An homage to Cavaliere Spruzzi—Happy Birthday, Guardian of the Grooves! Thank you for the music and more than four decades of service to the dance floors and for safeguarding the vinyl records.

Music carefully used is the song 'I See It Coming' performed by the Mellow Madness Band.

Portrait shot by and courtesy of Jens Krauer—thank you.

The Wonders and Magic of Cavaliere Spruzzi & the funky Spruzzinis

A N A Ï S   G I U L I A

I am an artist, an ASMR artist, a painter and a teacher, I am a writer, poet and musician born in Romania and based in Vienna. 

My published books you can find on AMAZON: 

Heartsong ~ Poetry/Poems on life, love and magic written by Anaïs Giulia
Emerald Moon ~ love letters and stories, written by Anaïs Giulia
In the Light of Love ~ Poetry Collection written by Anaïs Giulia
Silver Moon ~ love letters, written by Anaïs Giulia
Shadow Keepers‘~ novel written by Anaïs Giulia
Elemental Whispers ~ Ancient Healing ~ written by Anaïs Giulia
The Traveler ~ novel by Anaïs Giulia
Winters Heartbeat ~ novel by Anaïs Giulia
King Paimon ~ Lord of the Endless Silence. The Lord of the Abyss ~ Grimoire Dark by Anaïs Giulia
Stories ~ fantasy stories by Anaïs Giulia
Lady in Jade ~ fantasy novel by Anaïs Giulia
Gentle Eye of Anubis ~ fantasy novel by Anaïs Giulia
Blood Lotus ~ The Rise of Osaka ~ futuristic novel by Anaïs Giulia
Dione ~ The Black Rose ~ historical fantasy novel by Anaïs Giulia
Akasha ~ The Queen of the Damned ~ dark fantasy novel by Anaïs Giulia
The Codex of Vyrkolak ~ dark novel by Anaïs Giulia
Gusion ~ The Hymnal Book of the Seer ~ The Voice of the Lion that Roars through time ~ grimoire by Anaïs Giulia
The Black Obelix ~ Tower of the Witches ~ fantasy futuristic novel written by 
The Daughters of the Fire Dragon ~ fantasy novel by Anaïs Giulia
Arbato, The Snow Dragon Queen ~ fantasy novel by Anaïs Giulia
The Woman in the Mirror ~ novel by Anaïs Giulia



My to be published books:

Liza, Liza ~ novel by Anaïs Giulia
Princess Morgana ~ fantasy novel by Anaïs Giulia
The Raven ~ mythical novel by Anaïs Giulia
A Walk with the Devil ~ dark novel by Anaïs Giulia
Egyptian Tales ~ historical novel by Anaïs Giulia
The Theory of God’s Grace ~ futuristic novel by Anaïs Giulia
The Fractured Gate ~ Book One ~ The Hollow Veil by Anaïs Giulia
The Fractured Gate ~ Book Two ~ The Veilwalkers by Anaïs Giulia
Ars Amartia ~ The Legion of Hell ~ dark novel by Anaïs Giulia
The Man with the Luggage ~ futuristic novel by Anaïs Giulia
Anaïs Giulia
Shérézade ~ novel written by Anaïs Giulia.
Anya, The Princess of the North ~ fantasy novel by Anaïs Giulia
Sitri ~ grimoire by Anaïs Giulia
Stories from Ancient Times ~ book by Anaïs Giulia
The Black Cube ~ dystopian novel by Anaïs Giulia
Hades, The Underworld Pact ~ book by Anaïs Giulia
Bael ~ grimoire by Anaïs Giulia
Buer ~ grimoire by Anaïs Giulia
Leraje ~ grimoire by Anaïs Giulia
Astaroth ~ grimoire by Anaïs Giulia
Asmodeus ~ grimoire by Anaïs Giulia



A N A Ï S   G I U L I A

Follow me on Instagram:
anais.giulia 
magic.art.anais
anais.giulia.booka
Follow me on Youtube:
Laiste Moon Daughter
paypal: stanciugiulia@yahoo.com / Anaïs Giulia
E-mail: stanciuiulia84@yahoo.com

based on real events
whether it was a long time ago or recently, it definitely happened.
and something is happening right now

Serious Number (SNR) is a producer combo from Baden, Switzerland, that combines beats from the genres Dub Reggae, Funk and HipHop with live played instruments such as trumpets or percussion.

