all best in 2022 Felix, as usual great sounds.

Dock Squeaking  at Seminole Rest (Florida) during the night. 

Recorded by an ORTF Schoeps,  mixed with a geofon Lom and an Aquarian H2a hydrophone.
on a Sound Devices MixPre6
Original recording in Wave 96kHz 24bit
Done during a residency at ACA Soundscape Fieldstation at Canaveral National Seashore in December 2021

GPS : 28.871296, -80.836791
Sound Ref : FL-211216-008

Squeaking dock on the lagoon, during the night

Opening of Act 4, Scene 1 from Rameau's 'Dardanus'
Harpsichord and MIDI input performed by Satoko Doi-Luck, programmed and edited by Neil Luck.

Realised mostly on a Buchla 200 modular system, captured at EMS Stockholm.

Project supported by the RPS Enterprise Fund

Rameau - Dardanus

29.10.2022    Partitions & Resonances #4 

Sarah Davachi  ”If It Pleased Me To Appear To You Wrapped In This Drapery”  - version for Harmonium, Violin and Cello
Live at Audio foundation

Rosie Langabeer, harmonium
Tahee Kim, Cello
Johnny Chang, violin

Recorded and mixed by Jeff Henderson

Posted with permission from composer

Sarah Davachi "If It Pleased Me To Appear To You In This Drapery" (Live @ Audio Foundation)

6“ Lathecut flexicard of one song by Delphine Dora

Fifth postcard of the series,
this singlesided flexi is playable on most turntables.

19 copies only
comes with one pretty little silver badge

https://mmli.bandcamp.com/album/dilatation

Delphine Dora - Dilatation

Abby Lee Tee/Philip Sulidae, Troca Iônica

Jeph Jerman/Ted Byrnes, Passenger

À l’aube,
Un petit duc sonne la cloche du village et réveille les rossignols,
Solo de mobylette qui dessine le paysage,
Un bourdon drague un saxophone,
L’eau capricieuse se fraie un chemin jusqu’au vignoble d’un mélomane, 
Le boulanger guette le vent…
Au commencement était le son.

Avec la participation de Vincent, Georges, Stéphane, Victor, Emma, Jacques, Marc et Myriam.

Création sonore collective réalisée par Ana Sany, Anaïs Binggeli, Celia Dessardo, Cicely Fell, Déborah Benarrosch, Irazema Vera, Jacob Redman, Léa Roger, Marie Casanova et Mathias Arrignon.
@kovisuel @cicelyfell @irazeman @lea_roger @user-653640218

Réalisée durant le stage de prise de son animé par Félix Blume à Azillanet (Avril 2023) dans les locaux du Couvent géré par le Foyer Rural d’Azillanet.

Remerciements à Nicolas Darzacq, Sara Lana, Martine Rousseaux, les membres du Foyer Rural et la Mairie d’Azillanet.

Le Chòt

Excerpt from Rebecca Lane & Clara de Asís "Distances Bending", live at Oscillation festival, Brussels (BE), 29 April 2023.

A collaborative composition by Clara de Asís and Rebecca Lane deriving from a series of encounters and explorations throughout different times, spaces and forms.

Distances Bending is an ever-expand­ing pro­cess — a build­ing up, dis­tilling, and mir­ror­ing of mater­i­als par­tic­u­lar to each artist, respond­ing to and inhab­it­ing a space over mul­tiple hours or days. A repeated time struc­ture, a tem­por­al loop that is altered through upwardly evolving ration­ally-tuned fre­quen­cies, vari­ous flutes (whose size, timbre and shape cor­res­pond to these fre­quen­cies), elec­tron­ics, and chan­ging light, the piece cre­ates a subtle space where per­cep­tion is transformed.

Rebecca Lane: flutes, organ pipes, whistles
Clara de Asís: synthesizer

Rebecca Lane & Clara de Asís / Distances Bending (Excerpt) – Live at Oscillation 2023

from KR113: David Wallraf - The Commune Of Nightmares
lim.ed. tape / download out on january 26th 2024

The Commune Of Nightmares

DAVID WALLRAF - He Bit His Tongue In His Sleep

Live concert at Tyska kyrkan, Stockholm. 3/10/14
Performed by Johan Graden and Marcus Pal.

DISQUIET (heart)

becoming sounds - 30 objects 10 minutes is a book and sound project.
http://www.rienakajima.com/becomingsounds.html

becoming sounds - 30 objects 10 minutes

Félix Blume is a sound artist and sound engineer. 
His work is focused on listening, it invites us to live sonic experiences that enable a different perception of the surrounding. He uses sound as a basic material in sound pieces, videos, actions and installations. His process is often collaborative, working with communities, using public space as the context within which he explores and presents his works. He is interested in myths and their contemporary interpretation, in human dialogues both with inhabited natural and urban contexts, in what voices can tell beyond words.

Squeaking dock on the lagoon, during the night

felixblume

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