One Step At a time
One leg In front of the other
A little better each time
don't sweat the small stuff
remember where you come form
keep moving forward

Turbo Time Rips MaGee

A PERCUSSIVE ODYSSEY

Hi folks,
something very, very, very bad is happening nearby!!!
 I am so happy that so many musicians are leaving their support for the affected country. Honor to the Russian citizens who are demonstrating against the war despite the threat of long prison sentences

Hidden Information

Some times ago there was a totalitarian state
which was ruled by a dictator so cruel
and he did not want - that his folks
should know all about the wrongdoings he made

There were pictures that they could not see of children who were suffering
and with faces wet by tears from their eyes
and they missed their dad - this day
since he had to go to war and maybe never come back

The dictator had started a war and he was bombing civilian folks
and he closed down all medias that report
about horrific war scenes - that were observed
so his people believed that he was such a good guy

Hidden Information

This character from ancient myth is complex - is he stubborn, unaware, defiant, defeated?
Is he the modern anti-hero? The person who keeps going, no matter what  . . ?

10  Sisyphus

Sarabande

art work: Michael Drummond via Pixabay

ひとり　また　いなくなる
ひとり
ひとり
ひとり
ひとり　また
さらば
さらば
さらばんど

Another person is gone.
Another person is gone.
Saraba(Sayonara).
Saraba(Sayonara).
Sarabende.

Sarabande

Texte/Musique :Danièle Thoraval
Guitare/Voix /choeurs : Danièle Thoraval, Iain Dunnet
Pianos, Batterie, arrangements : Iain Dunnet
enregistrement, mixage, mastering : Iain Dunnet (Chenac Studio)
wwwchenacstudio.com

L'Indignée

A track I created some months after the first version. I lead with the second bass riff, playing it with first rhythm, synths and the stick sound in a cross rhythm. Then I introduce the first riff, using similar sequence of 3 different sounds, as before. What is really(or mostly) different is the rhythm, from beginning full-on kick with snare, and stick sounds come and go occasionally. In the half of the song I introduce ride sound in the place of stick sound, and the bell-ish sound playing first riff could be considered the cherry on the top of the cake, playing about last minute. The song sounds more finished, and is in full rhythm almost from beginning, differing form first version where the intro lasted almost a minute and half. So more fun for longer. I hope you will enjoy this.

Endless incoming 2

Electronic dance track depicting the circle of life

Circle Of Life

Same Same J BeAt To My Own Drum Indie Pop Acoustic New Music Original Songwriting Sample

Binary Purge

Basscontroll - Summer Heath (Chiptuned and a Soda Mix)

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Endless incoming 2

Fat beats project

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