lilac wine. rest ing peace. i'm really sorry.

Lilac Wine

La F. R. de 1789 est considérée comme l'un des tournants politico-sociaux les plus importants de l'histoire européenne. Elle a aboli le pouvoir absolutiste et les prérogatives de la noblesse et de l'Église et les a remplacés par l'état civil. Les causes de la R. F. étaient de profonds malaises sociaux et économiques (famines, insolvabilité de l'Etat). L'élément porteur de la F.R. fut l'Assemblée nationale française, qui adopta en 1789 la Déclaration des droits de l'homme et du citoyen. En 1793, les objectifs de la F.R. furent résumés en un mot-clé dans la revendication de Liberté, Égalité, Fraternité (Lien interne:Liberté, Égalité, Fraternité) et devinrent un slogan qui fut porté bien au-delà de la FRA et eut des répercussions dans presque tous les États européens. L'interdiction de ce slogan dans les provinces prussiennes du Rhin se répercute encore aujourd'hui dans le carnaval bourgeois et le chiffre magique ELF (Égalité, Liberté, Fraternité), qui ne pouvait pas être interdit : Sinon, pourquoi la révolte des imbéciles (= citoyens) commencerait-elle toujours le 11.11 à 11 heures 11 ?

The F. R. of 1789 is considered one of the most important political-social turning points in European history. It abolished the absolutist rule and the prerogatives of the nobility and the church and replaced them with the bourgeoisie. The reason for the F. R. were profound social and economic grievances (famines, insolvency of the Internal Link:State es). The French National Assembly, which adopted the Declaration of the Rights of Man and of the Citizen in 1789, was the supporting element of the F. R. In 1793, the goals of the F. R. were summed up in the demand for Internal Link:Liberty , Internal Link:Equality , Fraternity (Liberté, Égalité, Fraternité) and became a slogan that was carried far beyond FRA and had an impact in almost all European states. The ban on the slogan in the Prussian Rhine provinces continues to have an effect today in the civic carnival and the magic number ELF (Égalité, Liberté, Fraternité), which could not be banned: Why else should the revolt of the fools (= citizens) always start on 11.11. at 11 o'clock 11?

RÉSISTANCE

Blueprint for track that became 'Sandycove Milk'.

Inspired by wondrous music by Conin, whose track 'Kitty's Wake' reminded of the rich clay of Joyce's 'Finnegan's Wake'. This track, about the opening pages of Joyce's Ulysses, borrows coffee spoons, forever those of T.S. Eliot, in an effort to add sweet milk...drawn from the milk-well of honeyed Sandycove.  The lyric speaker is, notionally, Stephen Daedalus. For practical purposes, the lyric speaker is James Joyce himself. His aim? To hit Haines for a guinea [a pre-decimal unit of currency] before heading to France on a ferry. Whilst Haines still feels guilty (sheepish) about having fired his pistol at an imaginary cat he thought he saw in the fireplace in the Martello tower in Sandycove (now the Joyce Museum....a sacred...magical place, whose attendant Joyce scholars told me about the Haines' imaginary cat episode....it is all true...yet also dovetails eerily with the first chapter of Ulysses).

The reference to Haines having consumed Absinthe is a narrative fiction, invented to offer an explanation for his dangerous behaviour. No peer reviewed evidence capable of demonstrating Absinthe has hallucinogenic properties, exists, to my knowledge.


Lyrics

[chorus]
Gotta learn me some Italian
Gonna get me a guitar
Gotta learn me some Italian
Gonna get me a guitar

Hellenise me now
She come and go
talking bout Michelangelo
there will be time
there will be time

do I dare to eat a quiche?
I shall wear enchanted trousers
and float upon the beach

I’m still dreamin
something happened last night

Haines downed a snot-green bottle of Absinthe
started shooting at his Schrödinger's cat
in the fireplace
looks real sheepish this morning
gonna hit him for a guinea [a pre-decimal unit of currency]
and get outta here
gliding on the Emerald sea
to Paris
with Haines’ guinea in my pocket
when I’m at sea

gonna go uptown now
hitting the top deck of this here Martello
gonna watch the mailboat
glide on an Emerald sea
gonna rest my shiny elbows
on the jagged granite
just leavin the harbour

and here comes stately Buck
bearing a bowl of lather
crossed razor and mirror as well
holding the bowl aloft
and intoning...intonin

Introibo ad altare Dei
sacred chalice
sacred cross
and now I’m lookin at the sea
Thallata...sweet mother
Hellenise me
mailboat clearin the harbour
rage of Caliban inside me
cos of Haines....[firing a gun inside the Martello tower when drunk the night before, at a giant cat he imagined was sitting near the fireplace]
sweet Thallata
buttercups on the quilt
powdered musk and gauds of amber beads
calm now like the sea
there will be time
there will be time

Martello

This is a song which my dear friends, Kenneth Karasek, Chris Maness, Joshua Clary, JJ Terell and Tez  made this solid and very nice
Love those guys !!! Check em all out they are really special and ooooh so good !!!!
Thank you Folks !!!

Romance with Kenneth Karasek,Chris Maness, Joshua Clary,JJ Terell and Tez

No title for this one yet,so all suggestions welcome.

Careless and immortal
Time goes drifting by
Turning full circle
No time to say goodbye

I foolishly imagined
We'd go on and on
I never knew what we had
'Til it was gone

Behold the gift of hindsight
If only we had known
Contempt for our birthright
Trouble is homegrown

I foolishly imagined
We'd go on and on
I never knew what we had
'Til it was gone

Project 27.05.23

Trings

DOOWINIT (music: Mark Paton / words: Justin Paton)
Recorded on 4-track tape, London 1997
* Justin Paton: voice, guitar, keyboard & percussion
* Mark Paton: keyboard & percussion

an introduction to The Fear Of Muzak

Doowinit (1997)

Funky Man jam

Timeless

To our son

01 - Spitfire Audio - Ólafur Arnalds Stratus - Rhythmic Attacks
02 - Spitfire Audio - British Drama Toolkit - Ensemble - Woodwind Ens Long
03 - Spitfire Audio - Woodwind Evolutions - A simple Start
04 - Sonuscore - The Orchestra Complete - Grand Piano Lib Open - Grand Piano Lib Closed - Viola Staccato - Double Bass Pizzicato

Part Two coming soon... 😉

Short Music For Marc L. - Part One

ATRIUM .

The Fear of Muzak originate from the UK and were active in the early 1990s gigging mostly in London. More recently they have been recording new music which has been released on the Beauty and Disgust net label as an album entitled 'After Faze Hokum' on 5th December 2022.

Doowinit (1997)

The Fear of Muzak

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