Even as a small child I wanted to learn a musical instrument...

...since there was a music school in our small town where I grew up, but it was limited to the activities of the local musicians' band, the choice was rather limited... because piano, guitar or saxophone were not offered and that's why I decided me for the trumpet, which was not used for cast-technical reasons, so the FLÜGELHORN became my instrument...
In my youth I turned my back on music and was active in sports towards the end of my teenage years.

/
Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Monorecords since 1996
47Years MusicLover - Selector - VinylOnly - Digger
Love most Homeselling/Storytelling 🫶
For Booking : PM / +41 78 935 36 58

How all began „Spruzzi" (damals erst 12 Jahre alt) war ein grosser Fan seines älteren Bruders Claudio, der als DJ auf der Tanzfläche stets für gute Stimmung sorgte. Inspiriert von seinem Vorbild tigerte der noch ziemlich kleine Knirps wann immer er konnte im Kreis 4 herum, wo er alle Schallplattenläden nach dem schwarzen Gold abklapperte. In den ersten Jahren widmete er seine Leidenschaft dem Rock. Danach kamen musikalische Genres wie: Jazz, Funk, Library, Soul, Afro, Brasil, Latin, Oriental usw. (aus den
60-igern bis heute) hinzu, die seinen musikalischen Horizont erweiterten und seine Plattensammlung beachtlich anwachsen liessen. Zusammen mit seinem damaligen Partner„Pipo“eröffnete er 1996 mitten im Herzen von Zürich, den im In-und Ausland wohl angesagtesten Schallplattenladen der Schweiz „MonoRecords". Dieser entwickelte sich rasch zu einem Mekka für Vinyl-Süchtige oder zum Schrein der geläuterten Vinyl-Anbeter aus aller Welt. Die exquisite Auswahl an Schallplatten von „MonoRecords" wurde bis weit über die Grenzen der Schweiz hinaus bekannt. Andreas „Spruzzi“ Mattiazzo führte diesen Laden 12-Jahre lang mit dem seinem Partner: Daniel“Pipo“Nussbaumer
von 1996 bis 2008.
Natürlich konnte er es nicht lassen auch nebenbei, meist wenn es schon etwas später und etwas dunkler war, die Schallplatten kreisen zu lassen und die hungrige Meute zum Tanzen zu bringen. Heute immer mit seinem schwarzen Gold unterwegs und reitet mit seiner Melanie2 seinem motorisiertem Pferd ob Sommer ob Winter dies nun über3 Jahrzehnte lang, von einer schummrigen Bar zur anderen und macht zwischen Stops in dunklen schumrigen Clubs, tankt sich an sonnigen OpenAir's. Höhepunkte für Ihn selbst waren bis heute seine Montreux Jazz und ZürichFilmFestival ZFF Auftritte. 

Spruzzi ist auch immer wieder ein willkommener Gast in Radio-Sendungen. Lokal zu hören auf Rundfunk.fm, RadioLora oder auch regionalen auf Kanal K, Radio Stadtfilter Winterthur oder Radio SRF „Virus" auch immer wieder und öfter auf Superfly.fm. bei seinem langjährigen Freund Jürgen Drimal in Wien. Superfly.fm ist heute ein RadioSender die Ihren verdienten Respekt weltweit in der Radiowelt unter Enthusiasten und Jazz SoulFunk gelehrten geniesst.
Sonntags ist er auch immer wieder zu hören auf: www.discoversoulfood.ch 

Inzwischen sammelt Spruzzi nun gut 40 Jahren Schallplatten und ein Ende scheint noch immer nicht in Sicht..Lol

Weshalb noch heute bekannte DJ's wie:
Redman, Cash Money, Dj Numark, Dj Spinna, Dj Format (um nur einige zu nennen) bei Spruzzi privat stöbern.
„MonoRecords" befindet sich
in einem wunderschönen, musikalisch und kulturellen Ort Namens: RoxyVinylCafe-Winterthur, ein Besuch lohnt sich auf jeden Fall !

The Wonders and Magic of Cavaliere Spruzzi & the funky Spruzzinis

fictionalive ⭕️ UNITY