live performed on hardware equip.
feel free to play & share. support us : ug16.bandcamp.com

Mongkong Music, founded around the millennium by the Beatznbytez crew, has been a driving force in multimedia events featuring DJs and live acts in deep Bavaria. Some of its active members include Mycrotom (also known as RHYTM POLICE), LeRoy (also part of RHYTM POLICE and Das Hobos), Messel (now LAZR LAZR), Bade (now Samurai), Volka Glück (performing as himself), and Nassforsch (now Funkroboter).

Among these artists, RHYTM POLICE stands out as one of the most active. Over the years, they have made their mark in electronic music, remixing bands such as Jeansteam, Verginia Jetzt, Louie Austin, Rainer von Vielen, Sandboy, PUNK TV, and the Chemical Brothers.

Leroy Schlimm and Mycrotom have taken their live performances across stages in Europe and Russia, even gracing Vienna’s Radio Station FM4. It’s a refreshing blend of rehearsal room atmosphere versus studio sterility.

Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

Willkommen beim Burning Beach Soundcloud Channel!
Wir halten euch hier mit DJ Podcasts und ihren Beach-Sets stets up-to-date!

Burning Beach 
Love, Fire & Electronic Beats!
3 Days - 4 Stages - Camping




Ticketlink: https://burningbeach.ticket.io/
--
Dein Kurzurlaub in die elektronische Musik.
-
Social Links:
→ #burningbeach auf Instagram: http://bit.ly/instaburning
→ #burningbeach auf Facebook: http://bit.ly/fbburning
→ #burningbeach auf Spotify: http://bit.ly/spotiburning
→ #burningbeach auf Soundcloud: http://bit.ly/cloudburning

https://www.christian-loeffler.com/
Booking Requests: ralf@vdhaardt.com
Management: paul@ki-records.com

🏳️‍🌈 Industrial Punk.
Angry, noisy, uncomfortable, yet hopefully still danceable.
All done diy, all music Creative Commons.
Non-Binary (they/them | es/ihm) 🏳️‍🌈

Deep electronic music label and podcast in dub techno and deep techno genres.
Send your demo (single 1-track only) : https://bit.ly/3wt73uc
Contact : contact@apnealabel.com

Booking: etzo.music@gmail.com

//Dates//
2025:
18.01. Südpol, Hamburg
15.02. Bahnwärter Thiel, München
01.03. Kabinett der Kuriositäten, FFM
28.05. Legal, München
14.06. UKF6, Pfaffenhofen
28.06. Lagobar, Heresching
30.08. Feta Morgana, Pähl

2024:
05.05. Bahnwärter Thiel, München
06.05. Turbina, Budapest
07.06. Legal, München
10.06. Wannda Circus Open Air, München
01.07. Bahnwärter Thiel Sommerfest, München
16.07. Auf Pipi Langstrumpfs Insel, Psssst!
12.08. Two in a row Sommerfest @BwT, München
02.09. Wannda Circus @ Bahnwärter, München
11.09. Mystic Creatures Festival, Polen
16.09. Odonien, Köln
20.10. Bahbwärter Thiel, München
22.10. Kater Blau, Berlin

FAT LIKE BUDDHA is a live electronica duo from Nuremberg, Germany with pushing beats and driving melodies. Michael Frenkel and Christian Hüttner connect Drums, keyboard, synthesizer, vocoder and trumpet to danceable electronic sounds.

Since 2016, the Nuremberg harbour has been working on merging analogue and digital and casting them into songs - direct, powerful, dynamic. Always live and without computers.

 Musik für Müde  

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Unter dem Prädikat «Schlafzimmer-Sessions» sammeln sich die aktuellen musikalischen Werke von Paul aus Oberasbach. Eigene Songs und honorierende Cover, mal allein mit Gitarre, mal im kompletten Indie-/Garage-Rock Band-Arrangement.
Aufgenommen und produiziert wird alles im hauseigenen Schlafzimmer, denn "[i]m langen, langsamen Blick des Müden weicht die Entschlossenheit einer Gelassenheit" (Byung-Chul Han, 2010).

#bedroom  #lofi #indierock  #garagerock  #acoustic

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24hours isn't enough

FAT LIKE BUDDHA is following