Aqua

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What is FREEDOM? Was ist Freiheit?

*with PAPLOVIANTE and FRIENDS / Still Think Positive : feel it mix
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a PAPLOVIANTE and FRIENDS /+/ fictionalive collab, marriage in spirit (unapproved yet)
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music: PAPLOVIANTE and FRIENDS
visit and explore (https://soundcloud.com/paploviante-and-friends)

lyrics: fictionalive

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fusion of it all - fictionalive with the popoems series and the hyper media reports

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/ dropped July 30, 2025
/ time: 04:46 pm, Central European hot Summer Time
/ today: not so so much

*

*

*
// freiheit, nicht gegeben - gemacht

What is FREEDOM? Still Think Positive : feel it mix

this track was made for the Alien Music Challenge/LTV Alien compilation

Irresistible Earthly Cheese

The very nature of desire is that it remains unfulfilled
- Osho
🖤
A song about existing
🖤
Watch the video: https://youtu.be/uMfXWkOORQc
🖤
lyrics
(In my dreams...)
It's a pattern
I've seen repeating
(From where you're standing)
The destruction
Is deleting
All the promise
I was holding
(From where you're standing)
And crippled
What was unfolding
I thought I wanted you
But now I see
(From where you're standing)
That's just not true
And it can't be
(I tried to meet you in my dreams)
((In my dreams))
Perceive me
From where you're standing
Judge me
I am expanding
So run away
From the brightness
This silence is
My politeness
Perceive me
From where you're standing
Judge me
I am expanding

releases August 23, 2025

Paradox of Desire

Leohnart - Blue Monkey
artist : @leohnart-officiel
remixes by : @dvniel-dt
Label: @cosmovisionrecords
Stream/Download : https://fanlink.tv/bluemonkey

Release Date : August 9th, 2025
❅──────✧❅✦❅✧──────❅

Cosmovision Records proudly presents Blue Monkey, the latest sonic journey from French producer Leohnart — an artist celebrated for his finely crafted downtempo soundscapes that walk the line between introspective depth and subtle power. This 4-track EP is a deeply personal exploration, rich with emotion and imagination. A true nature lover, Leohnart draws inspiration from the simplicity and stillness of the natural world — a place where he nurtures his creativity and reconnects with his artistic essence. To expand the vision, Blue Monkey also features a stellar lineup of remixers: Jonas Fasching (Germany), Nat Barrera (Argentina), Atemporal (Mexico), and Dvniel (Mexico) — each offering their own unique sonic interpretation, adding fresh layers to this evocative musical journey.

Cosmovision Records
https://soundcloud.com/cosmovisionrecords

Leohnart - Like Father Like Son (Dvniel Remix)

Leohnart - Like Father Like Son (Dvniel Remix) [Cosmovision Records]

Telepathy

Get in line

Album - Movimiento (2025)
Spotify : open.spotify.com/intl-es/artist/0…T1awEpGKxdg97zwl
Apple Music: music.apple.com/ar/artist/tomas-p…iretti/1829015919
Instagram: www.instagram.com/tgpeiretti/

Amistades

Mid weak chip tune. Used samples of Zoda’s Revenge for Nintendo entertainment system.

PAUSE

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Colonial Powers, The Legacy That Never Left The Building
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/
lyrics: fictionalive
music: mobygratis
written, produced, licensed, and provided
by mobygratis
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coVer ArT fictionalive DYI, wall shot 01.001.02
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fusion of it all - fictionalive with the popoems series and the hyper media reports
/
/
dropped
Wednesday, August 6th, 2025
05:50 AM Central European
Hot Summer Time Zone
today, not so so much so
/
/
*
/
// keep shining, crazy little diamond

/

/
What's it all about..
/

"Colonial Powers, The Legacy That Never Left The Building"

This title, poised on the cusp of irony and indictment, addresses its subject with the stylish precision of a rapier’s point. It evokes not a dusty treatise, but an invitation—a salon, a stage, a chamber in which the ghosts of history pace the parquet floors still.

First, observe the flourish: “Colonial Powers,” those familiar colossi, are not consigned to the tomb of history but linger on, uncannily present. The subtitle—“The Legacy That Never Left The Building”—is, for the feuilletonist, a masterstroke of sardonic wit. It both plays on the pop idiom (“Elvis has left the building”) and subverts it; here, the ‘star’ of colonialism remains stubbornly present, lingering in the architecture, policy, and psyche of postcolonial spaces.

A featherlight sarcasm hovers above the phrase, the kind that—with a knowing wink—invites the reader into a tacit complicity: of course the legacy never departed; did we ever truly believe otherwise? The construction conjures irony, a chief weapon of the feuilleton, and implies a skepticism learned by long acquaintance with the tricks of history and the repetition of power.

In the grand tradition of feuilleton writing, the title itself is both diagnosis and epigram. It distills a complex and ongoing wound—economic, cultural, and psychological—into a phrase brisk enough for any café table debate, yet sharp enough to lacerate complacency. The cadence, with its comma and deft repetition, creates a rhythm of announcement followed by wry afterthought: here is the topic, here is the verdict, subtle as a raised eyebrow.

Stylistically, it profits from the feuilleton’s hybrid nature: journalistic immediacy (this is happening now, everywhere); literary artistry (the phrase hits with double entendre); societal critique delivered with a velvet touch. It would not be misplaced, one suspects, at the bottom of a Sunday paper’s cultural page—nestled among witty rebukes, conversations with old Europe, portraits of vanished grandeur, and exposes of lingering injustice.

In sum: the title stands as a crisp, satirical banner—lucid, layered, and perfectly feuilleton. It raises its subject not with ponderous solemnity, but with the bracing, intimate skepticism that is the feuilleton’s signature. On guard, indeed: the building is filled with echoes, and this title leaves no doubt that someone—or something—has stayed behind.

Plaintext and ready for instant release, Captain!

Colonial Powers, The Legacy That Never Left The Building

made by sampling banging things with rocks (from the unmoved giant rock pile)
using koala sampler
zoom h1
and NCH software

Made with rocks ROCK - these are some of my ancestors!

/ - - . . - . - -  . - .. I AM beating 
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/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.