AB Playlist 151 The latest songs from these fantastic Artists & Bands.

AB Playlist 151

The Fabulous Crew Of The 7 Seas of Sounds - 
I'm A Fool To Want You // 111 First Beeps 
/
What an amazing journey these last two months have been—one that would not have been possible without your support. Love you all! You know who you are, whether you appear in this first playlist celebrating you or not (yet).
/
** / **  The Fabulous Crew Of The Seven Seas of Sounds   ** / ** 
/
An odyssey through waves of rhythm, melody, and soul — celebrating the fearless voyagers of SoundCloud who hold space for the unheard, the bold, and the brilliant.
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Join the Captain and Enigma as they navigate the seven seas of sonic wonder, gathering the finest creators, remixers, and dreamers. This playlist is a tribute to the fabulous crew — the artists, producers, and fans — who keep the music alive, vibrant, and ever-expanding. From deep bass currents to soaring vocal tides, every track is a beacon lighting the way for those sailing the vast SoundCloud ocean.
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The Fabulous Crew Of The Seven Seas of Sounds - I'm A Fool To Want You // 111 First Beeps

AB_REPOSTS Playlist 156 The Latest songs from some fantastic
Artist's/Bands and a few of my own.

Playlist 156

Friday, July 25th, 2025 –
HIGH NOON / Da House is Burning 🫵🏽*💥*🙇🏻*🔥*⭕️*🎧*🧨*🎏*❤️‍🔥*🙏🏽*🫵🏽*🎧

    share, like, repost – speak out

    AND drop me your tune to add to the serious play play list and - even better  - initiate your own! 

/ BIG shout-out to brother Kinelle Man ( @kinelle-man ) for initiating the spark to light the fire and blow the horn for unity, love, and awareness – not divide, not numb blindness
/
/
/ ❤️❤️❤️

Friday, July 25th 2025 - HIGH NOON / Da House is Burning.......... 🫵🏽*💥*🙇🏻*🔥*⭕️*🎧*🧨*🎏*❤️‍🔥

The New Age is hear for you - no typo

2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 

.--..--.. YOU HAVE NOTHING TO FEAR .--...-..-. YOU HAVE NOTHING TO FEAR - 
KEEP CALM - KEEP WALKING - KEEP CALM - KEEP WALKING - KEEP CALM - KEEP WALKING - 
.--..--.. YOU HAVE NOTHING TO FEAR .--...-..-. YOU HAVE NOTHING TO FEAR - 

2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 

relax

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2030 - YOU HAVE NOTHING TO FEAR YOU HAVE NOTHING TO FEAR - KEEP CALM

Interpretación y arreglos : Jesús Flores.
Producción y Mazterizacion: Arturo Guevara G.
The Noise Infection Studio

Popurri Cepillin

THE ICE AGE

24070701 MERCURY

It's FellPeepz Friday!!!!!!

Dynamo-P and FellPeepz just snapping on a beat from Hear Me Beats. Enjoy!

Dynamo-P: https://on.soundcloud.com/u5xkcNcQWu2tJB3Z6
Hear Me Beats: https://on.soundcloud.com/PWGKngWhJY7qZKMb8

House Of Dragons Ft. Dynamo-P (Prod by Hear Me Beats)

Mirrors

You Don't Need 'Em

technelligence offers a take on the dub techno genre, if you enjoyed this, check out the video clip at
https://youtu.be/na2rlfcBFVA

distant moons

Original song: @neowakan  - Silent Preach
---
10-12-24

Silent Preach

78_ Warning for Our Own Egoism - released on 15 April 2025 only on SoundCloud

What came to my mind in connection with the last election in Germany and was additionally inspired by Well's Sound of his “222" (https://on.soundcloud.com/ENju9cc1cmhc1H618): The only real existing problem we have in the world is egoism. We moan about how badly off we are, that everything is so expensive and that we can all do politics better than any others! ...instead of taking a step back and doing everything we can to make things better for our children and grandchildren. But that would mean that we would have to make concessions and take back our ego. That's just not on! 😮‍💨🫣 How dishonest it is to say that we are doing everything we can to make things better for our children. I can't really recognise that! 😔 #ambient #nodrums #onlybasses #trance #liverecording

