* Love Me With All Your Heart \ Author : Michael Vaughn \ ISWC : T-070.097.988-9
Publishers : Emmi Edition - APRS
Released : June 1964

* Cuando Calienta El Sol \ Authors : Carlos Rigual & Mario Rigual \ Composer : Rafael Gaston Pérez \ ISWC : T-900.760.644-2
Publishers : Edit Mex de Usica Int - Peermusic France
Released : 1961

* And I Love You So \ Songwriter : Don McLean \ ISWC : T-070.880.626-1
Publishers : Benny Birs Company Inc - Mayday Music Inc \ Universal Music
Released : January 1971
__________________________________________________________________

 Live at a wedding anniversary of one of our musician friends. (October, 5th 2013)
It's been 6 years (2007) since we last saw our guitarist and friend.
We hadn't rehearsed these songs at all
--------------------------------------------------------------------------------------------------------------
Vocal : Anh
Lead guitar : Kok
Keyboard : Phong
Recorded : October 5th 2013
__________________________________________________________________

Medley "Love me with all your heart - Cuando calienta el sol - And I love you so"

lyrics

when the rug gets pulled
will you call me like you did before
when the rug gets pulled

when the rugs gets pulled
will you cry to your mama or the one that loves you

when the rug gets pulled
when the bottom falls out
and your heart is in your head
will you call me like you did before
when the rug, when the rug gets pulled

falling, falling
falling, falling
falling, falling

when the rug gets pulled
will you call me like you did before
when the rug gets pulled

when the rugs gets pulled
will you cry to your mama or the one that loves you

when the rug gets pulled
when the bottom falls out
and your heart is in your head
will you call me like you did before
when the rug gets pulled

no more

when the rug gets pulled

Monkeys and Robots

This is an old song I wrote and recorded in 2009. I believe I was getting over the flu and sang this in a Nyquil daze. I hope you enjoy this janky recording. ~cgmaness

Lyrics:
Make it new,
Walk on through,
Get yourself in line.
Memory is a luxury.
Come together puzzle.
Shall it be,
or is it just a well of pennies,
wishing to be turning into gold?
All they ever say,
will melt down the drain.
All she ever meant,
was to see her fantasy.
But isn't it the same.
Shall it see,
Or is it just a belly full of flies,
For you as well?
All it ever was,
is a shake down.
And you follow suit,
Condemned to be a slave.
Will you wake me up?
I'm still asleep.
I'll need a good shovel to the head.

Zero to Life ~ (2009)

Hega - Tree Of Life - 14 After Silence

Roland Effektgeräte-Test6 (thinking about the world)

/
Caught in the Non Act: excerpt upcoming "a Rock-or-Die Opera"
/
music: beats and tune by szalap  @kacper-razdwarazdwa
// ...and additional samples
by fictionalive
/

lyrics written and 
narration provided by fictionalive
// 

excerpt of:
The Stage On Which You Perform: a 'Rock-or-Die' Opera 
https://soundcloud.com/fictionalive/a-rock-or-die-opera


fusion of it all - fictionalive with the popoems series and the hyper media reports
//


/
dropped
Thursday, August 8th, 2025
time - 10:39 AM Central European
Hot Summer Time Zone
today: chaos unfolds —
clouds weep showers of sorrow,
laughter born from disbelief

/
/
// keep shining, crazy little diamond

/
// *

/

"Caught in the Non Act"

At first glance, the phrase seems paradoxical—a riddle whispered in smoke. To be “caught” suggests interruption, perhaps even exposure, yet what is unveiled is the “non act,” a moment defined not by what is done, but what is left undone, unwilled, unexpressed. Here, systems of intention and volition collapse; the actor is held—and holding—precisely at the threshold of action.

I. The Paradox of Presence and Absence

To be “caught in the non act” is to be present at the site of absence. This title evokes the liminal: a threshold where anticipation, hesitation, or silent refusal takes the stage. It aligns with Zen thought—the uncarved block, the sound of one hand clapping—gestures toward meaning that reside in emptiness, stillness, and restraint.

II. Agency in Inaction

Is inaction itself a form of agency? Existentialist thinkers such as Sartre argued that even not-choosing is a choice. To be caught in the non act is to dwell in the suspended animation of potential—the lived tension before choice crystallizes into commitment. Here, the subject is not powerless but powerful in withholding, sabotaging the momentum of events through refusal or hesitation. The non act radiates with possibility, every moment of not-acting echoing futurities never realized.

III. Surveillance and Self-Reflection

“Caught”—by whom? By others, or by the self? If the non act is witnessed, it takes on the texture of surveillance: the fear or thrill of being seen not doing. It is the existential snapshot of one’s truth in the gap, the moment between mask and face, a zone often more revealing than any overt gesture. Inwards, it becomes conscience—self-apprehension at the point of procrastination, moral paralysis, or pure contemplation.

IV. Contemporary Resonance

In an era pressed by productivity and ceaseless motion, “Caught in the Non Act” resists the cult of doing. It honors withdrawal, indecision, the strategic pause, and the mysterious freedom in simply not complying, not reacting, not perpetually performing. To be caught in the non act is perhaps to find, at last, a clearing in the relentless forest of demands—a sacred ambiguity where the self can listen more closely for the next true move.

V. Aesthetic Echoes

The phrase dances with ambiguity and negative space. Like a photograph of a ghost, it suggests presences that can only be glimpsed obliquely—what remains hauntingly unfinished, the beauty in longing rather than attainment. It is the space between musical notes, the silence that frames the utterance, the spell before awakening.

Final Reflection

"Caught in the Non Act" thus stands as a quietly rebellious banner—an enigma that encourages us to ponder the riches of stillness, hesitation, potential, and refusal. It asks us: what, in this stopped moment, have you discovered about movement, intention, and meaning itself? Sometimes—the non act is the truest revolution.

Caught in the Non Act: excerpt upcoming "a Rock-or-Die Opera"

Hall Of Mystery

Web Weaver Supreme

It’s raw, chaotic, and unapologetically me—my mind spilling over in fast, twisted rhymes, juggling pain, anger, and energy. Smoke curls, thoughts spiral, and every line hits like a punch. “Dumm dumm dumm dimmm” is my signature echo, my vibe, my story—real, unfiltered, and relentless.

Every Step's A Hit

Bartender's Tale

/
Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Caught in the Non Act: excerpt upcoming "a Rock-or-Die Opera"

fictionalive ⭕️ UNITY

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