I was a tad confused by the directions for this one. It says to re-do the algorithm with two notes. But I can't use notes that are unused in the second iteration, because all notes are already used when you add the two melodies together. So I tried adding different diads, then triads, then 4 note chords, making sure when replacing chords to use ones never used before. I ended up making them semi-arpegiated chords and squeezed all the notes for each note in the melody in the time frame it already took up.

After that I hooked the whole thing up to my modular system and added some extra noise.

This project was done on stream: Check out the videos:
https://www.twitch.tv/videos/399592453
https://www.twitch.tv/videos/401191622

Amalgorithm [disquiet0377]

Hi there. This is a profile dedicated to tracks I made with a groovebox called the Deluge. 
Electro, Drum & Bass, Techno. 

YT playlist:
https://youtube.com/playlist?list=PLeBKC5Rq7dFRNd1GJb-4XiwVV3qU6tYrj

Free samples & Deluge tutorials:
https://www.youtube.com/playlist?list=PLeBKC5Rq7dFQZ_fT6R4PCo69VScaV9nPO 

More music:
https://roman303.bandcamp.com/  Sound Archive
https://www.mixcloud.com/roman_hats/ Live acts & DJ mixes
http://soundcloud.com/amiga-trax/ Old protracker works
http://soundcloud.com/amiga-games/ Dedication to amiga game music

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Dark, Electronic, Ambient, Experimental, Retro, Post and Drone.
HypoidSound@YouTube

Sonic exploration and creation from Seattle, Washington. Discovering new materials, patterns, and concepts for music composition.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

I create sound collages and experimental noisescapes /musical tinkerings - interweaving influences and inspiration from many sources including field recordings, sound design, techno and ambient.   

Thanks for visiting my page...
Associated projects here: @idxxiii &
@id_23

Amalgorithm [disquiet0377]

Feldspark