New album "Ultra Marshes" out now on Flaming Pines / UK
https://flamingpines.bandcamp.com/album/ultra-marshes

Andrey Kiritchenko is a person known among experimental music fans as author and contributor of various critically acclaimed projects, founder of Nexsound records, director of NextSound festival, producer who has contributed his significant share into the development of electronic music scene in Ukraine.

Born in 1976 in Kharkiv / Ukraine and started his musical career in 1995 as a singer / song-writer in a local rock band. Being involved mostly in experimental electronic and electroacoustic music for the last 10 years, Andrey gains recognition among the musicians and followers of this style all over the world. His recent activities range from indie-pop to free-improvisation, from melodic electroacoustic music to experimental techno.

So far he collaborated with Francisco Lopez, Kim Cascone, Martin Brandlmayr(Radian, Trapist), Anla Courtis, Jason Kahn, Jeff Surak, Saralunden, the Moglass and others; remixed by Andreas Tilliander/Mokira, Frank Bretschneider, Mikael Stavostrand, Frans de Waard/GOEM, Brian Lavelle, Scanner, Marcus Maeder and others; under all aliases he released more than 50 albums on labels such as Staalplaat, SPEKK, Ad Noiseam, Nexsound, Zeromoon, Bip-Hop, Neo Ouija, etc.; in 2006 nominated by Qwartz Electronic Music Awards in categories Discovery and Most Promising Artist, awarded in category Discovery; in 2006-2007 curates Detali Zvuku international festival for experimental music and related visual arts in Kiev; in 2007 participates in Ukrainian exhibition on the 52th Venice Biennale; in 2008-2009 curates Ukrainian magazine for contemporary music – Gurkit.

A project of Psychological Sound Environments (心理楽）

Noise landscapes resound off of the listener's experience and perception and creates a personal aural culture within the pieces. 

Listen closely and you may hear extra sounds that your mind creates from the music（想像音） 

A first full album（心理楽）is available at Color-Music for free download (under the artist name "New Lepers Ensemble"). 

The second release (The Sea was Screaming) was released on Field Noise Records. 

A generative album is being constructed. 

All music released on Soundcloud is under a Creative Commons License (Attribution Non-Commercial). 

Please feel free to give new perspectives and thoughts on these sounds. Waveforms held in different hands are always interesting. 



Noise Lake is associated with:

Field Noise Records
http://www.fieldnoiserecords.com

Wholesale Meat Music (Adelaide, Australia)
http://www.wholesalemeatmusic.com

Color-Music (Tokyo, Japan)
http://www.color-music.com

crys cole is a Canadian sound artist working in composition, performance and sound installation. Generating subtle and imperfect sounds through haptic gestures and seemingly mundane materials, she creates texturally nuanced works that continuously retune the ear.

cole has performed in Canada, Japan, Australia, Thailand, Singapore, the USA, UK and throughout Europe. She has ongoing collaborations with Oren Ambarchi (AU) and with James Rushford (AU) (under the name Ora Clementi). She has also worked with Francis Plagne (AU), Leif Elggren (SW), Tetuzi Akiyama (JP), Seiji Morimoto (DE), Jessika Kenney (US), David Rosenboom (US), Annea Lockwood (US/NZ), Keith Rowe (UK), Lance Austin Olsen (CA), Jamie Drouin (CA), Mathieu Ruhlmann (CA), David Behrman (US), Tim Olive (JP/CA) and many more.

Cole’s work has been published on labels Black Truffle (AU), Penultimate Press (UK), Ultra Eczema (BE), caduc (CA), Bocian (PL), Another Timbre (UK) and Infrequency editions (CA/DE). With guest appearances published on Touch (UK) and MeGO (AT).

She has exhibited her work in Canada, Russia, Czech Republic, Germany, Denmark, Sweden, the UK and Thailand.

Must Die Records is a DIY record label based in the north of England. Dedicated to promoting experimental and DIY music we offer free downloads and cd's at cost.

See more here:
http://www.mustdierecords.co.uk

Experimental sound, published poet and visual artist, I have Aspergers and am synaesthetic so experience the sensory world in a very different way.  Always interested in minimalist and sequenced music since an early age I have been making 'computer sound' since 2007 using granular synthesis - Also an obsessive interest in hardware synthesizer designs, models and process. Showing sound and poetry work in 2011 led to requests to show on a wider scale. I am just starting to make a sequenced serial music score and installation with an Analogue Modular for a neuroscience art science project.


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