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Why the AI Race - The Winners and the Losers: Who's Actually Winning?

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lyrics written and narration provided by fictionalive

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music written, arranged, played, mixed, produced, licensed, and provided by mobygratis

vocal arrangements, production, final mix and drop by fictionalive

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artwork illustration by peter uertz, düsseldorf / germany

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tune in for the series here -
About AI and Us - Beyond Your Song // Why The AI Race: 7 tracks or more
soundcloud.com/fictionalive/sets/why-the-ai-race-about-ai-and

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fusion of it all -
fictionalive with the popoems series and the hyper media reports

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dropped
wednesday, september 17th, 2025
time - 1:44 pm central european hot
summer time zone; today, we are
weathering the storms again


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Why the AI Race - The Winners and the Losers: Who's Actually Winning?

Hey, hope you enjoy the music 🎹

Attention !!! : At certain intervals the main genres will rotate and occasionally something else will come in between.


And if I can only reach one person who likes my music, it was the right decision to present my works.
Camo


Happy and joyful about any support, whether a like, follow, comment or repost




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Main:


Hip Hop: Valve

Downtempo/Chill/Organic/Ethno-House: Kokon

Cumbia/Latin: Cumbianaut

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Something else:


Breakbeat/DnB: Molch

Rock: Space Station 

Tech-House/Trance: Trittpfad 

Cinematic/2 Tone/Ska/classic: Chair Room

fictionalive / popoems series / hyper media reports 
2001 / 2011 / 2024

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/ to(tally) fictionalive or not

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multi-layered, holistic art project

it speaks take what speaks

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I want to love – but I need to hate
I need to hate – but I want to love

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nor this nor that
no black and white
no left or right

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/ + / ⭕️ and the rest will follow


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welcome, traveler
made with passion 
just for you

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Monorecords since 1996
47Years MusicLover - Selector - VinylOnly - Digger
Love most Homeselling/Storytelling 🫶
For Booking : PM / +41 78 935 36 58

How all began „Spruzzi" (damals erst 12 Jahre alt) war ein grosser Fan seines älteren Bruders Claudio, der als DJ auf der Tanzfläche stets für gute Stimmung sorgte. Inspiriert von seinem Vorbild tigerte der noch ziemlich kleine Knirps wann immer er konnte im Kreis 4 herum, wo er alle Schallplattenläden nach dem schwarzen Gold abklapperte. In den ersten Jahren widmete er seine Leidenschaft dem Rock. Danach kamen musikalische Genres wie: Jazz, Funk, Library, Soul, Afro, Brasil, Latin, Oriental usw. (aus den
60-igern bis heute) hinzu, die seinen musikalischen Horizont erweiterten und seine Plattensammlung beachtlich anwachsen liessen. Zusammen mit seinem damaligen Partner„Pipo“eröffnete er 1996 mitten im Herzen von Zürich, den im In-und Ausland wohl angesagtesten Schallplattenladen der Schweiz „MonoRecords". Dieser entwickelte sich rasch zu einem Mekka für Vinyl-Süchtige oder zum Schrein der geläuterten Vinyl-Anbeter aus aller Welt. Die exquisite Auswahl an Schallplatten von „MonoRecords" wurde bis weit über die Grenzen der Schweiz hinaus bekannt. Andreas „Spruzzi“ Mattiazzo führte diesen Laden 12-Jahre lang mit dem seinem Partner: Daniel“Pipo“Nussbaumer
von 1996 bis 2008.
Natürlich konnte er es nicht lassen auch nebenbei, meist wenn es schon etwas später und etwas dunkler war, die Schallplatten kreisen zu lassen und die hungrige Meute zum Tanzen zu bringen. Heute immer mit seinem schwarzen Gold unterwegs und reitet mit seiner Melanie2 seinem motorisiertem Pferd ob Sommer ob Winter dies nun über3 Jahrzehnte lang, von einer schummrigen Bar zur anderen und macht zwischen Stops in dunklen schumrigen Clubs, tankt sich an sonnigen OpenAir's. Höhepunkte für Ihn selbst waren bis heute seine Montreux Jazz und ZürichFilmFestival ZFF Auftritte. 

Spruzzi ist auch immer wieder ein willkommener Gast in Radio-Sendungen. Lokal zu hören auf Rundfunk.fm, RadioLora oder auch regionalen auf Kanal K, Radio Stadtfilter Winterthur oder Radio SRF „Virus" auch immer wieder und öfter auf Superfly.fm. bei seinem langjährigen Freund Jürgen Drimal in Wien. Superfly.fm ist heute ein RadioSender die Ihren verdienten Respekt weltweit in der Radiowelt unter Enthusiasten und Jazz SoulFunk gelehrten geniesst.
Sonntags ist er auch immer wieder zu hören auf: www.discoversoulfood.ch 

Inzwischen sammelt Spruzzi nun gut 40 Jahren Schallplatten und ein Ende scheint noch immer nicht in Sicht..Lol

Weshalb noch heute bekannte DJ's wie:
Redman, Cash Money, Dj Numark, Dj Spinna, Dj Format (um nur einige zu nennen) bei Spruzzi privat stöbern.
„MonoRecords" befindet sich
in einem wunderschönen, musikalisch und kulturellen Ort Namens: RoxyVinylCafe-Winterthur, ein Besuch lohnt sich auf jeden Fall !

My Youtube page: https://www.youtube.com/channel/UCr_CyQX6saWECnFHOAMeybQ

Autodidacta.
Do you want to collaborate with me?

Os dejo enlaces de videos con mi música.
https://www.youtube.com/watch?v=-683SRkYYC4
https://www.youtube.com/watch?v=w6sdvyWwUEg
https://www.youtube.com/watch?v=jbaHTYM5578&lc=UgwJuZBUZtukNRwRh1F4AaABAg

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
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I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
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Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Why the AI Race - The Winners and the Losers: Who's Actually Winning?

fictionalive ⭕️ UNITY