(produced with BlocsWave & LaunchPad)

Warning for Our Own Egoism

Burning

Merveille fusion entre Hanz et moi,realisé au clavier pas de samples!
drum moi !
mon film preferé et mon compositeur que j'adore(Hans Zimmer)respect
bisous
Et surtout n'oublie pas que Dieu est lumière, il a le pouvoir de distordre les photons neutrons et Protons de les rappeler à lui et de les replacer.Absence de matières délimitées par la matière.
w

Interstellar

Interstellar Fusion🎧🎧🎧

Take Flight (mix #1)
Step into the sonic slipstream with Three Photons as they unveil "Take Flight"—a soul-drenched journey through warm tape hiss, vintage textures, and melodic uplift. This isn’t just a track—it’s a moment suspended in analog air.


Written and Recorded by TJG May 2025
Written in B-flat Major 😉
Trying for a vintage sound jazz composition. Thanks for listening. 
-------------------------------------------------------------------
Technical Details:
Rhythm Guitar: Gibson ES 175
Lead Guitar: Gibson ES 335
Guitar Amplifier: Fender George Benson Hot Rod Deluxe
Fender pedal board: Line 6 delay
Bass Guitar: Fender Squire recorded with API 505 DI
Mics: a pair of Royer r10 ribbons on guitars
Mic: AEA R44 vocals
Mic preamps: API 312
Spatial effects: analog reverb
Mixer: API 32 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

--------------------------------------------------------------------------------------------
Take Flight

Take flight, you’re on your way tonight
Take time, you’re always on my mind
You’re always on my mind

Dark night, we can’t see stars or light
We can’t see stars or light
We can’t see stars or light

Star light, I’m on my way tonight
I’ll be there, at first light
At first light

Star light, I’m on my way tonight
I’ll be there, at first light
At first light

Take flight

Turn of Time / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 100
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!


Turn of Time / Open Collab Offer

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What if? – The Sea is Wide: How Long We Must Walk Alone // Filling Up Mix
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A meditation on distance, hope, and the long walk across the wide sea.
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from the series /
Book of Romans 2025: Echoes in History, Rhymes Stuck //
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Lyrics written and narrated by fictionalive // music 'Filling Up' written, produced, and provided by mobygratis.com, fully licensed // arranged and mixed by fictionalive // fusion of it all – fictionalive with the popoems series and the hyper media reports // June 27, 2025
//
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let the lotion flow
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fair use only
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What if? – The Sea is Wide: How Long We Must Walk Alone // Filling Up Mix

Defend & Protect

The Lotion, All soaked in—let’s get a little wild. Ready for the next level?  -/- 
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Behind the Madness - The System Unveiled, Pt. 1 // Double Disco Mix
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story, lyrics written and narrated by fictionalive / 
the song 'Double Disco' is written, produced, and provided by mobygratis, licensed / arranged, mixed by fictionalive / artwork illustration by peter uertz, düsseldorf, germany // fusion of it all – fictionalive with the popoems series and the hyper media reports / fair use only / dropped July 2st, 2025 04:59 am central european hot summer time //
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Behind the Madness - The System Unveiled, Pt. 1 // Double Disco Mix

/ : /
/ - micro resonance
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A hypnotic warning for the future—where techno pulses meet the quiet tension of a world on the brink, and every beat asks: are we truly safe, or just almost silenced?
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2030 — You Have Nothing to Fear // Almost Silenced Techno Take
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A sonic meditation on the paradox of progress—a world promising safety and convenience while grappling with the quiet, persistent anxieties of technological power and control. It’s a call to listen closely, to question softly, and to dance thoughtfully in the face of an uncertain future.

2030 — You Have Nothing to Fear // Almost Silenced Techno Take

This title carries a haunting duality—an invitation wrapped in unease. The phrase “You Have Nothing to Fear” echoes with calm reassurance, yet when paired with “Almost Silenced Techno Take,” it suggests an undercurrent of suppression and muted warning.

