Experimental Works

Composition from the first year of course in electronic music for Conservatory of music 'Santa Cecilia' (2013).
All sounds were taken from a first model of Ford Focus with Zoom H1 and have been processed with Max/MSP and Adobe Audition. Mixed & Mastered in Logic.

Focus

Composition from the second year of course in electronic music for Conservatory of music 'Santa Cecilia' (2014).
Both instruments have been recorded at Cosecomuni Recording Studio: for the double bass I used AKG 414 and Neumann U87, for the Hang Drum AKG 414 and SE4 stereo pair. 
Electronic sounds have been generated by processing the instruments with Max/MSP. Mixed & Mastered in Logic Pro X. 

A very special thanks to the performers:
Luca Bertelli - Hang Drum
Andrea Passini - Double Bass

Incontrhang

Multimedia composition from the third year of course in electronic music for Conservatory of music 'Santa Cecilia' (2015).
Instruments: transverse flute, clarinet, concrete materials. 
All sounds have been processed with Adobe Audition, Ableton Live. 
Electronic sounds have been generated by the processing of instruments records with Max/MSP. Mixed & Mastered in Ableton Live.

Link to video: https://vimeo.com/147315931
Video and video FX made with Adobe Premiere, Processing and Max/MSP Jitter.
Thanks to Mitch Martinez for HD Free Stock Footage (mitchmartinez.com)

Vertigo

«Berlin is a city that has always been condemned to become and never to be», so in 1910 German art critic Karl Scheffler had already written, even if he could not know the tragic future of the city. "Der Traum-a" is a tripartite multimedia composition for electric guitar, classical guitar, soundtracks and live electronics that tells, at its various stages, perhaps one of the most important of these becomings: the transition from the destruction of Berlin through bombings between 1943 and May 1945 until the very first postwar period in July 1945.
The grammatical dichotomy in the title between the German word Traum and the Italian Trauma is the interpretative key of the composition itself. From a personal reflection, I have come to assimilate the destruction/ rebirth of the city to what can be a real post-traumatic processing path that finds a prospect of re-starting in the dream.
Maybe never anywhere as in Berlin the alternate destinies of history came to the meeting. Berlin has experienced continuous transfigurations because of the endless battles that have taken place in its territory and that have made it the protagonist mutating it forever.
Link to the video: https://www.youtube.com/watch?v=SvISomORJnM 
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I would like to thank particularly Flavio Nati for having performed the composition and the Film Archive of Berlin Chronos Media for having kindly let me use their original video reels

Der Traum-a

‘Kosmos’ is an acousmatic audiovisual composition made from concrete materials and synthetic sounds, designed with granular synthesis. The soundscape is created by home-made and sound-field recordings and additional processing including granular synthesis, convolution reverbs, delays, and glitch distortions. Worked in Ableton Live.

Video footage was personally recorded with a microscope camera then edited and composed to fit with the music: https://youtu.be/zUFu3MFZgTA

Kosmos

Media Composer, Music Producer, Sound Artist

Experimental Works

Federico Coderoni