Born and raised in Torino, Italy, Chiara is a Melbourne-based composer, DJ and musician. Her artistic appreciation and blend of music disciplines allow her to produce an eclectic range of musical outcomes.
Classically trained in piano in Italy and later exposed to electronic music after moving to Melbourne in 2004, Chiara has since moved into a well respected position in the Melbourne Techno movement through her dedication to a refined DJing technique and production of electronic music. This eventually led to extra studies in sound art and design at RMIT University, extending her interests into composition and sound design for screen.
Chiara’s work now ranges across composing and producing music and sound design for film and commercials, creating electronic music for live performance, composing soundscapes for immersive environments and art installations, and the experimental use of field recordings with analogue and digital synthesis.
Over her DJ career, Chiara has performed at a range of venues across Melbourne, supporting international DJs such as Robert Hood and Ben Sims, as well as appearing at White Night, Melbourne Music Week, L’Oreal Melbourne Fashion Festival and Dark Mofo in Hobart.
In the past year, Chiara has continued her interest in musical composition, performing and DJing while also gaining practical audio engineering experience at GASinc, one of Melbourne’s leading sound design and music companies.
Chiara is currently producing music for picture at the Electric Dreams studios.

felixsmusic.bandcamp.com
instagram: felixsmusic

Record Label out of Dallas Texas






@felixsmusic
@ohliveosun
@ghoulfive
@bylrdby
@jonbap
@blaquedynamite
@ethan-worland
@ramitripled
@benjaminh-1
@plaxicotaxaho
@jordan-walker-220
@RPBGV

Many more dj K-mart mixes here:
http://www.mixcloud.com/djkmart/


A deep fascination with interspecies communication, macro psychologies, and experimental electroacoustics fuels my passion for sound arts. I seek creative surfaces with which to carve alternative paths to waking consciousness, triggering paramnesia of the instinctual self, and excursions into sanative noise. I work with an array of open-source audio programming languages and live coding environments, along with analog hardware, and software audio platforms. Most of what is here are snippets and unedited raw versions of my latest experiments designed and played in Supercollider.

Faun A is following