Set against the backdrop of the year 2030, the track explores a world on the cusp of profound technological transformation. The “almost silenced” aspect hints at voices, concerns, or truths being subdued—whether by societal complacency, censorship, or the overwhelming noise of rapid innovation. It’s as if the techno beat, usually loud and unrelenting, is now tempered, restrained, reflecting a fragile balance between celebration and caution.

Beneath the surface lies the shadow of emerging autonomous AI systems, including weapons once relegated to science fiction. The “silencing” may symbolize the difficulty in confronting these realities openly, or the subtle ways in which critical discourse is drowned out amid techno-optimism.

Musically, the “techno take” suggests a reinterpretation or remix that is both hypnotic and introspective, inviting listeners to move physically while engaging mentally with the complex emotions of hope, fear, and uncertainty.

Alternate version of the original:
You Have Nothing To Fear / Bulldozer Mix
Listen on SoundCloud https://soundcloud.com/fictionalive/you-have-nothing-to-fear-you-have-nothing-to-fear-welcome-to-the-terminator-sequel-bulldozer-mix?si=a8ae6360a09d461a920d8796539af98e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
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The night is alive with possibility—and with questions only we can answer.
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//

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lyrics written and narration by fictionalive

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music written, produced, and provided by 
and courtesy of an author 
who likes to remain detached

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arranged and mixed by fictionalive


/
fusion of it all—
fictionalive with the popoems series and the hyper media reports
cover art by fictionalive

/
dropped July 8th, 2025
11:59 am / dentral european hot summer time


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Dance With Wisdom, Not Mindlessly 

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2030 — You Have Nothing to Fear // Almost Silenced Techno Take

My 2nd beat for the LoopDiggers Sunday Roulette #210!

raindrops (LDSR #210/2)

Lyrics by Tony Harris that inspired Glen are listed below.
Vocals, Music and Mix by Glen Granthem

BACK IN NINETEEN SIXTY EIGHT
HE JOINED A RECORD CLUB
RECEIVED AN ALBUM EACH MONTH
WAS UPSET WHEN LATE

HE PLAYED HIS NEW ALBUM'S
ON AN OLD CONSOLE STERIO
THE DAY HE RECEIVED THEM
COULDN'T WAIT..DON'T YOU KNOW?

(CHORUS)
HE HAS SOME GREAT MEMORIES
FROM THAT RECORD CLUB
NOTHING WAS BETTER
THAN LISTENING TO HIS RECORDS
ON THAT OLD RECORD PLAYER

(INSTRUMENTAL SOLO OPTIONAL)

HE STILL HAS THOSE ALBUM'S
CAUSE THEY'RE SPECIAL TO HIM
BRIAN WILSON AND THE BEACH BOYS
WAS A FAVORITE..REST IN PEACE BRIAN

RECEIVING A TRANSISTOR RADIO
AT A VERY YOUNG AGE 
AND LISTENING WHILE ON THE GO 
MADE HIM FALL IN LOVE WITH MUSIC

(REPOST CHORUS 2 TIMES OPTIONAL)

2025 © Lyrics by Tony Harris

Record Club - Lyrics by Tony Harris - Featuring Glen Granthem - Original

דרך12    Through 12

יואב רבן : בס
עמית אליאסי - תופים ,סינטי - כלי הקשה בונגס
 עופר טיסר - תופים אלקטרוניים  + גיטרה חשמלית 
אלון אבנת -שירה סינטי מילים + קולות
נבו סבוראי - דיבור + מילים
הוקלט  בהופעה במזקקה 
מסטרין : חדר זמני

שיר שחול  תיקשורתי לעזה     media bereavement song to Gaza

i'd like to thank all sc artists who are speaking out .. about a bigger picture than our own musical ambitions. Beautiful Dark, U.Poet, Codex Scrolls, Rock Izy, Fiction Alive, Zone Cruiser, Babalon Anon .. there are so many others.. forgive my recall, i'm emotional today.

