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Why the AI Race - Just Blame the Algo (Our Fear of Randomness and Mortality)

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lyrics written and narration provided by fictionalive

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music written, arranged, played, produced, licensed, and provided by mobygratis.com

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vocal arrangement, production, final mix and dropped by fictionalive

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tune in for the series here - 
About AI and Us - Beyond Your Song // Why The AI Race: 7 tracks or more
https://soundcloud.com/fictionalive/sets/why-the-ai-race-about-ai-and

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artwork illustration peter uertz, düsseldorf / germany

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fusion of it all - 
fictionalive with the popoems series and the hyper media reports

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drop - OPEN
thursday, september 11 2025
time - 10:21 pm, how was dinner?
central european time zone
remember 9/11? happy what?

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single 6 of the upcoming album Why The AI Race

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Why the AI Race - Just Blame the Algo (Our Fear of Randomness and Mortality)

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Black pill will ruin you then put you back together

Here I would like to present music composed and produced by myself (multitracking guitars, bass, and drums) and pieces that were created in the context of various bands since 1990. Some of the tracks are completely worked out, some are demos, some are from jam sessions, and some are live recordings. When relevant, in each single track the band name is given, the respective players are listed, and details as to the background of the music are presented.
All drawings and paintings were done by myself and, in some cases, by my wife, Andrea.

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

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Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
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/ -- . .  -- . -- .. --  I AM LIVING PROOF
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
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/ : fictionalive, July 30 - 11:11 am
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For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

U.Poet (Real Hip Hop Artist)--Im Also Apart Of The Group (Scribes Of Avalon) Check Out My Back Up Page With Unreleased Songs link Below https://soundcloud.com/upoet-unreleasedtracks?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Monorecords since 1996
47Years MusicLover - Selector - VinylOnly - Digger
Love most Homeselling/Storytelling 🫶
For Booking : PM / +41 78 935 36 58

How all began „Spruzzi" (damals erst 12 Jahre alt) war ein grosser Fan seines älteren Bruders Claudio, der als DJ auf der Tanzfläche stets für gute Stimmung sorgte. Inspiriert von seinem Vorbild tigerte der noch ziemlich kleine Knirps wann immer er konnte im Kreis 4 herum, wo er alle Schallplattenläden nach dem schwarzen Gold abklapperte. In den ersten Jahren widmete er seine Leidenschaft dem Rock. Danach kamen musikalische Genres wie: Jazz, Funk, Library, Soul, Afro, Brasil, Latin, Oriental usw. (aus den
60-igern bis heute) hinzu, die seinen musikalischen Horizont erweiterten und seine Plattensammlung beachtlich anwachsen liessen. Zusammen mit seinem damaligen Partner„Pipo“eröffnete er 1996 mitten im Herzen von Zürich, den im In-und Ausland wohl angesagtesten Schallplattenladen der Schweiz „MonoRecords". Dieser entwickelte sich rasch zu einem Mekka für Vinyl-Süchtige oder zum Schrein der geläuterten Vinyl-Anbeter aus aller Welt. Die exquisite Auswahl an Schallplatten von „MonoRecords" wurde bis weit über die Grenzen der Schweiz hinaus bekannt. Andreas „Spruzzi“ Mattiazzo führte diesen Laden 12-Jahre lang mit dem seinem Partner: Daniel“Pipo“Nussbaumer
von 1996 bis 2008.
Natürlich konnte er es nicht lassen auch nebenbei, meist wenn es schon etwas später und etwas dunkler war, die Schallplatten kreisen zu lassen und die hungrige Meute zum Tanzen zu bringen. Heute immer mit seinem schwarzen Gold unterwegs und reitet mit seiner Melanie2 seinem motorisiertem Pferd ob Sommer ob Winter dies nun über3 Jahrzehnte lang, von einer schummrigen Bar zur anderen und macht zwischen Stops in dunklen schumrigen Clubs, tankt sich an sonnigen OpenAir's. Höhepunkte für Ihn selbst waren bis heute seine Montreux Jazz und ZürichFilmFestival ZFF Auftritte. 

Spruzzi ist auch immer wieder ein willkommener Gast in Radio-Sendungen. Lokal zu hören auf Rundfunk.fm, RadioLora oder auch regionalen auf Kanal K, Radio Stadtfilter Winterthur oder Radio SRF „Virus" auch immer wieder und öfter auf Superfly.fm. bei seinem langjährigen Freund Jürgen Drimal in Wien. Superfly.fm ist heute ein RadioSender die Ihren verdienten Respekt weltweit in der Radiowelt unter Enthusiasten und Jazz SoulFunk gelehrten geniesst.
Sonntags ist er auch immer wieder zu hören auf: www.discoversoulfood.ch 

Inzwischen sammelt Spruzzi nun gut 40 Jahren Schallplatten und ein Ende scheint noch immer nicht in Sicht..Lol

Weshalb noch heute bekannte DJ's wie:
Redman, Cash Money, Dj Numark, Dj Spinna, Dj Format (um nur einige zu nennen) bei Spruzzi privat stöbern.
„MonoRecords" befindet sich
in einem wunderschönen, musikalisch und kulturellen Ort Namens: RoxyVinylCafe-Winterthur, ein Besuch lohnt sich auf jeden Fall !

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
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I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
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This one here (957729823) is for regular folks.

I love you, both.

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You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
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My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
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I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
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Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Why the AI Race - Just Blame the Algo (Our Fear of Randomness and Mortality)

fictionalive ⭕️ UNITY