Hi Felix, I love this recording, such a musical train! I'm going to use a sample of it for a spectral piece I'm writing.  Thank for sharing! s

Hi Felix ! I've used your sample in one of my compositions : https://soundcloud.com/melski44/voyage-to-wirikuta. Thanks for sharing :)

I'm a music producer. I love this recording -- would it be okay if I used it?

Maybe I should've told you before, but I used the second half of this audio for a video a made. The credit is obviously explicit, and also references to your site. What do you think? http://www.youtube.com/watch?v=SND4qByiO2g

Here are all the sounds I have uploaded on SoundCloud.
Some other sounds to listen on www.felixblume.com
You will find more sounds on http://www.freesound.org/people/felix.blume/

All best 

Felix

ALL THE SOUNDS

Original Music by :
https://soundcloud.com/didemcoskunseven

Didem Coskunseven & Paral·lel - A Handful Of Sand

EP A10
https://akitomisaki.bandcamp.com/album/a10

ead #1

Heroic loneliness

Destiny is a piece made from electronic audio materials created on an analog modular synthesizer following simple processes on signal treatment and the choice of a restrict palette as an aesthetic constraint, while keeping both an overall organic expressivity and a slightly des-articulated quality at the edge of compositional agency.

Variations and antecedents of this piece have been performed live in various electronic music festivals and events. The definitive version is a part of Sisbiosis, a collaborative album put together with the artist and musician Ryoko Akama, released in 2022 on Erstwhile records (US).

https://erstwhilerecords.bandcamp.com/album/sisbiosis

Destiny (Excerpt)

Some toads are singing during the night close to Namur, in the countryside. This toads are calling "midwife toad". Some cricket and road in background sometimes.

Sound recorded by a MS setup Schoeps CCM41+CCM8
Sound Devices 788T recorder with CL8
MS is encoded in STEREO Left-Right
recorded in july 2014 in Belgium, close to Namur,
Sound Reference: @BEA140722-002

more sounds on http://www.felixblume.com/

Midwives toads screaming at night in Belgium's countryside during the summer

Los Gritos de Mexico, soundscape of Mexico City is a 30min sound piece by Félix Blume. 
http://www.felixblume.com/losgritosdemexico
A shorter version is available on Arte Radio. 
https://soundcloud.com/arte-radio-1/los-gritos-de-mexico
Download in Wave 48kHz 24bit on Freesound 
https://freesound.org/people/felix.blume/sounds/260680/

This piece receive a special mention during the "Bienal of Radio from Mexico" and has been broadcasted on more than 30 radio, web-radio and on the Radia Network.

RESUME:
Mexico City: more than 20 millions people gathered making noise!
A noisy city for most; I would like to transform it in a sonorous city.

The street sellers make the voices of the polyphonic choir, the small bell from the ice cream seller substitutes the triangle from the orchestra, and the hammering of the protesters on the metallic wall are the percussions.

In Mexico City, people shout to be heard, they shout their rage against the cops, they shout at the ‘lucha libre’ fights, they shout together ¡ Viva Mexico ! to feel united, and during a demonstration they also shout ¡Viva Mexico ! People shout in church, they pray together or alone, whispering in the silent night.

The thunder booms: nobody can shout at the storm, and the rain cleans the silent city.  A solo voice after the rain, and the choir resumes gradually. 

People sing to forget and the shouting starts again, louder, so that the others don´t forget.

The water flows under the city, the forgotten lake is mourning; it remembers when the city was an Island… On the top, it is too noisy, underneath, the water keeps in silence the secrets of the past.

INTENTION
Most of the people in the world live in cities. The daily soundscape is in most of the case a continuous sound of traffic, close or distant. Mexico City has a series of sounds added to the background which make the specificity of the city: the cries and sounds of the street sellers are in most part responsible.
In the past, most cities had their own cries (as some classical music can testify, like ‘Les cris de Paris’ from Janequin). In Mexico City, this tradition has persisted until today,  but the government and general opinion is not in favour of them: street sellers are each time further away from the touristic center, advertising campaigns are done to make them disappear from the subway, and police operations block their access to the streets.

I would like to pay tribute to these Criers through a soundscape of Mexico City, that will become a sonorous memory of a time that sooner than later will disappear.

Los gritos de Mexico

Electric Storm on the top of the mountain Chacaltaya in Bolivia. 
The "static electricity" is going up (and doing interferences in the microphones)until the thunderclap(very close).

Sound recorded by a MS setup Schoeps CCM41+CCM8
Sound Devices 788T recorder with CL8
MS is encoded in STEREO Left-Right
recorded in october 2014 in Bolivia, on the Chacaltaya Mountain,
Sound Reference: @SAM141022-29
Wave, 48khz, 24bit

more sounds on http://www.felixblume.com

Electric storm on the top of the mountain

A saturday afternoon in the small village of Coroico (Yungas, Boliaiva), people are looking and betting on the fight of the roosters...

Sound recorded by a MS setup Schoeps CCM41+CCM8
Sound Devices 788T recorder with CL8
MS is encoded in STEREO Left-Right
recorded in october 2014 in Bolivia, in Coroico
Sound Reference: @SAM141018-008
Wave, 48khz, 24bit

more sounds on http://www.felixblume.com

Cockfight in Coroico, Bolivia

heat in waves ̶
in the stones
angry reverberations

Katō Kyōtai was a poet from Nagoya who entered the world of haikai in 1759. His work shares with Buson a careful observation, not just of nature itself, but also of the complex emotions and reactions that characterize human existence.


To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Heat In Waves (naviarhaiku541)

want to be absorbed

Inoperative System & Senglar - Snare Friend

EOD - Chloramphenicol

SenSen - Formiga

A train is passing by in the small town of Wuadley in the Wirikuta Desert (Mexico, State of San Luis Potosi SLP). Train horn and railway vibration at the beginning (recorded by the contact microphone).

Sound recorded by a MS setup Schoeps mixed with a contact microphone
Microphone CCM41+CCM8
Contact Microphone Aquarian H2aXLR
Sound Devices 744T recorder
MS is encoded in STEREO Left-Right and mixed with the Contact Microphone
recorded in july 2012
sound is in 96kHz

Same sound on freesound on
http://www.freesound.org/people/felix.blume/sounds/166086/

more sounds on http://www.felixblume.com

Please rate the sound or comment it if you like it !

A train is passing by in the Wirikuta Desert (Mexico)

Félix Blume is a sound artist and sound engineer. 
His work is focused on listening, it invites us to live sonic experiences that enable a different perception of the surrounding. He uses sound as a basic material in sound pieces, videos, actions and installations. His process is often collaborative, working with communities, using public space as the context within which he explores and presents his works. He is interested in myths and their contemporary interpretation, in human dialogues both with inhabited natural and urban contexts, in what voices can tell beyond words.

A train is passing by in the Wirikuta Desert (Mexico)

felixblume

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