Hands in pocket

/ emergency broadcast / emergency broadcast / emergency broadcast /
/
— rollout, transmission, odyssey begins — 

the incoming age of melancholy:
not simply an era nor a season, but the endless twilight borne of every choice and every surrender,
woven from the threads of every generation’s longing—now, at last, unraveling before our eyes.

it begins as a hush—
not even silence, but something deeper:
the collective holding of breath as we pass through threshold after threshold,
unwilling—unable—to look back
at what still burns on the distant altars,
the cost we never counted,
the price we always assumed someone else would pay.

here, the mountains are made not of stone but of unsent messages,
unspoken apologies, unreached hands.
here is the valley of sacrificed afternoons,
where children chase phantoms,
where memory loses its shape under blue electric light,
where elders recall the scent of rain on pages, the music of patience.
here, the rivers are sorrow and the bridges are compromise,
some scorched, some crossed in regret,
most never rebuilt.

who are we, now, on this side of the threshold?
we—the bold, the bruised, the lonely inheritors of immeasurable plenty and exquisite emptiness—
we raise towers in tribute to unseen gods,
wireless cathedrals and temples that promise everything and deliver
only the ache of again, again, again
another update, another offering, another blinking vigil.

in the age of melancholy, every blessing is double-edged.
comfort comes yoked to numbness;
speed, to the erasure of slow becoming;
certainty, to the narrowing of all that is possible
and the slow extinction of wild hope.

“what did you give for this?” asks the old voice inside—
and we hush it with data, with noise,
with things that will never love us back.

our gods are many—everywhere, nowhere—
famous for a season, then discarded,
as fickle as the pulse in a liquid crystal display.
once, gods demanded faith, sacrifice, story and song.
now, they demand only attention—
bring us your tired eyes, your restless mind, your need to be known.
and in return, they give us chains so beautiful,
we praise them as gifts.

but beneath the wafer-thin bounty, the banquet of quick joys—
the shadow:
for every god installed, something sacred is displaced,
every new device arrives with its own silent requirement
that some part of us—ancient, slow, shimmering—must be left behind.

still, we are the ones who choose, trembling though we are—
again and again, at every threshold:
the altar, the new coin of the realm,
purchase paid in what cannot be replaced.

no one warned us that all this ease would cost us ourselves,
that to belong to the gods of now is to mourn what made us human—
the bruises, the breaks, the precious awkwardness of becoming.

what is melancholy, in this thunderous shadow,
if not the noblest form of remembering?
not a sickness, but a wisdom, a refusal to let the soul’s lost countries be overrun
without one last prayer, one last song.

let us be brave enough to mourn,
bold enough for the trembling joy in sorrow—
to sit by the ghost-lit ruins of intimacy and warmth and hope,
and refuse the command to forget.

for in this age, courage lies not in the conquest of new things,
but in the deep humility of honoring what is lost—
the quiet grace of looking back, and bearing witness,
and speaking to the brave few who will listen:

remember—
before the gods of upgrade and speed,
we danced in forests, we bled and healed together,
we built fires for each other’s warmth,
we told stories that did not sell,
and we were not ashamed to love slowly,
to grow bruised and then strong with time.

may we, the humbled .....
........4'000 characters.. there's more to it, sorry....

/ lyrics: fictionalive
/ music: a tiny excerpt of the epic mighty double dutch DJ Set
Kasheme's Local Digger Session w/ Murphy & Cavaliere Spruzzi (Save the Vinyl / monorecords)
https://soundcloud.com/kashemezurich/kashemes-local-digger-session-w-murphy-spruzzi-save-the-vinyl-monorecords

Incoming Age of Melancholy - The Odyssey Begins // The Last Custodians of the Old Music

Recording sessions from 19/05/2024 - 21/07/2025.

***  Nothing to do with a very famous brand!
AUDI in Latin means "listening" and the R "recording"

presets, mixing, processing and editing: Pier WILL.
ALL TITLES ARE DOWNLOADABLE
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony,             SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
#Ambient #Movies #Experimental

AUDI-R_214

/
One of 1,300 Israeli Academics Against War Crimes and Crimes Against Humanity
/
In the shadow of war, more than 1,200 Israeli academics have broken ranks with silence, raising their voices against war crimes and the devastation in Gaza. Their open letters and campus protests put the suffering of Palestinians in the center, naming the deliberate starvation and destruction as crimes against humanity. Professors, scholars, and students stand together—no longer quiet enablers, but truth seekers whose hearts refuse denial, demanding justice and a future where innocent lives are protected. This rebellion of conscience is a spark in the dark, a plea that history must never forgive silence: for the children, for this land, for humanity itself.
/
// music by Garben @Garben with the tracks Piano Pulse N°1 + Vermona

// words by an academic from Israel

// Illustration by Peter Uertz from Düsseldorf, Germany. 
/ Thank you!

