gracias Nacho, @nsistalcomposer 🫶🏽*⭕️*🫵🏽

Daily Drops

U-Dyslexia

Wartsnall VI cut

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – organ and synth

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective. 
  Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his dancing organ and the really cool, psych synth lead part in the bridge towards the end. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.
  Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style. 
   This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.
Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground 
there’s a journey that I’m on and the path is uncertain 
the magic fades when you pull back the curtain 

Wherever you go I will follow
there’s always another tomorrow 

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice 
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow 

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit 
and what it all means man I just don’t know
but it’s a powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow

Wherever U Go-Eclectic Collective

Spirits Are Dancing (2025) Remastered

on your mark

get ready to

cannonball

into the blue



after swimming

sparkle all around you

catch the sound

breakers breaking



stop the boat

get ready to

pick a spot

to slip into



after swimming

as the sunlight bakes you

summer sips

on a sand dune



after swimming

after swimming

come swimming

-----------------------------------------------------------------------------------

image by Leandro Crespi via Unsplash

After Swimming

L-Yellow House

How fun it is to play an instrument! Repeating the same phrase over and over is like a child's game. I'm a grown-up, so I try to make a different phrase, but I get attached to the phrase I've played many times, so I can't change it well. Maybe I should play using chord tones like bebop. I hate practicing, so it's impossible for me.

Saxophone man who hates practicing（327）

Esta canción está basada en un riff de bajo que hizo mi hijo Adrián. En principio su destino era la banda que teníamos "Eléctrica Azul" y se ensayó pero no llego a generarse completamente. La retomé y compuse toda la instrumental. En cuanto a las voces, éstas son samples de uso gratuito que he generado para que se acoplaran bien al tempo y melodía de la canción. 
Para las guitarras he usado mi Duesenberg Palomo Red Sparkle.
Resto de instumentos con plugins. 
Daw: Cubase 14 Pro.
Masterizado con Izotope Ozone 11 Standard.
Gracias por escuchar.

In English:
This song is based on a bass riff my son Adrián wrote. It was originally intended for our band, "Eléctrica Azul," and it was rehearsed but never fully produced. I reworked it and composed the entire instrumental. As for the vocals, these are free samples I generated to fit the song's tempo and melody.
For the guitars, I used my Duesenberg Paloma Red Sparkle.
The rest of the instruments are plugins.
Daw: Cubase 14 Pro.
Mastered with Izotope Ozone 11 Standard.
Thanks for listening.

Canción de Adrián

As a musician and producer, I find myself drawn to the unique sonic landscapes that various musical modes offer. My latest endeavor is no exception; I've experimented with the Mixolydian mode and integrated it into my new deep house track. The result is a melody that is both familiar and exotic, which I'm excited to share. The Mixolydian mode, which is essentially a major scale with a lowered seventh, infuses a bluesy, relaxed feel to my guitar melody, offering a fresh texture to the deep house genre.

Produced in the
ARAPA Music Studio
1.8.2025

Artwork:  #azcreativestudiosydney


Unbroken Spirit

played about with this a lot - again shifted to minor key helped with the spooky vibe - tweaked the words here and there - boom - murder ballad Enjoy 

Well, he walked up to me and he asked me if I wanted to dance
He looked kind of strange  I was lonely so I thought take a chance
When we danced, he held me tight
when he walked me home that night
All the stars were shining bright and then he kissed me
Each time I saw him, he couldn’t wait to see me again
I started to see he thought that I was more than a friend
I didn't know just what to do
When he whispered, "I love you"
I just whispered I love you too, and then he kissed me
He kissed me in a way like he’d never been kissed before
He kissed me in a way like he wanted to eat my soul 
He kept me filled with wine so I gave him all the love that I had
one day, he took me home to meet his mom and hisdad 
As we stood at the grave side 
He told me I would be his bride 
He wiped the last tear from my eye and then he kissed me
Then he told me i was his bride
Forever lie right by his side
He looked so happy as he watched me die
then he kissed me
then he kissed me
then he kissed me

then he kissed me (Crystals cover)

"New beginnings are often disguised as painful endings." - Lao Tzu

"It's strange, but true, that the most important turning points of life often come at the most unexpected times and in the most unexpected ways." - Napoleon Hill

A weekend improvisation, dedicated to the turning points in our lives that often show up unexpectedly, after heavy, difficult times.  As you listen to this piece, you will hear the "turning point" emerge in the music around the 3:22 mark.

A companion piece to "Starting Again."

The Turning Point

slide with me

WHO WILL GOD ICE FIRST
NETANYAHU
WOULD SATAN TOP THE BUCKET LIST
NETANYAHU
I SAY, NO, HE’S NOT THE WORST ONE OF THE LOT
MY GUESS, BIBI NETANYAHU, YAHOO! YAHOO!
>
WHO WILL GOD ASSASSINATE FIRST
I DON’T CARE, JUST WIPE THE SLATE
THE MEN IN SUITS AND THEIR RECRUITS
YAHOO!
THE POLITICIANS WE ALL HATE
>
WHO WILL GOD ASSASSINATE FIRST
YAHOO!
THE LIST IS LONG, THE ONES WE HATE
WHO WILL GOD ASSASSINATE FIRST
YAHOO! YAHOO!
NONE WILL PASS THROUGH HEAVEN’S GATE
>
WHO WILL GOD ASSASSINATE FIRST
YAHOO!
TAKES A LOT TO QUENCH HIS THRIST
TAKE A LOOK AT THE SIZE OF THAT HURSE
YAHOO!
AND THERE’S ROOM ON TOP FOR THE REST OF THE CURSED
>
WHO WILL GOD ELIMINATE FIRST
DOES SATAN TOP THE BUCKET LIST
I SAY NO, WE ARE SO MUCH WORSE
ALL THE PROPHETS SAY WE ARE CURSED

Who Would God Assassinate First?

The tires roll soft on a road unnamed 
A hymn drifts out from a far-off band 
We whisper the words like a secret prayer 
And we follow the night with an open hand 

And we lean into the silence
When the static casts a spell 
We search all the channels 
When the station says farewell
Somewhere by the Nowhere Motel

The lights go red in the rearview glass
A gas pump lit up like a chapel sign
We pass it by like dreams we’ve had
Still whispering into the night

And we lean into the silence 
When the static casts a spell 
We search all the channels 
When the station says farewell
Somewhere by the Nowhere Motel

A voice on the dial says the war is done
But she keeps her coat wrapped so tight
We drive through towns forget their names
As they slowly fade out of sight

And we lean into the silence
When the static casts a spell 
We search all the channels 
When the station says farewell
Somewhere by the Nowhere Motel
Somewhere by the Nowhere Motel

Nowhere Motel (with Joliz)

/
Thank You, and Thank You for the Forgiveness We Hope For
/

Thank You, and Thank You for the Forgiveness We Hope For

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Thank You, and Thank You for the Forgiveness We Hope For

fictionalive ⭕️ UNITY

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