رحم الله مسلمى الأندلس 💔

What could be better than this? ☺ Loving it! (As usual).

from "Canciones españolas antiguas" (Federico García Lorca )
soprano: U.Tervoort
guitar: F.Hiemenz
-----------------------
live in concert
Eichenau/Germany 
'93
more from this concert :
"La Tarara" (Lorca): https://soundcloud.com/fhgitarre/la-tarara-ut-fh
"¡Viva Sevilla!" (Lorca) : https://soundcloud.com/fhgitarre/viva_sevilla-ut-fh
"Bachianas brasileiras Nr.5" (Villa-Lobos): https://soundcloud.com/fhgitarre/bachianas_brasileiras_no5-ut-fh
"Alle mie tante lagrime" (Mauro Giuliani): https://soundcloud.com/fhgitarre/alle-mie-tante-lagrime-ut-fh
-----------------------
recorded by D.Hackenberg
(edited with Wave Lab 7 by FHgitarre 2014)
-----------------------
original artwork:  John Bagnold Burgess (detail)

Las morillas de Jaén (F.García Lorca)- U. Tervoort & F. Hiemenz [live]

André Rieu - And The Waltz Goes On

لا نعرف متي تنتهي رحلة تطول....!

Soufi music - موسيقي صوفي

Rajul - Manfred Leuchter & Ian Melrose

Ishtar Poetry by Furat Qaddouri

Unis Abdullaev - Gentle Dawm

This bright uptempo 7/8 tune is in the Maqam ‘Ajam, which is similar to the Western major key. Meaning, more or less, non-Arab or foriegn, it was written by Prunka when a former bandmate said he wanted to have some more contrast in the repertoire. Just to keep things interesting, the tune modulates to the stereotypical Arabic maqam Hijaz for Herrera's saxophone solo.

Brian Prunka: oud, composition
Kenny Warren: trumpet
Nathan Herrera: alto sax
Apostolos Sideris: bass
George Mel: cajon, ride cymbal ,snare drum

‘Ajam

JUAN COLE Wrote describing Belaaks "One of the more original Arabic music albums of 2009 was Jean-Marie Riachi’s “Belaaks,” a hybrid of jazz, gypsy, Latin American and other influences performed by some of today’s leading Lebanese singers. The CD exemplifies the role of Beirut in not just transmitting culture between east and west but in achieving creative syntheses that underline the more positive side of globalization.

The title single– “Belaaks” [On the Contrary]- Arab jazz from – Jean Marie Riachi Feat. Rami Ayach & Abir Nehme — is an Arabic version of of the 1947 hit, “Quizás, Quizás, Quizás,” by Cuban songwriter Osvaldo Farrés, which has been covered by many artists, including Cole Porter, Doris Day, Celia Cruz, Samantha Fox and the Pussycat Dolls."

Belaaks Recorded at JMR studios - Beirut and studio val d'orge - Paris
Mixed By: Xavier Escabasse at JMR studios
Mastering: The big sound by florent sabaton
concept, design and art direction: Lama Riachi

04 Hymne A Lamour

11 Bhebbak

Maktoub Trio is Founded by renowned Percussionist/ Ayman Mabrouk, Oud Enthusiast/ Ahmed Maher, Accordion player/ Wael El-Sayed, putting their talent together & exploring a new genre of music that is true to Classical Arabic music and Jazz's real soul.. Beats & live improvisation.

Maktoub Trio Live  - Kaff

لقد صار قلبي قابلاً كلّ صورةٍ
فمرعى لغزلان وديرٌ لرهبان وبيتٌ لأوثان
وكعبةُ طائفٍ وألواح توراة ومصحفُ قرآنِ
أدين بدين الحبِّ أنّ توجّهــت ركائبه
فالحبُّ ديني وإيماني

Amina Aloui - Adeen Be Deen Al Hob         أمينة علوي - أدين بدين الحب

________ ! @  Welcome @ ! ________

This channel is collecting the
recordings in which I took part
through the years as a guitar-
player. The great ones as well 
as those which are just not bad 
enough for the ashtray. 
If you like some of them, you're
welcome to let me know it. ;-)

¯¯¯¯¯  Thank you for visiting  ¯¯¯¯¯ 

*********************************
Some of my recordings
are free for download
(wav format, no mp3
compression!)
http://soundcloud.com/fhgitarre/sets/free-downloads/
!! If you use one of them for 
videos or other web content 
please give credit with a link
at this soundcloud channel !!
*********************************
Frank Hiemenz
- at soundcloud since Feb. 2012 -

Las morillas de Jaén (F.García Lorca)- U. Tervoort & F. Hiemenz [live]

FHgitarre-classicalGUITAR

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