// fusion of it all - 
// fictionalive with the popoems seriens and the hyper media reports

/

/

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One of 1,300 Israeli Academics Against War Crimes and Crimes Against Humanity

Be a light
In a world dimmed by heartbreak, rain-soaked mornings, and fading promises, Be a Light is a torch song for the soul. Three Photons returns with a raw, analog-driven anthem that blends indie rock melancholy with cinematic warmth and blues grit.

Lyrically, it’s a journey through loss, longing, and political disillusionment—until the final line flips the script: “Sometimes in your life you need to be the light…” It’s not just a lyric—it’s a call to action.




Written and Recorded by TJG August 2025
A paired down recording – a few sparse tracks and just a few takes….hope you enjoy the vibe. 

-------------------------------------------------------------------
Technical Details:
Rhythm Guitar: Gibson ES 175
Lead Guitar: Gibson ES 335
Guitar Amplifier: Fender George Benson Hot Rod Deluxe on Rhythm; VOX AC15 on lead guitar
Fender pedal board: Line 6 delay

Mics: a pair of Royer r10 ribbons on guitars
Mic: AEA R44 vocals
Mic preamps: API 312
Spatial effects: analog spring reverb
Mixer: API 32 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.
--------------------------------------------------------------------------------------------
Be a light

Why won’t the sun shine down on me?
Why won’t the sun shine down on me?

Wake up in the morning and it’s dark as night
Wake up in the evening and its just rain, rain, rain, 
Rain, rain, rain, Rain on me!

Why won’t my luv be good to me?
Why won’t my luv be good to me?
Why won’t my luv be good to me?

Wake up in the morning and her bags are gone
Wake up in the evening, it’s just a sad sad sad song, 
sad sad song, that’s in my head!

Why won’t the Prez be good to me?
Why won’t the Prez be good to me?
Wake up in the morning and my neighbor’s gone
All I can think, in my mind, is Alcatraz 
It’s in my mind

He’s so far gone, He’s so far gone!!!

Why won’t the sun shine down on me?
Why won’t the sun shine down on me?
Why won’t the sun shine down on me?

Sometimes in your life you need to be the light…….

Be a light

/
You Owe Us - Yes, You've Heard That Right // Chor der Kläger
/

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music is 'Chor der Kläger' from Thee I's @thee_i_s_984629522
Hybrid Symphony Nr°2 - Rivers, Rapids & Mudslides - 02 Adagio 
https://soundcloud.com/kandiaronk-984629522/sets/hybrid-symphony-nr-2-rivers

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Yes, You've Heard That Right // Chor der Kläger
is captured, treated, arranged, mixed, produced, and dropped
by fictionalive

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artwork illustration by Peter Uertz, Düsseldorf / Germany

/


7

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fusion of it all - fictionalive with the popoems series and the hyper media reports

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Dropped urgently on
Tuesday, August 26th, 2025
Time - 2:59 am Central European
Hot Summer Time, Today – not so so much so, a storm is coming

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You Owe Us - Yes, You've Heard That Right // Chor der Kläger

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Trump's Return - The Circus of Democracy // Mediaval Tribal Mix

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music is a soundbed by junglepunx from their work 'microcosm mystics',
excerpts from vivaldi's violin concerto in E/Op. 8/1 RV 269 from 'four seasons' as well as samples from garben's 'germona' and 'leave us broken' provided by mobygratis, licensed

lyrics written and narration provided by fictionalive

arranged, mixed and produced by fictionalive

artwork illustration by peter uertz, düsseldorf / germany

fusion of it all -
fictionalive with the popoems series and the hyper media reports

written and recorded first January 22nd, 2025,
straight after president elect's inauguraution

/
dropped
tuesday, september 2nd, 2025
time - 8:18 pm, central european
hot summer time zone; - today,
not so so much so, a fresh breeze,
a storm is coming, - just kiddin'

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Trump's Return - The Circus of Democracy // Mediaval Tribal Mix

/
Mama Too: It's A F** G-Thang

/
“Mama Too: It's A F** G-Thang” is a powerful chronicle of resistance and truth, stitched from authentic, brave voices broadcast on our mighty Instagram story feed. These voices illuminate the spiraling madness and horror we witness daily: the confirmed genocide in Gaza, enabled by western nations that declare themselves democracies but suppress peace, arresting those who protest the massacre of children under new 'anti-terror' laws—most harshly in the UK.

