Wow! Blimey that is gorgeous. Superbly done Ian

great idea, and the result is convincing !

excellent, reminds me 'blade runner' with a twist, great job

Totally hypnotic. I’m pulled into the sequence, riding a digger wave.

beautiful stuff i run into on muffwigglers or just browsing soundcloud looking for module demos etc.

modular synth pieces

demo of Synthesis Tech E340/E350 polar opposites

E340/E350 experiment

2 Track live. I boiled my system down to 1 6u case to play with a Qunexus.  Besides a little reverb, all the ambience is provided by the Wow and Flutter, which is on the "lead".  The envelope follower seems to push the delays slower into nearly inaudible range while the line is playing and then springs back in the gaps. Also, the WET output feeds an LPG to create the "tuned percussion".  The lead line itself is e350 played through an SOB.  Qunexus pitch straight into the 1v/oct, gate into the SOB vactrol input.
I used the PTG to "pluck" the Verbos filter (verbos vactrol response very fast by itself) The extra control and life the PTG brings makes me wish SSF would just make a damn LPG. Pressure points/brains combo plays with the snare pitch and fm amount. SSF mix mode saturation is all over the place..the Verbos also saturates nice too.

Clock - Noisering
Triggers - Triggerman
HiHats - TipTop808
Low end - Subcon M15 Fm'd by the morph output of 2nd M15 through Verbos amplitude and tone controller.  
Snare/Rim - subcon m37 fm'd a bit, optomix.
Tuned Percussion - WET output of Wow and Flutter through optomix. 
Main Line - e350 morphed by slew'd Noisering.  Filtered by SOB. Run through Wow and Flutter.

Disarray

Generative patch with lead voice created by wave folding a filtered oscillator.

Bark Lee Bug Face By Dcramer

Fields

A pensive semi-ambient track, based on an 8-bar mostly generative sequence that changes slightly with each repetition.

The sequencer is generated by using a Doepfer A189-1 in XOR mode (mode 4) to transform the Verbos Voltage Multistage's Ref output into a more complex pattern, which is then quantised to form a melody. The VM's two CV outputs drive the A189-1's BC CV and a VCA between the Ref output and the A189-1's signal in. This means that each step of the VM has a different variation of the main melody, creating an 8-bar motif with common elements. The Ref out also pings a PEG channel, which is used as a clock multiplier to get 8th notes to trigger the A156 quantiser.

Further variation comes from the fact that the CV driving the VCA that attenuates the Ref output ALSO goes through a VCA! This is modulated by an A149-1's 2^n output, which is clocked every 8 bars to introduce slight random variation into the range of the melody.

The main melody is played by a Braids in WTBL mode, using its internal envelope to drive its own VCA as well as Timbre, into Erbe Verb. The Color is modulated by the A149-1's bottom half, clocked so that each bar is played using a different wavetable.

There's also a sort of bassline sequence that chugs away (Rubicon saw, double saw and sub into Pitts Filter), using Klasmata to vary its rhythmic sequence (with Klasmata's Fill CV driven by VM's CVb). Finally, there's a dirty kick drum (Pitts Generator into Optomix, opened by Maths) and hi-hats (white noise through resonant HPF into Optomix). The rhythms of those come from a combination of clock dividers, logic and Turing Machine.

Sun 189

Hunt

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Aleatoric from Pink Noise "
PinkNoise and a Lowpass Filter


credit :    

Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com

date: 1.08.2025

video:
https://youtu.be/aHs0tPdQtvI
https://www.youtube.com/watch?v=hfwNx3yBJnI

old
https://www.youtube.com/watch?v=Gd1c5mruxkU

Mck -  001 202

Break the Frame 3

August 19-20 2025 Krakow city centre
Field Recordings-Mark Heintzman
in 1241 Krakow, Poland was burned to the ground under seige, but not before a tower guard could sound a warning with his trumpet allowing families to flee. This five note Polish bugle call is called the Hejnal Mariacki.

Four Corners Of Dawn-Krakow 1241

Kleines Gitarrentrio – für Kinder und Jugendliche, 2016

Uraufführung: Birkenwerder, Evangelische Kirche; gespielt von Lehrern der Musikschule Hohenneuendorf 2016

Kleines Gitarrentrio – für Kinder und Jugendliche

Electric Shapes

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " VST Plugs V "
credit :

date : 22-09-2025

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com

Live 2024
https://www.youtube.com/watch?v=Y52VDBHP-cc

gFLIE2ATree

JimmyJoe - NOS

Sea Glass

Der Flur - Filmstadt Underground

This track uses the Synthesis Technology chord table to simulate a 3 voice analog shift register or ASR. As you can see in the pattern below, each note enters thru the first column & with each trigger is pushed to the next, followed by a new note behind (fuller explaination: https://learningmodular.com/glossary/asr/). Playing all these notes at once (i.e. polyphonically) produces a sequence of chords reminiscent of the Tangerine Dream sound. For distinction, each voice uses a different ROM bank/wave table but all the modulation inputs are slaved to osc1's X and Y parameters, respectively, to sweep thru the oscillators' wavetables in a parallel movement. To enrich the mix, I also did a second pass of the pattern, transposed up an octave, and layered it later in the track. 
    The ASR pattern (first audible around 1:30) is based on the first line, slightly transposed and translated into offsets, of a notation by Stephen Drake that I downloaded (from Muffwigglers.com ?) You can cut and paste the pattern directly into a TAB file for your own experiments - I used a root note of C2 for osc1. All sounds from E70 except one part from a Xaoc Kamieniec in self-generating mode. 


0 12 24 0
19 0 12 0
36 19 0 0
31 36 19 0
12 31 36 0
17 12 31 0
36 17 12 0
12 36 17 0
3 12 36 0
22 3 12 0
24 22 3 0
19 24 22 0
2 19 24 0
29 2 19 0
24 29 2 0
12 24 29 0

A S R (E370)

freelance composer - music for film,tv & theatre.

this account mostly contains electronic improvisation pieces and few synthesizer demos.   for theatre scores and contemporary music visit www.babic.com

In ancient Roman times an augur or diviner, sought omens from things like the flights of birds to ascertain auspicious days when new work would go well.The pieces listed here represent the results of personal 'fastus' days, my best days.&#13;
&#13;
Fastus appears on the Kosmo netlabel compilation "Vapors of Ambient" - check the promo video here: <a href="http://youtu.be/F8fTbY_csYI" rel="nofollow" target="_blank">http://youtu.be/F8fTbY_csYI</a>

A S R (E370)

Fastus

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