Nascimento, etc; 'How Are You' feels like it could be a missing, lost track from a Brazilian classic circa 1972. The composition holds all the magic of a recording we've grown to love from this rich, vibrant era.

SOYUZ (СОЮЗ)Feat. Sessa - How Are You (Como É Que Vai Você)

Multi-instrumentalist, composer and homegrown bohemian carioca Antonio Secchin, aka Tunico presents his buoyant debut single ‘Galope’. Orchestrating a diverse body of traditional Brazilian rhythms and textures, the ‘galloping’ piece typifies the genre-defiant instrumental-music that Rio De Janeiro is famed for. Featuring some of the finest talents of Rio’s world-leading scene, including Antonio Neves, Chico Brown, Boka Reis and Katarina Assef among many more, Tunico puts out his first release with London based label Far Out Recordings, with more to come in 2023…

Tunico - Galope

"Division seems to characterise our daily experience. The secondary products of lying and corruption - frustration, anger, sadness - seeping deeper into the bones of our society, of all our experience"

In the last few weeks of October 2022 Scrimshire wrote a new collection of songs with the descriptive working title "Scream". A direct response to the absurdity of the breakdown in the UK government, the horror of the treatment of refugees arriving on our shores and the callous disregard for the trauma being caused to anyone considered "other" - class, skin colour or otherwise. Self-preserving conservative MPs fought for their jobs, record profits were announced by energy companies, while gouging crippling amounts of money from people's pockets, the sense of living in a dystopian fantasy was frequently overwhelming.

Originally named “Scream 8”, Unity Gain was one of the early outpourings from those sessions. Piano and drums bubble up until it fully boils over with huge stabbing synthesiser and string sounds in an outburst of frenetic energy. One of Scrimshire's most powerful deliveries to date.

Unity Gain follows, 2022s Music for Autumn Lovers and the much loved 2021 album Nothing Feels Like Everything.

Unity Gain

It is hard to believe we are now up to Volume 6 of our renowned Record Club series. Curating these compilations, where we share our latest musical discoveries and old favourites from the global stage, is always a labour of love. 

When one of our most revered artists offered us the chance to include a digital exclusive track we of course jumped at the chance. As expected, what we received blew us away and we knew it had to be the lead single from the compilation. 

Hearing the Swedish outfit Sven Wunder for the first time is as refreshing as an ice-cold Limoncello after an Italian meal. One of those artists that feel instantly familiar like an old friend, yet simultaneously fresh and new. Having released three stunning albums adored by a rapidly growing fanbase, and a host of critical acclaim from the likes of the New York Times, Pitchfork and the Quietus to name just a few, the expectation of what is to come next from this wonderfully unique artist is palpable. 

‘Easy Going’ is a digital exclusive for our Mr Bongo Record Club Vol.6 compilation. The track was previously pressed to a limited edition 7” on Piano Piano Records that sold out within 24hrs, so the demand for a digital version is high. ’Easy Going' sounds like it would be at home on a lost Brazilian Trilha Sonora Original Da Novela (original TV Soundtrack From The Novel). Sven has assembled beautifully orchestrated strings that swirl over bubbling keys, snappy drums, and calls on a harmonica to take the role as the lead instrument.

Sven Wunder - Easy Going

Miracle Moon * Instrumental

Lurking in the darkness patiently, along with both tracks of the Ominous Shanti / Black Enchantment 7" - is the bonus remix from Black Classical… 

(Bandcamp Bonus track)

Ominous Shanti (Black Classical's Om & Om & Om Remix)

A 13 minute live jazz house odyssey from Zagreb-based producer @jankinclzero and keyboardist @regis-kattie on @pdvrec.

Read more & buy: http://www.stampthewax.com/2018/05/31/premiere-jan-kincl-regis-kattie-you-never-told-me-parts-1-2/

Jan Kinčl & Regis Kattie - You Never Told Me (Parts 1 & 2) (STW Premiere)

Far Out Recordings was founded in 1994 by London DJ and record producer Joe Davis. His longstanding and insatiable passion for Brazilian music, fuelled by his initial love of the jazz, funk and soul ubiquitous on the Rare Groove scene in 1980s London, took him to Brazil first as a teenager. It was there that his enthusiasm for record-collecting led him to some of his musical heroes and the eventual formation of musical bonds and close friendships. Joe’s early discoveries led to him becoming the UK’s foremost authority on Brazilian music, much of it little-known here before his enthusiastic endorsements began to ring out across the music scene. This led to the inevitable, and the keen young music fan and DJ with an entrepreneurial flair founded Far Out Recordings.

The label’s aim from the start has been to bring the sound of Brazil to the world – to showcase the history and culture of a land bursting with creativity and energy – from the classic to the cutting edge. There have been numerous releases from both new and established Brazilian artists including legends such as Azymuth, Joyce, Marcos Valle, Arthur Verocai, The Ipanemas, Sabrina Malheiros, Clara Moreno and Binario, to name a few. 

Far Out also releases music from musicians and producers around the world who share the label’s appreciation for Brazilian music and culture. Alongside Brazilian music, the label is also well known for its longstanding association with underground dance music, having collaborated with some of the most acclaimed and accomplished electronic producers of our times. This had led to a rich plethora of pioneering and innovative dance and beats music, forging a future for the oft-neglected role of Brazil and its rhythms in the complex dance music diaspora of the UK and US, with 12" remixes and original productions from the likes of Theo Parrish, Mark Pritchard, 4hero, Dego, Andres, Marcellus Pittman, Kirk Degiorgio, Nicola Conte, A.D. Bourke, Henry Wu and Rick Willhite among many others.

Joe's crate-digging mentality has also been the driving force behind another crucial aspect of Far Out's work - unearthing forgotten masterpieces and once impossible to find records. This has led to reissues from the likes of Milton Nascimento and Roberto Quartin’s catalogue of lost gems, resulting in some of the finest Brazilian reissues you’re likely to find. While this remains a relatively small percentage of the label's output, every release is brought to you with the utmost love and care, ensuring painstaking perfection in the realms of sound, aesthetic and physicality.

Many of the artists on the Far Out roster regularly tour worldwide, playing across Europe, the USA and the Far East. Look out for them in your town, spreading the joy, the warmth and the restless creativity of Brazilian music and all that Far Out seeks to represent. “After more than twenty years of Far Out, we are only just beginning to realise our ambitions” surmises Joe. “We are still learning about production, recording and music, always.. and we are fortunate to be surrounded by the most exciting group of musicians and producers who are making consistently brilliant music. We are still intent on finding new stars, but we are immensely proud of what we have achieved so far and our formidable artist roster.”

"Brilliant British-Brazilian label" Daily Telegraph
"15 years of the excellent Far Out" Word
"The original and the best, Far Out has never faltered" Gilles Peterson
"Excellent London-based Brazilian label" The Independent
"UK's leading Brazilian label" The Observer
"UK's foremost Brazilian record label" Clash

Tunico - Galope

Far Out Recordings

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