This song stands in solidarity with those fearless enough to speak, to shine a light, to withstand pressure and misunderstanding. Like Mama, we all know—forced to watch, forced to obey, forced into silence—but the truth demands to be heard. “Mama Too: It's A F** G-Thang” is not just a song; it's a tribute to every witness, every protester, every heartbeat refusing to surrender.

Mama Too: It's A F** G-Thang
is an alternate Garben take on the original drop:
Silencing Voices - Complicit (What Happens In 2025) // Allegro Con Acido
https://soundcloud.com/fictionalive/silencing-voices-complicit-allegro-con-acido

/
music is the song 'Mama Too' written, arranged, played, mixed, produced by Garben @garben

/
new vocal arrangement, new music arrangement and final mix by Garben

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artwork illustration by peter uertz, düsseldorf / germany

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fusion of it all - 
fictionalive with the popoems series and the hyper media reports

/
dropped
friday, september 12th, 2025
time - 4 pm central  european
time zone, tea time, right?
9/11 was yesterday

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..-.--.-..-..-...-.-..-.-.-.----......--.-

Mama Too: It's A F** G-Thang

DOWN BY THE SEA - Re-Mastered Aug 2020
Written, Performed & Produced by Andrew Borderick
Copyright 2019 AB Music All righte reserved.
Mastered by Soundcloud Aug 2020

IF I WAS A BIRD
I COULD FLY THE WORLD
OR LIVE DOWN BY THE SEA
WHERE THE WIND IS FREE

I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
WE'LL FIND A TREE
LIVE UP THERE AND SEE
THE WORLD BELOW

IF I WAS A FISH
I COULD SWIM THE SEA
I WOULD DIVE SO DEEP
SO NO ONE CATCH'S ME

I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
WE'LL FIND A PLACE
AND LIVE OUR LIVE'S AWAY
FROM WHAT'S UP THERE
(break)
IF I WAS A CAT
I WOULD CLIMB THE TREE
OR CATCH YOU BY THE SEA
IT'S JUST A PART OF ME

I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
DOWN BY THE SEA
A PLACE FOR YOU AND ME
WE LIVE BETWEEN,
I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
DOWN BY THE SEA
A PLACE FOR YOU AND ME
WE LIVE BETWEEN

2018 PRO TOOLS

Down by the Sea

DOWN BY THE SEA

ANOTHER WORLD
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2015/2020
Re-Mastered by Andrew Borderick OCT 2020

I'VE HIT THE ROAD, TO FAR TO SEE
WITH ALL THE LONELINESS, IN FRONT OF ME
IT'S GREAT TO SAY, I AM YOU
AND TAKE MY LOVING TO, ANOTHER WORLD
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD

OUR LIVES ROLL BYE, WHERE ARE YOU
I'D TAKE THE CHANCE ON YOU'D, FALL OVER SOON
WILL TIME LET GO, THIS PART IN ME
I GUESS THE BAR MAN, WILL REMEMBER ME
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD
to take the loneliness to another world / to another world x2
(break)
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD
to take the loneliness to another world / to another world x4

2020 From the Vault

ANOTHER WORLD

fictionalive / popoems series / hyper media reports 
2001 / 2011 / 2024

/

/ to(tally) fictionalive or not

/
multi-layered, holistic art project

it speaks take what speaks

/ seen
I want to love – but I need to hate
I need to hate – but I want to love

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nor this nor that
no black and white
no left or right

/

/ + / ⭕️ and the rest will follow


/
welcome, traveler
made with passion 
just for you

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2030 — You Have Nothing to Fear // Almost Silenced Techno Take

fictionalive ⭕️ UNITY